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Extraordinary Creatives: Daily Summaries Delivered
by Ceri Hand
Extraordinary Creatives: The Premier Art Podcast Welcome to the Extraordinary Creatives podcast, your gateway to the world of exceptional artists and creative leaders who have defied the odds to make a significant impact in the arts and beyond. Hosted by Ceri Hand, creative coach, curator, and seasoned arts and business insider, this podcast offers a wealth of insights into art and creativity through in-depth interviews. Ceri’s extensive experience and genuine passion for the arts make every episode a treasure trove of inspiration and practical advice. At the heart of Extraordinary Creatives is the belief that creativity is essential for success. However, it is the courage, confidence, and resilience to dare to be different that truly transforms the world. With her warm, playful, and straight-talking style, Ceri delves into the ideas, processes, mindsets, victories, and challenges of trailblazers who have paved the way in the arts. Ceri’s mission is to support 100,000 artists and arts leaders by 2025 by providing exclusive access to information, inspiration, and expertise. Discover the transformative power of art with Extraordinary Creatives.
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- 2 days ago21 min
How to Talk About Personal or Vulnerable Work
If you're making work that comes from somewhere deeply personal, how much do you actually have to tell people about where it came from? I've been thinking about this because it's something that comes up quite often when I'm working with artists. Perhaps you've been through a bereavement, an illness, a relationship ending, a difficult childhood, or something else that has affected you profoundly. Inevitably, that experience has found its way into the studio. Then you get to the point where the work has to leave the studio. You need to write about it. Somebody asks you about it in a studio visit. You're writing your About page or preparing for an artist talk and suddenly there's this question: how much do I say? I think that's a really interesting question because there's a difference between something being important to the work and thinking you have to explain it publicly. Some artists are extraordinarily open about their lives. For those artists, that degree of revelation became part of their language. You may want to do that too, or you may want to say a lot less about your experiences. This episode will help you to get the balance right, for you. KEY TAKEAWAYS Think about boundaries and what you want to share before you publish. Once something is part of your public story, people will ask about it. What feels right to share mid-processing may not feel right in five or ten years. Give people enough context to open the door, then stop. Think less about how brave you ought to be. Think more about what information genuinely helps somebody meet the work. Sometimes explaining everything can actually make the work smaller. The story can also follow you for years. BEST MOMENTS "The person looking at the work doesn't necessarily need the details of what happened, who it happened to, when it happened or what you went through. You get to decide where that boundary sits." "We sometimes confuse honesty with disclosure. “Making vulnerable work doesn't mean you have to make yourself vulnerable in every situation in which that work is discussed… You can be deeply courageous in the studio and have very clear boundaries outside it.” "Sometimes explaining everything can actually make the work smaller." PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
- 5 days ago1h 15m
Sustain the Thing That Sustains You: Finding Your People, Backing Your Work and Building an Art Career with Robin F. Williams
What happens when you expect your art to become your entire “existential dread receptacle”? That brilliant phrase comes from my guest today, Robin F. Williams, and it opens up a conversation I think a lot of artists need to hear about how you protect the creative practice that gives your life meaning without asking it to do absolutely everything for you. Robin is a Brooklyn-based painter whose extraordinary work moves between art history, horror, gender, technology, and our strange relationship with AI. Their work is held in The Brooklyn Museum, ICA Miami and at the Colombus Museum of Art. We spoke just before Act Natural, Robin´s first UK solo exhibition, opened at No.9 Cork Street in London, where the new paintings move from Siri and language models to mermaids, Terminator 2, and Renaissance painting. and the increasingly slippery question of what we even mean by “natural.” We also get underneath their career: getting stuck, the group of women artists who helped Robin keep going, what nearly twenty years with P·P·O·W has taught them about gallery relationships, and why success comes down to sustaining the thing that sustains you. KEY TAKEAWAYS Don't ask your art to carry everything. Painting can't be your only outlet for anxiety, so build other practices around it: sleep, exercise, writing, even playing a guitar badly. These release valves keep your main practice vital and light. Let ideas tell you their size. Make studies, like Robin's gouaches, and live with them. If an idea keeps asking questions, it may deserve a big painting; if not, it's finished at that scale. Bigger isn't always more meaningful. Find your people. A trusted crit group offers honest feedback, moral support, and permission to follow your instinct. Don't wait for an invitation: gather a few friends and one willing organiser and