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Compelling with Katy Wellesley Wesley: Daily Summaries Delivered
by Katy Wellesley Wesley
Compelling is a new podcast exploring the dynamic worlds of art, culture, and luxury. The series features in-depth conversations with visionary artists, cultural leaders, and brand innovators, to uncover how storytelling, mastery of craft, and creative collaboration come together to build community, engage audiences, and create lasting legacies. Compelling offers listeners fresh perspectives on the ideas and aesthetics shaping luxury businesses and contemporary culture.
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- 3 days ago8 min
Bonus Content: Building Memory Bank to Never Lose a Moment
What happens to the family photographs and videos scattered across old hard drives, phones and albums?In this bonus conversation on Compelling, Katy Wellesley-Wesley speaks with Geoff and Rebecca Letchford about Memory Bank, the service they developed after clients asked for help with images taken before their work together began. The couple describe the worry of lost files and the challenge of turning a collection into something a family can find, share and enjoy. Rebecca explains how the service has grown to include scanning photographs and film, restoring images and building a digital platform for families in different countries. She also discusses the difficulty of choosing photographs of ourselves, and why a moment of connection can matter more than a perfect pose.Geoff Letchford: Geoff Letchford is an Australian-born photographer whose practice includes long-term work with families around the world. After discovering photography through a job in a photographic lab, he worked in commercial and fashion settings before developing the private family commissions discussed in this episode. His approach combines technical experience with direction that gives people room to behave naturally.Rebecca Letchford: Rebecca Letchford works alongside Geoff on the art direction, image selection and design of their family commissions. A former competitive swimmer who represented Australia, she moved towards graphic design and developed a practice centred on understanding people and translating their experiences into books and bespoke artworks.Katy Wellesley Wesley: With over 18 years of leadership across galleries, foundations, and startups, Katy has built a career shaped by curiosity and a drive to explore new ideas. She spent a decade at leading commercial galleries—first at Gagosian, then at Pace, where she was Director of Exhibitions in London. She went on to lead the Villa Lena Foundation in Italy as Director, before joining the founding team of ROKBOX, a pioneering environmentally focused art logistics startup, as Sales Director. After relocating to Paris seven years ago, Katy developed a strong interest in the intersection of art and luxury. She now works as a consultant to brands, artists, foundations, and collectors.Art direction by Eddie Harrop StudioWebsite and Production by Story Ninety-FourIn partnership with Cahiers D'art
- 1 weeks ago1h 5m
Geoff and Rebecca Letchford: Capturing Moments that Last a Lifetime
What makes a family photograph worth returning to decades later? In this episode of Compelling, Katy Wellesley-Wesley speaks with Geoff and Rebecca Letchford about a family photography practice built through personal referrals and relationships that can last for decades. Their work takes them into families’ private lives, where familiarity helps people feel comfortable enough to be themselves. Geoff describes finding photography through a university job in a darkroom. Rebecca explains how competitive swimming shaped her approach to practice and criticism, and how she now selects images for their emotional meaning rather than technical perfection alone. They discuss the cost of bespoke work, the demands of photographic curation and why they have chosen closer client relationships over expansion. Their finished books and artworks depend on knowing the people behind the photographs. This conversation considers images made for a private audience: the families whose histories they preserve. For creative professionals, it offers a detailed account of earning trust without using clients’ names as publicity. - Welcome to Compelling - Geoff’s Unlikely Start in Photography - Rebecca’s Life in Competitive Swimming - From Graphic Design to a Shared Practice - Moving into Family Photography - Referrals, Compatibility and Lasting Relationships - The Cost of Bespoke Work - Choosing Depth over Expansion - Selecting Images That Matter - Being Present and Remembering Families - Passion, Discipline and Staying Curious - Discretion and the Time It Takes to Build Trust Geoff Letchford: Geoff Letchford is an Australian-born photographer whose practice includes long-term work with families around the world. After discovering photography through a job in a photographic lab, he worked in commercial and fashion settings before developing the private family commissions discussed in this episode. His approach combines technical experience with direction that gives people room to behave naturally. Rebecca Letchford: Rebecca Letchford works alongside Geoff on the art direction, image selection and design of their family commissions. A former competitive swimmer who represented Australia, she moved towards graphic design and developed a practice centred on understanding people and translating their experiences into books and bespoke artworks. Katy Wellesley Wesley: With over 18 years of leadership across galleries, foundations, and startups, Katy has built a career shaped by curiosity and a drive to explore new ideas. She spent a decade at leading commercial galleries—first at Gagosian, then at Pace, where she was Director of Exhibitions in London. She went on to lead the Villa Lena Foundation in Italy as Director, before joining the founding team of ROKBOX, a pioneering environmentally focused art logistics startup, as Sales Director. After relocating to Paris seven years ago, Katy developed a strong interest in the intersection of art and luxury. She now works as a consultant to brands, artists, foundations, and collectors.Art direction by Eddie Harrop StudioWebsite and Production by Story Ninety-FourIn partnership with Cahiers D'art
