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School of Podcasting: Expert Tips for Launching and Growing Your Podcast: Daily Summaries Delivered
by Dave Jackson
You want to start a podcast, but you’re unsure where to start. You need advice on how to grow or monetize your show, and stop being so scared that it won’t work! I can help by showing you what mistakes NOT TO MAKE and much more. Soak in the 18+ years of podcasting experience from Podcaster Hall of Fame Inductee Dave Jackson.
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- 1 weeks ago33 min
Attention vs. Connection
A few years ago I accidentally hit a guy on the golf course. I'm not proud of it — although it did bank in almost perfectly off his calf on its way toward the hole. But the swing that caused it taught me something I haven't stopped thinking about: my brother told me to quit trying to kill the ball and just make good contact. Looking at podcasting, it turns into the best explanation I've found for why so many podcasts stop growing.If you've ever chased a bigger download number, wondered why nobody signs up for the thing you're selling despite having a decent audience, or just felt like you're doing everything and getting nowhere, keep listening — because the fix isn't a bigger swing.It's Not About a Big Audience. It's About the Right One.I talk to podcasters constantly who are chasing the same fantasy: flip a switch, get 10,000 downloads overnight. I get it — I've wanted that too. But it doesn't exist unless you've got a massive budget, and even then it doesn't always work.Quick, honest question: who won American Idol season six? They had a million people watching. Doesn't mean you remember them, and it doesn't mean they connected.Here's the math that changed how I think about this: if you ran your show as a $30-a-month membership, you'd only need one person willing to pay to break even (assuming you're spending $30/month). But not just any listener does that — it has to be someone connected to you. So the real target was never more downloads. It's finding roughly 500 right-fit people who trust you. Downloads don't join a membership.Connected people do.What a Musician Taught Me About ConnectionI study podcasters, but I also study musicians, authors, and YouTubers, because we're all in the same business — entertaining people with our art. One of my favorite channels right now is Mary Spender's. She's a musician, not a podcaster, but what she said recently hit me right in the chest:"We've spent years treating streaming numbers as though they measure fandom, but perhaps they often measure familiarity instead. Millions of streams doesn't necessarily become hundreds of people willing to leave the house on a Wednesday evening. Maybe we've become incredibly good at measuring attention, but forgotten how to measure connection."Swap "streams" for "downloads" and "tickets" for "memberships," and she's describing exactly what's happening in podcasting. Mary lost £12,000 on her last tour. Instead of giving up, she changed her approach: "Not to chase the biggest room, to chase the right room. Not to impress the most people, to matter to the people who choose to be there." Knowledge is knowing that. Wisdom is acting on it — and she is, booking her own shows again, more intentionally this time (And enjoying it more).How to Actually Get in Front of the Right PeopleWe've been brainstorming growth ideas in the School of Podcasting community, and the point was never to do all of them — it's to pick one, test it, and measure it. A few examples:Guesting on other podcasts that share your audience — less friction, since that audience already knows how to listen to a podcast.Podcast swaps, shout-outs, or a 30-second promo trade.Speaking engagements or workshops.Writing for a publication your audience already reads.Your own blog and SEO — no, it's not dead.Partnerships that go beyond sponsorship, where you actually help each other promote.Word of mouth — which drives roughly 70% of podcast growth, and yet almost nobody deliberately asks for it. Ask your audience, specifically and simply, to share the show with one friend.Local, unglamorous options: I used to slip a business card into a book on the page matching my age, in a genre my audience would read. Free. Slow. It worked, a little at a time.None of these flip a switch. They're singles, not grand slams. You build an audience one person at a time.Would you spend 5 minutes to get 36 people to your site each week?How I Found Out What's Actually Working: Click TrackersHere's the part that surprised me. I started putting a click tracker (I use Switchy) on every link I post — social, LinkedIn, wherever. Takes about 41 seconds per link. What I found: my email list outperformed every social platform by double digits, while everything else stayed in single digits. One email drove 36 clicks in a week — times four weeks, that's potentially 144 people who might actually listen, follow, or tell a friend. And it cost me less than five minutes.Would you spend 5 minutes a week to get 36 people to your site each week? Again, this is not the 10,000 switch. It's one</