start your own. Believe in your work first. A gallery can give you runway, but it can't supply your confidence. Learn the business side, but don't let it consume the work. BEST MOMENTS “There's nothing sadder than losing this connection to this extremely meaningful thing.” “Make something mysterious, ephemeral, mystical, mythological, and kind of encode it, figure out its algorithm, make it into like a sleek, sexy, robotic version of itself.” “It’s not as if the paintings perfectly reconcile or organise [frightening or abstract ideas]; it’s about building my tolerance and having a physical, embodied experience of being with uncertainty or contradictions” "I think artists sometimes make the mistake of thinking that their gallery is going to give them confidence. It’s not actually their job." "I don't have to solve the contradiction, I can just be with the tangible object, you know, the artwork can live in the world and move in and out of other people's consciousness." "It’s unfair to ask my painting practice to do all of that work. The creative practice is another kind of system that has to be fed and nurtured and rested and maintained, so I can’t just ask it to be my entire existential dread receptacle." GUEST RESOURCES https://www.instagram.com/robinfrancescawilliams https://www.tiktok.com/@wobinrilliamswastaken https://ottessathisottessathat.substack.com/p/language-model-with-robin-f-williams PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
- 1 weeks ago17 min
How Your Creative Obsessions Can Help You Find Your People
I want you to think about somebody whose opinion of your work really matters to you. Perhaps it's a curator you've admired for years, an artist whose practice you find fascinating, a gallery director you'd love to work with or somebody who has introduced you to extraordinary art. Now imagine you have the opportunity to spend an hour with them. What would you actually want to talk about? I ask because I think artists can spend an enormous amount of time pursuing opportunities without always considering whether they're connecting with the right people. And having spent much of my working life selecting exhibitions, working with artists, and making decisions about which projects to support, I know how much our individual interests shape those decisions. Over the last couple of weeks, I've been exploring how we develop our own artistic point of view: first looking at when research becomes art, and last week inviting you to choose ten artworks that make you feel glad to be alive and consider what those encounters might reveal about the kind of work you want to make. Today, I want to explore how that understanding can help you find people who genuinely connect with your work, and how you might build relationships that are creatively rewarding for both of you. KEY TAKEAWAYS Spend a little time thinking about the person who's going to be looking at your application. What are they interested in? What kinds of questions seem to preoccupy them? And what makes you think your work might lead to an interesting conversation with them? Instead of trying to perform or network awkwardly at exhibition openings, start with the work by visiting things you are genuinely curious about and asking questions you actually want answered. Build a constellation of people around your practice, over time. People who understand different aspects of your work, challenge you, and share your genuine curiosity. BEST MOMENTS “Selectors aren't neutral. We bring our histories, interests, experiences, relationships, and personal associations into every encounter with an artwork.” “Some of the most rewarding creative relationships I've had have been with artists whose work has challenged my assumptions or introduced me to something completely unexpected.” “If you do decide to approach somebody about your own work, you'll be able to explain why you're interested in connecting with them. You'll have a reason that's grounded in something you genuinely share, rather than a generic message that could have been sent to absolutely anybody.” HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
- 1 weeks ago1h 23m
Who Gets Remembered in Art and Why? with Alona Pardo, Director of The Arts Council Collection
Some of the decisions that shape art history never make it into the official record. They happen in conversations, through relationships, and because somebody is prepared to champion an artist before the market or the wider art world has decided they matter. My guest today is Alona Pardo, Director of the Arts Council Collection and a Turner Prize jury member. Before taking responsibility for this extraordinary national collection of more than 8,500 works, she spent thirteen years at the Barbican, curating major exhibitions including Masculinities, RE/SISTERS, and Dorothea Lange’s The Politics of Seeing. We talk about how artworks actually enter public collections, why archives can be unreliable witnesses, what happens to a work after it’s acquired, and Alona’s ambitious plans to bring the Arts Council Collection together in Coventry. At the end Alona also reveals the secret hope she has for what she might achieve during her tenure. I for one would like to see it happen. KEY TAKEAWAYS Public collections are living archives. They bring historical works back into cultural discourse through the lens of today, helping us think and feel our way through the complexities of our time. Official archives can be unreliable witnesses. They depend on what was deemed important enough to record at the time, so part of the narrative always gets left out. Informal conversations, negotiations, and