- 1 weeks ago5 min
Bonus Content: Keith on collecting black artists work and what it teaches and reflects
Can a work of art make visible the experience of being Black in America? In this bonus conversation on Compelling, host Katy Wellesley-Wesley asks Keith Rivers how race, politics and representation shape his life as an African American collector. Keith reflects on the difficulties he and people close to him have faced in the United States, where he grew up in Florida, and why he moved to Paris. He describes finding artists whose work helps him understand those experiences and seeing his own experience treated as worthy of attention in museums. He names Rashid Johnson, Kerry James Marshall and Glenn Ligon among artists who have informed him. Katy recalls Henry Taylor’s portraits of everyday Black life, including the force of a portrait titled I Am a Man. They consider how art can hold history and invite viewers to look closely at the people and stories pictured. On 23 October 2026, Artforum reported that the Studio Museum in Harlem named three artists of African and Afro-Latinx descent for its 2026–27 residency, which provides material support, workspace and professional guidance. The report gives a current example of an institution supporting artists whose work explores Black experience and diaspora.Keith Rivers: Keith Rivers is a contemporary art collector, patron and former NFL linebacker who divides his time between Paris and Los Angeles. After studying at the University of Southern California, he was drafted ninth overall by the Cincinnati Bengals in 2008 and later played for the New York Giants and Buffalo Bills. His collection includes work by John Edmonds, Barbara Kruger and Glenn Ligon, reflecting his interest in photography, language and the connections between artists. In 2022, he curated Courage Before Expectation at The FLAG Art Foundation, bringing together artists whose work and experiences spoke to perseverance and changes of direction. In this conversation, he discusses his continuing education through exhibitions and reading, and his interest in further curatorial projects.Katy Wellesley Wesley: With over 18 years of leadership across galleries, foundations, and startups, Katy has built a career shaped by curiosity and a drive to explore new ideas. She spent a decade at leading commercial galleries—first at Gagosian, then at Pace, where she was Director of Exhibitions in London. She went on to lead the Villa Lena Foundation in Italy as Director, before joining the founding team of ROKBOX, a pioneering environmentally focused art logistics startup, as Sales Director. After relocating to Paris seven years ago, Katy developed a strong interest in the intersection of art and luxury. She now works as a consultant to brands, artists, foundations, and collectors.Art direction by Eddie Harrop StudioWebsite and Production by Story Ninety-FourIn partnership with Cahiers D'art
- 3 weeks ago1h 1m
Keith Rivers: From the NFL to the art world
Can the discipline that takes someone into the NFL also teach them how to look at art?In this first episode back of Compelling, Katy Wellesley-Wesley speaks with former NFL linebacker and contemporary art collector Keith Rivers about learning a new language after professional sport. Keith recalls the injuries that shaped his football career, the museum visit that sparked his curiosity and the experience at Art Basel that convinced him to take his own education more seriously.Keith describes how reading, exhibition visits and recorded artist talks helped him develop his taste. He explains why he looks for conversations between artworks, what Albert Barnes taught him about collecting and why patience matters more than filling empty walls. For anyone starting a collection or reconsidering a career, this is a candid conversation about building confidence through sustained attention. - Welcome to Compelling - Finding Football and Choosing USC - Hard Work, Repetition and Visualisation - Joining the NFL - Injuries and the Mental Cost of Playing - Knowing When to Leave Football - Bringing Discipline to Art - Art Basel and Learning to Trust Your Eye - Conversations Between Artworks - The Collector as Custodian - Living Between Paris and Los Angeles - Exhibitions, Future Plans and Advice Keith Rivers: Keith Rivers is a contemporary art collector, patron and former NFL linebacker who divides his time between Paris and Los Angeles. After studying at the University of Southern California, he was drafted ninth overall by the Cincinnati Bengals in 2008 and later played for the New York Giants and Buffalo Bills. His collection includes work by John Edmonds, Barbara Kruger and Glenn Ligon, reflecting his interest in photography, language and the connections between artists. In 2022, he curated Courage Before Expectation at The FLAG Art Foundation, bringing