- 2 weeks ago44 min
Intuition Over Imitation: Lessons from the Empowered Podcasting Conference
What I Learned (and Relearned) at Empowered Podcasting ConferenceI got triggered at a podcasting conference last week, and honestly? I almost jumped out of my chair. Someone in the room said something that stopped me cold, and it's become one of the biggest lessons I'm bringing back to you this week — along with a story about a $230 million quarterback who won't take feedback, why "cheating off the smart kid" with AI is quietly ruining your podcast, and the subscription I found on my own bank statement that I'd been paying for and not even using. This episode is a mashup of my talk at Empowered Podcasting Conference 3 in Charlotte and everything I picked up just from being in the room. Let's get into it.It's Your Show. Own It.This is the one that made me want to stand up. Someone in a session said, "Well, I can't ask my guest to keep their answers short." Yes, you can. It's your show. If you're doing interviews, you're the goalie — it's your job to keep anything that doesn't serve your audience out of the episode. And if a guest rambles, that's usually on the host, not the guest. Give your guest a target before you hit record: who you're talking to, and whether you want short, medium, or long answers. A guest who doesn't get a target from the host should ask for one. Own your show. Set the boundaries. Your audience is who you're protecting.What Actually Makes Content RemarkableMy talk was about what makes a podcast good, and I focused on what makes any content remarkable. I walked through a few movies to prove it:Saving Private Ryan — that D-Day opening wasn't new information (we all knew WWII was brutal), it was a new way of presenting it. People talked about it because nobody had seen it shown like that.The Sixth Sense — a tiny budget that beat big blockbusters like The Lone Ranger because of one twist: we don't find out Bruce Willis's character is dead until the end. People walked out of the theater and called a friend to say "you have to see this." That's the goal — content remarkable enough that it spreads on word of mouth alone.Gone with the Wind — a 1939 movie with an actual intermission, and people still talk about the burning of Atlanta (a real fire on the studio backlot, no CGI) and that last line — "Frankly, my dear, I don't give a damn" — which had audiences clutching their pearls. Again, something people had not seen before.Star Wars — I saw it eleven times as a kid, and even when half the theater had already seen it multiple times, everybody still cheered when the Death Star blew up. That's not just about the special effects. That's about how it made people feel.A podcast episode is content plus delivery — and delivery is you: your attitude, your confidence, your life skills. My rule of thumb for what makes a good episode: laugh, cry, think, groan, educate, or entertain. Save them time or save them money. Try to hit more than one of those in every episode.The Most Underrated Skill in Podcasting: ListeningEveryone assumes the top skill is a great voice or being funny. It's not. It's your ability to listen — to your audience, and to feedback.Case in point: The Cleveland Brown's quarterback, the one we paid $230 million despite a stack of off-field allegations. He's not good at his job. When fans booed him, his response was basically "you guys don't like me" — not "I need to get better," not "tell me more." He made it personal instead of taking it as information. I hear the same thing constantly from podcasters. I'll offer to help someone grow their show, ask which episode they want me to listen to, and they'll say "oh, it's not the content." If you're not willing to actually hear feedback, don't be surprised when your show doesn't grow.The AI Shortcut That's Quietly Killing Your VoiceThis is the one I need you to sit with. There's a real strategy going around called the outlier strategy: if you and a competitor share an audience, and one of their episodes way outperforms their normal numbers, you make your own version of that topic. Legitimate strategy.Here's where it goes sideways — people are grabbing the transcript of that outlier video, feeding it to AI, and saying "rewrite this in my voice." And the whole reason they're doing a podcast in the first place is to be seen as a thought leader — using someone else's thoughts.It might work about 80% of the time (I'm making that number up), and that missing 20% is the part that's actually, uniquely you. Mark Maron said it best: "You're not thinking your own thoughts. You're a hack with an excuse for why you're failing."I'm not anti-AI — I use it to organize my o