backstage advocacy are all critical to shaping art history. True curatorial practice avoids a singular authorial voice, actively inviting challenge and collaboration from artists, writers, and scholars to expand and deepen how stories are told. Encountering structuralists and French feminism at university empowered and galvanised Alona. It shaped a lot of what she studied, her purpose and the direction of her career. BEST MOMENTS “The best works that I've ever encountered are works that kind of hit you in the stomach and really, really live with you and stay with you.” “What I was most interested in is when you put two artworks together, how they begin to feed off each other… how they begin to expand the conversation.” “For artists, that’s a useful reminder to keep thinking about the stories and ideas surrounding your work, and to keep giving people ways into it.” “An artwork is made in a particular moment, but it lives in many times.” ABOUT THE GUEST https://www.instagram.com/alona_pardo/ HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com ** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
- 2 weeks ago18 min
What I'm Looking For When I Select Art For Open Calls And Prizes
When I’m selecting for an open call or art prize, I might be looking at hundreds, sometimes thousands, of artworks. So, what actually makes me stop at one and think, hang on, I want to see this in real life? I wanted to share what’s actually going through my mind when I’m choosing from all those images to help you look at your own applications differently. Instead of wondering what everyone else wants to see, I want to help you figure out how to stop second-guessing yourself, drop the anxiety of playing it safe, and give your bravest, most distinctive work the best possible chance of catching a selector's eye. KEY TAKEAWAYS If you've made something that gives you that little whoosh of excitement, something you are slightly nervous about showing, perhaps that's the work you should be considering. You don't have to play it safe by submitting something that's simply nice; selectors would much rather encounter an artwork that makes them think, blimey, what's going on here? You don't have to second-guess everything a selector might like. But looking at who is selecting and what the institution is trying to achieve gives you a much more informed way to choose what to submit. Invest in the quality of your documentation, because your photographs need to give the work the best possible opportunity to communicate its particular qualities, especially when you're not there to advocate for it. BEST MOMENTS “What matters is what meaning I can glean and whether the artist has created an encounter that stays with me.” “Sometimes I'll select a work that's technically less accomplished than another because there's something odd happening within it.” “Generally, I'm looking for something that makes me curious, something that catches me off guard or makes me want to spend more time with it.” PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
- 2 weeks ago1h 42m
The Weight of Imagination: Art, Memory, and Making with Andy Holden
What would it be like to meet every version of the artist you’ve been over the last twenty years? That’s essentially what Andy Holden has just done. For his new book, Weight of Imagination, Andy re-performed works from across his career, encountering his younger selves along the way. The teenager who wrote an art manifesto with his friends. The young artist returning a piece of stone he’d stolen from the Great Pyramid of Giza. The artist who had to become a cartoon to understand the laws of a cartoon universe. And the musician who found that playing with his band, The Grubby Mitts, could keep his creativity alive when making visual art became difficult. In this conversation, we talk about what happens when you refuse to abandon the ideas that once mattered to you, how to keep making through periods of doubt, and what twenty years of work can teach you about the artist you’re becoming. I’m Ceri Hand. I’m an artist coach, and on Extraordinary Creatives I get inside the lives of remarkable creative people to discover how they make their work and build a life that allows them to keep making it. I can’t wait for you to get to know Andy Holden. KEY TAKEAWAYS Looking back can be more than a way of taking stock; it can bring earlier versions of ourselves into conversation with the present. Revisiting old work may reveal not a single, tidy through-line, but seeds and questions that are still alive and have potential. Let the story help you find its medium. Sometimes the work asks you to learn a new skill or make something imperfectly, because the way it is made needs to carry the same meaning as what it says. Creative practice can ask us to hold opposing truths at once: irony and sincerity, hope and pessimism, confidence and doubt. Art need not resolve those tensions; it can help us stay with their complexity and carry that capacity into life. BEST MOMENTS “If It is curious to you, it will be curious to somebody else.” “Don't try and reflect and analyse. Or create and analyse at the same time. They're two different processes.” “Perhaps an extraordinary creative life needs a bit of both: enough irreverence to question the rules, and enough sincerity to care deeply about what you make.” EPISODE RESOURCES The Weight of Imagination by Andy Holden - https://www.amazon.co.uk/Andy-Holden-Imagination-Jennifer-Higgie/dp/191173640X https://andyholdenartist.com/ PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
- 3 weeks ago16 min
What Kind of Art Makes You Glad to Be Alive?
