Alan D’Escragnolle breaks down how his company Filmhub is rethinking distribution, shifting away from gatekeeping toward flexible, film-specific strategies. Instead of a single path, films are matched with what they actually need, whether that’s AVOD, SVOD, or a more hands-on sales and marketing push. The bigger shift is economic. With hundreds of thousands of titles entering the market each year, access is easier than ever, but monetization is harder. Success now comes down to positioning, a...
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E74 • From Prison to Premiere • TAWFIK SABOUNI, dir. of ‘Other Side of the Sun‘ at Berlinale
E73 • Facing the Future Without Looking Away • CHARLIE TYRELL, co-dir. of ‘The AI Doc: Or How I Became an Apocaloptimist’ Now in Theaters from Focus Features
E72 • Feel the Fear, Do it Anyway • FREDERIKE MIGOM, dir. of ‘Everyone’s Sorry Nowadays’ at Berlinale
E71 • Don’t Wait For Perfect Conditions • JEREMY WORKMAN, dir. of ‘Secret Mall Apartment’ now on Netflix
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