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After seven years between records, The Twilight Sad have returned with It’s the Long Goodbye, an album forged through grief, survival and renewal. Was it all worth it? Well, listen for yourselves. And do keep in mind that the album ranks 4th so far on the Album of the Year 2026 best-of league. Not that we advocate music as a competition. Just saying, some albums are clearly worth the work. Speaking to David Freer on this episode of The Art of Longevity Podcast, vocalist James Graham and...
From his early days with proto-punk pop band Slik, through his tenure with ex-Sex Pistol Glen Matlock’s Rich Kids, the creation of Visage, and touring with Thin Lizzy, to his major league success with Ultravox, and then his pivotal musical role in Band Aid and Live Aid, Midge Ure was a constant and significant force in the evolving music scene of the late seventies and eighties. 2026 sees his first release of new material in twelve years, a double album entitled A Man Of Two Worlds. In ...
Ladytron have never followed a conventional path to longevity. That’s good, because there isn’t one. This band has worked through cycles - creative surges, enforced pauses, patches of momentum, a hiatus, and reinvention. The unglamorous realities of sustaining a working band across decades. Daniel Hunt has been through these cycles a few times and knows how to press reset. “Every record has its own story,” he says, adding, with understatement, that “every record has to involve someone having ...
Ólafur Arnalds reflects on creativity, the changing music landscape, and the deeper emotional connection we risk losing in a hyper-digital world. This conversation unfolds less like a traditional interview and more like a meditation on what music is—and what it could still become. Arnalds speaks candidly about the role of streaming platforms in his career. Algorithms have elevated his genre (neo-classical) to global visibility, but they’ve also introduced fundamental creative pressures (he re...
In an era dominated by playlists, TikTok, Reels and Shorts, reduced attention spans and endless content, Karnivool doubled down on the album as a complete statement - the album as the antidote. As Drew Goddard says. “In the age of content, I thought it was even more important to release an album.” For Karnivool, the album remains more than a collection of tracks. It is a long-form quest (in this case, lasting 12 years), both for the band and the listener. “I struggle with focus,” Goddard expl...
I gave Sean Rowley a call after writing up an article on “Unguilty Pleasures” (see Chill Gonzales episode 64) - Gonzales' campaign against music snobbery and treatise on the pleasures of Enya's music. It became clear that the story of Rowley's own creation, Guilty Pleasures, was very much a candidate for the Art of Longevity. Guilty Pleasures became that wonderful thing - a content brand (before we called them that) that grew octopus arms. The club nights quickly grew by word-of-mouth, ...
Emerging from Edinburgh’s music scene in the mid-1990s, Idlewild carved out their place in a British rock scene choc-a-bloc with guitar bands (the halo of Britpop) through a combination of emotional intensity and literary edge. All of this is present in the band still, right down to new song “Back Then You Found Me” name checking Dylan Thomas’s Under Milk Wood. Their 1998 debut album, Hope Is Important, announced them as something more than just another Scottish guitar band. Their songs...
I’ve been trying to get Tim Burgess to join me on The Art of Longevity for at least 10 seasons. Ultimately, a new Charlatans album, We Are Love, seemed like the right reason to finally do it. I’ve said it before, but I’m genuinely amazed and thrilled about how many ‘old bands’ have put out a recent album that is up there with their very best work. Suede, The Manics, Nada Surf, Tindersticks et. al. And I’m delighted to now include The Charlatans in that club. The band’s new album, #14 no...
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Uniquely honest conversations with famous and renowned musicians. We talk about how these artists have navigated the mangle of the music industry to keep on making great music and winning new fans after decades of highs and lows. We dive into past, present and future and discuss business, fandom, creation and collaboration. What defines success in today's music business? From the artist's point of view. The Guardian: “Making a hit record is tough, but maintaining success is another skill entirely. Music industry executive Keith Jopling explores how bands have kept the creative flame alive in this incisive series”.
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