Belgian filmmaker Frederike Migom breaks down her Berlinale premiere Everyone’s Sorry Nowadays, a coming-of-age story set almost entirely inside a single home and a young girl’s mind. The film explores identity through a tightly contained structure, blending realism with imagined sequences that bring the character’s inner world to life. She talks through her unconventional path into directing, from acting and production work to navigating Europe’s state-funded film system. A key turning point...
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E75 • Distribution Starts With Knowing Your Audience • ALAN D’ESCRAGNOLLE, Co-Founder of Filmhub
E74 • From Prison to Premiere • TAWFIK SABOUNI, dir. of ‘Other Side of the Sun‘ at Berlinale
E73 • Facing the Future Without Looking Away • CHARLIE TYRELL, co-dir. of ‘The AI Doc: Or How I Became an Apocaloptimist’ Now in Theaters from Focus Features
E71 • Don’t Wait For Perfect Conditions • JEREMY WORKMAN, dir. of ‘Secret Mall Apartment’ now on Netflix
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