- 3 weeks ago39 min
12 Business Lessons Podcasters Can Learn From Dolly Parton
Dolly Parton died on August 25, 2026, at age 80. While most tributes are focused on the music, this episode looks at something else entirely: Dolly Parton the businesswoman and entertainer. She sang at the Grand Ole Opry at 13 and was still building her empire seven decades later, which is rare in an industry where most acts have a five-to-ten-year run. As we like to say around here, success leaves clues, and Dolly left a lot of them. Below are 12 lessons pulled from her career, each one translated into something a podcaster can actually use.Take Advantage of Opportunities When They Show UpIn the late 1960s, a teenage Dolly landed a spot on the syndicated Porter Wagoner Show, earning $60,000 a year — by her own account, more money than she'd ever seen. She could have stayed comfortable as Porter's sidekick. Instead, she used the platform to build her name, and when she'd gotten what she needed from it, she left in 1974 to build something that was actually hers. Wagoner threatened to have her dropped from her label and later sued her; she ended up paying roughly $1 million to settle it, and the relationship took years to repair before the two eventually reconciled (American Songwriter, Cheat Sheet).Why it matters for your podcast: your show builds relationships, those relationships create opportunities, and taking advantage of those opportunities (a guest slot, a speaking gig, a collaboration) is what grows your audience — which creates more relationships. It's a loop, and it only works if you actually act when the opportunity shows up.Build a Podcast Brand People Instantly RecognizeYou knew Dolly when you saw her. Her wig, the rhinestones, the exaggerated glamour, her boobs, wasn't an accident. She said she based it on the town's "tramp."Dolly's response: I wanted to look like her. I thought she was beautiful. Her best line, "It costs a lot of money to look this cheap" says it all. When Barbara Walters pushed her on it in a 1970s interview, essentially implying she looked like a hillbilly, Dolly shot back that she might "kick her in the shin" and laughed the whole way through it.Why it matters for your podcast: a distinctive brand gets you noticed once. Celebrity, a striking name, a bold visual that earns the first click. What earns the return listener is the talent and substance behind it. Dolly had both, and so should your show.Own Your Audience — Don't Rent It to a PlatformDolly wrote "I Will Always Love You" in 1973 as a farewell to Porter Wagoner. When Elvis wanted to record it in 1974, his manager Colonel Tom Parker demanded the publishing rights as a condition for Elvis to record it. This was a standard (crappy) practice for an Elvis cut at the time.Dolly said no, even though it was Elvis. Nearly two decades later, Whitney Houston's version spent 14 weeks at No. 1 and sold an estimated 20 million copies. Because Dolly still owned 100% of the publishing, that single song brought her roughly $10 million in royalties in the 1990s alone, and an estimated $20 million total from the Houston version according to Forbes (American Songwriter).Why it matters for your podcast: As fellow podcaster Steve Stewart puts it, "Don't sell your audience to your sponsor, sell your sponsor on the value of your audience." The same logic applies to platforms: own your website, your domain, and your email list so no single network or app can take your audience away from you. It happens — YouTube pulled a top parenting podcast off the platform entirely (before reinstating it after public pressure). Dolly held onto her publishing because she knew the long game mattered more than a quick win. Hold onto your feed the same way. This is why an RSS feed is important. You can't be cancelled, and you can easily move to a new host if needed.Don't Take Yourself Too SeriouslyLong before a critic could land a joke, Dolly had already made it herself. On plastic surgery: "If I see something sagging, bagging, or dragging, I'm going to have it nipped, tucked, or sucked." Even the announcement of her passing carried her sense of humor forward, joking that she was finally ready to trade the
- 4 weeks ago33 min
How Many Podcast Downloads Do You Actually Need to Keep Going?