What kind of art makes you glad to be alive? I don't necessarily mean the work you think is important, the artists you're supposed to admire or the exhibitions everybody's talking about. I'm interested in the work that gets under your skin. The things you find yourself thinking about years after you've encountered them. The things that make you feel more curious about being in the world. And I wonder how often, as artists, we give ourselves permission to think about that. Last week, I was talking about the moment when research becomes art. I was asking what happens when all the information you've gathered, the things you've discovered and the ideas you've explored undergo some kind of transformation through your particular way of seeing. This week, I want to explore where that way of seeing might come from. KEY TAKEAWAYS Your enthusiasm can tell you things that your intellectual understanding hasn't quite caught up with. When a piece of art or something else prompts a strong reaction in you, take note of why it interests you, what makes you laugh, ask questions, relaxes you or even what makes you feel uncomfortable. If you're continually editing your interests according to what you think other people will approve of, you can lose touch with the things that made you excited about making art in the first place. Seeing someone else's work and feeling a little pang of envy can be revealing, not because of their success, but because they've made something you wish you'd had the courage to make. Gather ten artworks that make you feel glad to be alive and identify the recurring qualities. Use those insights to see if there are qualities you admire in others' work that you haven't given yourself permission to explore in your own studio. BEST MOMENTS "When I ask them what they find exciting about somebody's work, sometimes they struggle." "If you discover a contradiction between what you love and what you're making, don't immediately assume you need to change everything." "We talk about having good taste, bad taste, sophisticated taste. But those descriptions can quickly become tied up with ideas about class, race, culture, status, education, fashion and belonging." "You don't need to arrive at a definitive statement about your artistic identity. You're allowed to change your mind. You're allowed to have contradictory interests. You're allowed to love things you can't explain." PODCAST HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists such as John Akomfrah, Pipilotti Rist, Rafael Lozano-Hemmer and Vito Acconci. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. **** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? Join today! https://cerihand.com/membership/ **** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive in the art world today. https://cerihand.com/courses/unlock_your_artworld_network/ **** Book a Discovery Call Today To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com **** Discover Your Extraordinary Creativity Visit www.cerihand.com to learn how we can help you become an extraordinary creative. This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
- 3 weeks ago1h 29m
What Art Can Do About Climate Change? - with Alice Sharp and Rana Begum
What can art do about climate change that science, facts, and frightening headlines can’t? That question has driven curator Alice Sharp for more than fifteen years. As Artistic Director of Invisible Dust, she brings leading artists and scientists together to create something neither could have arrived at alone. Her latest project, Climate Clock, created for Oulu’s year as European Capital of Culture in Finland, brings together seven permanent public artworks exploring climate change through our relationship with nature and time. Each artist was paired with a scientist, with Alice creating the conditions for those conversations to become something genuinely new. One of those artists is Rana Begum, whose collaboration with glaciologist Alan Hubbard transformed footage of glaciers breaking apart into a monumental work made from locally sourced stone, evoking both the weight and fragility of ice. In this conversation, Alice talks about trust, risk, fundraising, scientists, communities and the invisible infrastructure behind ambitious public art. Rana takes us inside the artist’s process: what happens when new knowledge enters your imagination, how work changes as it meets a place, and why the best collaborations leave room for surprise. And we ask: if information alone isn’t changing our behaviour, can artists help us feel our way towards a different future? KEY TAKEAWAYS Art can help us imagine climate futures in ways that facts and science alone cannot. Bringing artists and scientists together creates space for new perspectives, questions, thought provoking work and unexpected outcomes. Art doesn’t have to turn climate science into a neat lesson. It can hold beauty and fear together, creating a pause where people can feel, notice and ask questions. Public art