Gille Klabin discusses Weekend at the End of the World, his follow-up to The Wave, and the deliberate choice to build a second feature that didn’t require waiting for studio permission. Shot in 12 days on a sub-$300K budget, the film was designed around creative, logistical, and financial control. Gille reflects on the lessons he learned from The Wave’s release, where traditional distribution left him frustrated by opaque marketing spends and limited transparency, and how that experience resh...
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E75 • Distribution Starts With Knowing Your Audience • ALAN D’ESCRAGNOLLE, Co-Founder of Filmhub
E74 • From Prison to Premiere • TAWFIK SABOUNI, dir. of ‘Other Side of the Sun‘ at Berlinale
E73 • Facing the Future Without Looking Away • CHARLIE TYRELL, co-dir. of ‘The AI Doc: Or How I Became an Apocaloptimist’ Now in Theaters from Focus Features
E72 • Feel the Fear, Do it Anyway • FREDERIKE MIGOM, dir. of ‘Everyone’s Sorry Nowadays’ at Berlinale
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