What is Your Rock Bottom Podcast Downloads Number?Everybody talks about growing their audience. Nobody talks about the number where they'd quietly give up.This month's Question of the Month flips the growth conversation on its head: what's the smallest number of downloads that would keep you making your show — and if you dropped below it, would you quit, or try to fix it? The answers from School of Podcasting listeners are surprisingly close... and my answer might not be a number at all.Also in this episode: a guest-pitch so bad it somehow involves a U-Haul dealership, and a heads-up on a booking-platform trick you'll want to know before you pitch yourself as a guest anywhere.In this episodeThis month's Question of the Month: what's your download floor?Steve Stewart says he'd think about quitting under 25 downloads an episode — but here's why he probably wouldn'tFrank Bravo is already running on "10s" of downloads, and explains why that number doesn't bother himRalph Estep Jr. went from 20 downloads to over 1,000 — but what actually keeps him going isn't the numberDave's answer: which of his 30+ podcasts he let die, which ones he kept, and why it's rarely about the download countThe 6-episode survey test — how to know if it's time to change your show or just accept where it's atScott Johnson (What Was That Like) shares the worst guest pitch he's ever receivedA warning about how some guests are gaming booking platforms like PodMatch — and how to vet who you let on your showLinks mentionedSchool of Podcasting — use code LISTENER for a discount on monthly, quarterly, or yearly plansPodPage — this episode's sponsorSteve Stewart — Podcast Editor Academy / Podcast Editors MastermindFrank Bravo — Your Tech MakeoverRalph Estep Jr. — ralphestepjr.com / new show: Becoming Financially Confident (launching Aug 31)Scott Johnson — What Was That LikeYork - Welcome to Earth StoriesPodMatchPodcastGuest.comPitch a PodcastBuilding a Better DaveMarketing MusicianWeekly Web ToolsNew To CookingThis content may contain affiliate links, meaning I earn a small commission if you purchase through these links at no additional cost to you. I only recommend products or services I trust and believe will provide value to you. Thank you for your support!Mentioned in this episode:Where Will I Be?I love meeting you when I'm out at events. Here are some of my next events: Podcast Movement September 17-18 Podindy November 7th (use the coupon pacer at podindy.com)Where Will I Be?Question of the Month: Constructive and Deconstructive FeedbackThis month we are talking feefdback. What is the most constructive or deconstructive (or both) piece of feedback you've received. If you haven't asked for feedback, why not? I need your answer by September 25th (late entries won't be accepted) go to www.schoolofpodcasting.com/question and be sure to mention your show and your website address so I can link to it in the show notes.<a href="https://school-of-podcasting
- Aug 17, 202631 min
YouTube Just Got Harder, Spotify Still Doesn't Care
You Down With YPP?Episode Description:I break down YouTube’s latest changes to its Partner Program, including doubled watch-hour requirements and higher Shorts monetization thresholds ahead of the February 2027 deadline. I also bring in YouTube expert Adam Ivey’s take on why the real story isn’t necessarily the new criteria, and I share my own channel’s numbers so you can set realistic expectations for your own YouTube journey.Then the AI kids stop by for story time as I take a look at Spotify’s decade-long history of making big podcasting promises—and quietly failing to deliver on them. From a scrapped hosting partnership to a Creator Fund that never paid a cent, there’s plenty to unpack.Plus, Ray Ortega drops by with the shortest—and most accurate—definition of “podcast” you’ll ever hear.YouTube Partner Program (YPP) changes, effective February 1, 2027Watch-hour requirement doubles: 4,000 to 8,000 hours in the past year (new creators only; existing YPP members are grandfathered in)Shorts monetization threshold doubles: 10 million to 20 million qualified views in 90 days to get in, then a rolling 10 million views every 90 days to maintain earningsFull monetization tier: 1,000 subscribers, $100 payment thresholdLower tier (500 subscribers): unlocks YouTube Shopping (affiliate) and channel memberships, requires 3,000 watch hours or 3 million Shorts viewsThe real story behind the changesAdam Ivy's stat: 67% of YouTube