doesn’t need to be removed from everyday life to have impact — placing challenging work where people encounter it unexpectedly can start conversations and change how communities see themselves. Artists help shape the futures we can imagine. BEST MOMENTS “Who can imagine the future? It’s artists because you know it’s impossible to do anything about the future without imagining.” “If you can bring in a new perspective that someone hasn’t heard before, I think you’re going to have people more interested in future thinking.” “Rather than becoming paralysed by the scale of what is happening, ask what agency we have through the choices we make, the relationships we build and the work we put into the world.” EPISODE RESOURCES https://www.ranabegum.com/ https://invisibledust.com/ https://www.instagram.com/invisible_dust https://www.instagram.com/ranabegumstudio HOST BIO With over 35 years in the art world, Ceri has worked closely with leading artists and arts professionals, managed public and private galleries and charities, and curated more than 250 exhibitions and events. She has sold artworks to major museums and private collectors and commissioned thousands of works across diverse media, from renowned artists. Now, she wants to share her extensive knowledge with you, so you can excel and achieve your goals. ** Ceri Hand Coaching Membership: Group coaching, live art surgeries, exclusive masterclasses, portfolio reviews, weekly challenges. Access our library of content and resource hub anytime and enjoy special discounts within a vibrant community of peers and professionals. Ready to transform your art career? https://cerihand.com/membership/ ** Unlock Your Artworld Network Self Study Course Our self-study video course, "Unlock Your Artworld Network," offers a straightforward 5-step framework to help you build valuable relationships effortlessly. Gain the tools and confidence you need to create new opportunities and thrive. https://cerihand.com/courses/unlock_your_artworld_network/ ** Book a Discovery Call To schedule a personalised 1-2-1 coaching session with Ceri or explore our group coaching options, simply email us at hello@cerihand.com This Podcast has been brought to you by Disruptive Media. https://disruptivemedia.co.uk/
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About Extraordinary Creatives
Extraordinary Creatives: The Premier Art Podcast Welcome to the Extraordinary Creatives podcast, your gateway to the world of exceptional artists and creative leaders who have defied the odds to make a significant impact in the arts and beyond. Hosted by Ceri Hand, creative coach, curator, and seasoned arts and business insider, this podcast offers a wealth of insights into art and creativity through in-depth interviews. Ceri’s extensive experience and genuine passion for the arts make every episode a treasure trove of inspiration and practical advice. At the heart of Extraordinary Creatives is the belief that creativity is essential for success. However, it is the courage, confidence, and resilience to dare to be different that truly transforms the world. With her warm, playful, and straight-talking style, Ceri delves into the ideas, processes, mindsets, victories, and challenges of trailblazers who have paved the way in the arts. Ceri’s mission is to support 100,000 artists and arts leaders by 2025 by providing exclusive access to information, inspiration, and expertise. Discover the transformative power of art with Extraordinary Creatives.
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It's a free AI-powered email that summarizes new episodes of Extraordinary Creatives as soon as they're published. You get the key takeaways, notable quotes, and links & mentions — all in a quick read.
How does the Extraordinary Creatives podcast summary work?
When a new episode drops, our AI transcribes and analyzes it, then generates a personalized summary tailored to your interests and profession. It's delivered to your inbox every morning.
Is this an official Extraordinary Creatives product?
No. Podzilla is an independent service that summarizes publicly available podcast content. We're not affiliated with or endorsed by Ceri Hand.
Can I get summaries of other podcasts too?
Absolutely! The free plan covers up to 3 podcasts, any in the catalog. Basic raises that to 15, Pro to 40 and Max to 100. Browse our full catalog at /podcasts.
How often does Extraordinary Creatives release new episodes?
Extraordinary Creatives publishes every few days. Our AI generates a summary within hours of each new episode.
What topics does Extraordinary Creatives cover?
Extraordinary Creatives covers topics including Leisure, Arts, Culture, Journals, Society & Culture, Personal Journals. Our AI identifies the specific themes in each episode and highlights what matters most to you.
Start getting Extraordinary Creatives summaries tomorrow morning.
Free forever for up to 3 podcasts. No credit card required.
Free forever for up to 3 podcasts. No credit card required.