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by Nishanth Selvalingam
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Over the years, we've done quite a few lectures on Mā Chinnamastakā, one of the most mysterious and often among the most feared from of Mā with a very complex rasa-profile, at least as far as Her iconography is concerned. In 2024, in Goddess Worship in Tantrik Buddhism | The Buddhist Chinnamastā we looked at a Tibetan Buddhist tantra for Vajrayoginī & compared it to a "Hindu" tantra for Chinnamastakā to demonstrate that the Goddess tradition is the same across sectarian lines! Then, in ...
We start with a little review of rasa vada, the theory of aesthetic "flavors of Consciousness" that are very much emphasized in our Tāntrik iconography & poetics before presenting Mātangī Devī as a a radical invitation to reclaim those rasas, or "flavors" which are commonly rejected as impure or unspiritual or unwholesome in the name of a deeper, more inclusive & capacious non-dual understanding. And to discuss the ucchistā approach (the spirituality of impurity/trangression), we ne...
Isn't interesting that around the same time that the narrative of the quintessential serpentine representation of the divine, dark feminine, chaos embodied, Tiamat's evisceration by Marduk, the male storm God par excellence gained mythological dominance, Hammurabi hammers the "law" into his stone, thus enshrining the role of the conscious, analytic, externally-oriented & physicalist mind as more important or "holier" than the feminine, subconscious, interiorized, symbolic & archetypic...
In this bold little talk, I wanted to discuss the ānanda-mīmāmsa section in taittirīyopanishad: are the three different types of bliss different in kind?/ is spiritual bliss different from "worldly" bliss so that I can articulate the poetical, aesthetically oriented practice of Śaiva non-duality called the "sukhopāya, path of pleasure" as in Vijñāna-Bhairava, verses 68-75! I also wanted to discuss the root "bhaj-" in "Bhakti", to discuss congregational spirituality and make some ...
In Tantra, you find two separate transmissions that seem to be in tension with one another: one one hand, there are the Jñāna or contemplation oriented traditions (for example, the Vijñāna-Bhairava Tantra or Somānanda's śiva-drshti) that privilege subtle, interior practices involving the intellect and spacious, sky-like awareness (think: Dzogchen) and on the other hand, in the vast majority of instances, there is the kriyā approach which centers formal, external, often deity-oriented ritualis...
After some ecstatic & triumphant kirtan (which you can watch in the last video here) at our second session at our second Denver retreat in April 2026, we take up our evening's lecture, an Easter special featuring some of my most inspired reflections on Tantra, gnostic Christianity and the politics of spirituality to answer the question: Who has the right to teach & practice Tantra? We reference some of Cynthia Bourgeault's and Elaine Pagel's academic work on the early history of...
There are many ways to understand the word "meditation." Given that this is one of the central modalities of spiritual life and given the ever increasing interest in meditation, I felt a definition and discussion around meditation to clarify what it is and isn't in the Patañjali Yoga tradition would be helpful. More importantly, after we sketched out the basics of classical yogic meditation (i.e concentration practice), we then compared it to Tāntrik meditation to show how the Tāntrik traditi...
Since it was Chaitra Navarātri last week, as part of our last Friday morning Abhinava Gupta Paramārthasāra class, we explored some key śaiva ideas that appear in the opening teaching of the Devī Māhātmyam. In this talk, we first explain the mythic context in the Bhagavad Gītā, the Upanishads and of course, the Devī Māhātmyam and explain from a śaiva perspective, why all these aesthetic and poetic features of the teacher are central to our metaphysical and soteriological framework! Also, we...
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The world of Yoga is wide and varied. In this podcast, yogi Nish the Fish shares the deeper dimensions of Yoga, Vedanta and Tantra, asking the big questions: why do we practice? What is meditation? What is the purpose of a human life? What is Beauty? What is Death? Nishanth Selvalingam studied various South Asian philosophies with his Shaivite grandfather in an ashram in Kuala Lumpur, Malaysia and moved to Los Angeles to study philosophy, teach yoga and play guitar in a rock band. Join him and special guests as they explore Yoga, in all its splendours. For more episodes and instruction, and to support this humble offering of the heart, visit me on Patreon: patreon.com/yogawithnish
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