creators make less than $10,000/yearYouTube's stated pivot: broadening revenue beyond ads, with bonuses for YouTube Shopping, brand-deal incentives, and trend-based earning boostsYouTube says it expects to pay creators more in 2027 than 2026: money is shifting, not shrinkingSteve Stewart (Podcast Editor Academy): "Don't just sell your audience to sponsors, sell sponsors on how great your audience is"Is YouTube worth it? The dataSounds Profitable's Podcast Atlas (slide 23): Clips lead viewers to watch a specific episode (30% often/always, 81% at least sometimes) and to become regular listeners (33% often/always, 84% at least sometimes)Dave's real channel numbers: 3,523 subscribers, ~$2.49 per 1,000 views, one video with 115 views earned 25 centsBottom line: YouTube ad revenue is icing, not cake. Don't budget groceries on itSpotify: a bedtime story for the AI kidsMay 2015: Spotify launches podcasts through a small group of hosting "partners" (Libsyn, Blubrry), framed as a growth opportunity, not monetizationSpotify initially insists on hosting the media files itself rather than letting partners host. Partners build custom engineering to comply, then Spotify reverses course2019: Spotify buys Anchor for $150 million, turning former hosting partners into competitors overnight, with free hostingSpotify quietly submits shows to Apple Podcasts under its own account, hiding stats from creators and sparking creator frustration (often aimed at consultants, not Spotify)2020: Megaphone acquired for $235 million. 2021: Whooshkaa acquired and folded into Megaphone, then shut down2021: Betty Labs acquired, becomes Greenroom (Spotify's Clubhouse competitor)2021: "New Era of Podcast Monetization": paid subscriptions, Open Access Platform, Spotify Audience Network announcedMid-2021: Greenroom launches with a Creator Fund promised for live audio creators. Payment mechanics never disclosed2021: Music + Talk announced ("play music in your podcast"), restricted to the Spotify app, paying subscribers only, after listening to the full episodeSeptember 2021: Q&A and Polls launch, pitched as "the future of podcasting is interactive"January 2022: In-house production studio "Studio Four" shut down with layoffsApril 2022: Greenroom rebrands to Spotify Live; Creator Fund confirmed to have never launched, quietly shelvedMarch 2023: Anchor rebranded to Spotify for PodcastersApril 2023: Spotify Live shut down entirely, two years after the original Greenroom launchFebruary 2024: Music + Talk and Anchor's recording tools killed; users redirected to RiversideJuly 2024: Q&A and Polls shut down, replaced with CommentsSpotify's "
- Aug 10, 202644 min
Inside “Horses in the Morning”: Daily Content, Loyal Fans, and 4000+ Episodes
How Do You Hit 4000 Episodes Without Losing Your Mind?Today I'm talking with Glenn Hebert and Jamie Jennings from Horses in the Morning, the flagship show of the Horse Radio Network. They just crossed 4000 episodes, and since they're doing this daily, I had a ton of questions for them. Mainly: how do you keep your sanity?Glenn has been on this show more times than any other guest, and I'll drop links to a few of those past conversations below. We also talk about how "Glenn the Geek" became a verb around here. I cut in a few times throughout the episode to riff on some of what we discussed, so stick around for that too.Key TakeawaysSegments (not just guests) are what let a daily or frequent show survive without constantly reinventing the wheel.A real community needs a place to talk to each other, not just a place to listen to you.Feedback from your most invested listeners (not just anyone) should shape what you keep and what you cut.You're making the show for the 80% who like it, not the 20% who don't.If you're trying to make money at this, budget 10-12 hours of work for every hour that airs.How Glenn and Jamie Keep Finding Something to Talk AboutJamie's husband asked her, before episode one, what she was even going to talk about after two weeks of a horse podcast. Sixteen years and 4000 episodes later, that question still makes her laugh. Glenn books guests only a week or two out, and most of the show's four or five segments per episode get planned the morning of. Being daily is actually their advantage: they can be timely in a way most podcasts can't.Glenn admitted he basically is the show-prep service. Google Alerts and AI help him find stories faster than they used to, but the instinct for what's worth talking about still comes down to two to three hours of prep every single morning.Segments Give You Somewhere to Put Your EnergyJamie is the storyteller. Glenn plays the guy reacting to it. He described their pre-show routine: Jamie says she's got a two-to-five-minute story, and he already knows it's going to stretch to twenty minutes and he'll happily let it. That contrast, he said, is what makes the show work.I've got segments on this show too (if you've got a favorite segment idea, feel free to send it in). One of mine is built entirely out of "this happened because I have a podcast." I used to do a "last five in five" segment where I'd share the last five things I listened to in under five minutes. Segments are useful because they don't all have to show up in every episode. When I don't have a big topic, I create a "podcast stew," a handful of small segments squeezed together. Takes the pressure off having to fill a big block of time. An episode just needs to be as long as it needs to be, and not a minute more.Building a Community That Actually Talks to Each OtherGlenn says their community basically built itself once Patreon entered the picture around nine or ten years ago. One of their own listeners asked if she could start a private Facebook group for supporters, and it's grown into 30+ subgroups on everything from dogs to mental health, plus in-person meetups they run themselves.Glenn's take, and I completely agree: the biggest mistake podcasters make when they say they want "community" is giving people no actual place to talk to each other. A community needs a room. You don't have a true community until they can talk to each other.They get supporters directly involved too, birthdays shouted out on air, segment material submitted by listeners themselves. If your audience made the content, you already know they're going to like it.Sponsors Who Become Part of the FamilyJamie and Glenn have given away more than $80,000 in prizes over 16 years, largely funded by sponsors who get a bit of airtime in exchange for product. Those relationships often graduate into full paid sponsorships once the brand sees it works.That reminded me of Mark from Beyond Bourbon Street, a past guest of mine (episode 829) who had Two Chicks Walking Tours as a sponsor, then had listeners telling him in his own community that they'd taken the tour and loved it. That's the kind of proof that makes a sponsorship renewal conversation easy. And speaking of sponsors sticking aro
- Aug 3, 202635 min
From Facts to Feelings: The Secret Sauce of Engaging Podcasts
If you look at movies that you love, and you think about them, and you remember how they made you feel. Today we talk about three things you can have in your tool belt to use in your show to not just have something to listen to, but to have content that moves your audience. We also answer the question what do Sportcasters, Movie Reviewers, and Christians all have in common?Pull Some Emotion Into Your ShowMost podcasters focus on information—tips, tactics, and how‑tos. But your audience doesn’t connect to information first; they connect to emotion first.Three Tools To Boost ConnectionNostalgiaStorytellingVulnerabilityAs the old saying goes, "with great power comes great responsibility," so how do we use these ingredients in our show without sounding like we starting the sympathy engine just to grab attention?What Do Christians, Movie Reviewer, and Sportscasters all have in common?They are all working with the same source material. The same bible (more or less), the same movies, the same games. In this episode we talk about how to make your show stand out?The Best Book on StoryTellingI've read MANY books on storytelling, but Storyworthy by Matthew Dicks is the best - period. The audiobook is so good you will want to listen with a pad and pencil to take notes (or if you're loving in 2026, take notes on your phone).Ready To Start Your Podcast?Podcasting in Six WeeksMentioned in this episode:Live AppearancesI love to meet people when I'm on the road. I'm going to be at Empowered Podcasting Conference in Charlotte NC Podcast Movement in NYC Podindy in Indianapolis In. For more information and links, go to schoolofpodcasting.com/where To have me speak at your event, reach out at schoolofpodcasting.com/contacntWhere Will I Be?Question of the Month: The Smallest Amount of DownloadsWe all want a bigger audience. We all put a lot of work into our shows. With this in mind, what is the smallest amount of downloads you would do the show for? If it drops below a number would you stop, or put effort into finding out why? Does the size of your audience matter? Go to schoolofpodcasting.com/question by August 28th (and don't forget to say a little bit about your show and your website address so I can link to it in the notes)School of PodcastingTake Live Classes at the School of PodcastingPodcasting in Six Weeks is BACK! (and this time it's free!) We are continuing to experiment with marketing, and we had so much fun helping people launch their show that we are going it again (and dropped the fee). If you don't have a show but want to start one this is THE place to get going in the right direction. Go to www.schoolofpodcasting.com/sixweeks Growing Your Podcast Live Course For members of the School of Podcasting we are all banding together to go through the steps of growing your show (so sign up now!). This will including feedback and strategies to get your show growing faster. You will write down your typical downloads before you start, and compare it to the final numbers. Use the coupon code listener when singing up to become a member and receive a discount. These live classes start August 19th. Please let me know if you have any questions at schoolofpodcasting.com/contactSchool of Podcasting
- Jul 27, 202640 min
20 Books for Content Creators Recommended by My Audience
What if one book could change the way you tell stories, connect with your audience, or even see your own podcast? In this episode of the School of Podcasting, I asked a simple question: “If you found out someone was a content creator, what book would you recommend?” — and the responses were pure gold.You’ll hear from working podcasters, educators, business owners, and storytellers sharing the books that sharpened their craft, grew their communities, and kept them going when numbers and algorithms tried to wear them down. Along the way, I share my own must‑reads and pay tribute to a podcasting legend whose work shaped an entire generation of creators. If you’re ready to level up your show — not with more gear, but with better thinking, storytelling, and heart — this is the episode you’ll want to queue up next.ParticipantsKim NewloveThe Pharmacist Voice PodcastThe Perrysburg PodcastRalph Estep Jr.The Content Creators Accountanthttps://ralphestepjr.comChris NessiHouse of EdTechMark LawleyPractical Prepping PodcastNancy May (with co‑host Sylvia France)Family Tree Food Stories PodcastDave CohenThe Shakespeare MindsetTom HaleyBluegrass Region Voices and ViewsBooks MentionedFind Your Red Thread: Make Your Big Ideas - Tamsen WebsterThe Audience Is Listening: A Little Guide to Building a Big Podcast – Tom WebsterHow to Win Friends and Influence People - Dale CarnegieSacred Cows Make the Best Burgers – Robert J. Kriegel, David Brandt12 and a Half: Leveraging the Emotional Ingredients Necessary for Business Success – Gary VaynerchukAcres of Diamonds – Jentezen FranklinHello, My Name Is Awesome: How to Create Brand Names That Stick – Alexandra WatkinsInto the Woods: A Five-Act Journey Into Story – John YorkeBuild a Strong Podcast: From Creation to Captivated Audience – Jennifer LongworthMake Noise: A Creator’s Guide to Podcasting and Great Audio Storytelling – Eric NuzumStoryworthy: Engage, Teach, Persuade, and Change Your Life Through the Power of Storytelling – Matthew DicksPlatform: Get Noticed in a Noisy World – A Step-by-Step Guide for Anyone with Something to Say or Sell – Michael HyattBig Podcast: Grow Your Podcast Audience, Build Listener Loyalty, and Get Everybody Talking About Your Show<a href="https://geni.us/big-podcast" rel="noopener n
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About School of Podcasting: Expert Tips for Launching and Growing Your Podcast
You want to start a podcast, but you’re unsure where to start. You need advice on how to grow or monetize your show, and stop being so scared that it won’t work! I can help by showing you what mistakes NOT TO MAKE and much more. Soak in the 18+ years of podcasting experience from Podcaster Hall of Fame Inductee Dave Jackson.
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School of Podcasting: Expert Tips for Launching and Growing Your Podcast covers topics including Leisure, Education, Business, Marketing, How To, Hobbies. Our AI identifies the specific themes in each episode and highlights what matters most to you.
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