together artists whose work and experiences spoke to perseverance and changes of direction. In this conversation, he discusses his continuing education through exhibitions and reading, and his interest in further curatorial projects.Katy Wellesley Wesley: With over 18 years of leadership across galleries, foundations, and startups, Katy has built a career shaped by curiosity and a drive to explore new ideas. She spent a decade at leading commercial galleries—first at Gagosian, then at Pace, where she was Director of Exhibitions in London. She went on to lead the Villa Lena Foundation in Italy as Director, before joining the founding team of ROKBOX, a pioneering environmentally focused art logistics startup, as Sales Director. After relocating to Paris seven years ago, Katy developed a strong interest in the intersection of art and luxury. She now works as a consultant to brands, artists, foundations, and collectors.Art direction by Eddie Harrop StudioWebsite and Production by Story Ninety-FourIn partnership with Cahiers D'art
- May 14, 20264 min
Bonus Content: Building a Studio That Scales
What does the day-to-day reality of a conceptual art studio actually look like? In this bonus episode of Compelling, host Katy Wellesley-Wesley asks Noémie Goudal to pull back the curtain on her Paris studio and the team behind the illusions. Noémie describes a lean permanent setup, a studio manager, rotating interns and a deep bench of freelance specialists that scales to meet each project. From the optical engineer who calculates the precise dimensions of her paper backdrops, to the pyrotechnician who stages controlled explosions, to the iconographer who brought order to years of chaotic research, each collaborator opens a new field of knowledge that feeds back into the work. Katy also asks whether the number of women among Noémie's key collaborators is deliberate. The balance, she says, is organic rather than engineered. A quick, candid glimpse into how large-scale art is actually made.Noémie Goudal: Noémie Goudal is a French conceptual artist whose photographs, films, performances and sculptures construct illusionistic interventions in the landscape, underpinned by research at the intersection of ecology, anthropology and paleoclimatology. She graduated with an MA in Photography from the Royal College of Art in 2010, after studying graphic design at Central Saint Martins. Goudal was shortlisted for the Prix Marcel Duchamp 2024 at Centre Pompidou, where she premiered the films Grand Vide and Supra Strata. Her Artangel-commissioned installation The Story of Fixity is touring to Le Portique in Le Havre for Normandie Impressionniste 2026, with further exhibitions at the Pola Foundation in Japan and a major monographic survey opening at the Norton Museum of Art, West Palm Beach, in 2027.Visit Noémie GoudalKaty Wellesley Wesley: With over 18 years of leadership across galleries, foundations, and startups, Katy has built a career shaped by curiosity and a drive to explore new ideas. She spent a decade at leading commercial galleries—first at Gagosian, then at Pace, where she was Director of Exhibitions in London. She went on to lead the Villa Lena Foundation in Italy as Director, before joining the founding team of ROKBOX, a pioneering environmentally focused art logistics startup, as Sales Director. After relocating to Paris six years ago, Katy developed a strong interest in the intersection of art and luxury. To deepen this focus, she recently completed an Executive Master’s in Luxury Management and Design Innovation, a joint program between ESSEC Business School and Parsons School of Design. She now works as a consultant to brands, artists, foundations, and collectors. Among her clients is the legendary art publisher Cahiers d’Art, where she heads Commercial Partnerships.Compelling is proudly in partnership with Cahiers d’Art.Compelling is produced in collaboration with Cahiers d’Art, the iconic Paris-based art publisher founded in 1926, home of the Catalogue Raisonné of Picasso and most recently the Frank Gehry Drawings Catalogue Raisonné. At the heart of it's publishing program is the Cahiers d'Art Revue, one of the most significant and longest-standing annual art publications of the last century. This year, Cahiers d’Art will celebrate its 100th anniversary with a series of major publications, projects and exhibitions in collaboration with leading global institutions, including the Peggy Guggenheim Collection in Venice, the MoMA in New York City and the Musée Picasso in Paris.Visit Cahiers d’ArtArt direction by Eddie Harrop StudioWebsite and Production by Story Ninety-Four
- May 7, 202653 min
Noémie Goudal: When Art Burns, Melts and Dissolves
What drives an artist to build vast illusions in real landscapes only to film them as they burn, melt and dissolve?In this episode of Compelling, host Katy Wellesley-Wesley sits down in Paris with French conceptual artist Noémie Goudal, whose photographs, films and performances probe how landscapes are formed, transformed and imagined. They trace her path from a darkroom hobby in late-1990s Paris, to Central Saint Martins and the Royal College of Art, and to her shortlisting for the Prix Marcel Duchamp 2024 at Centre Pompidou.Noémie unpacks the rigour behind series such as Cascade, Phoenix, Anima and the Artangel-commissioned The Story of Fixity, currently touring to Le Portique in Le Havre for the 2026 Normandie Impressionniste festival. She reflects on collaboration with director Maëlle Poésy and aerial artist Chloé Moglia, the role of paleoclimatology and the water cycle in her research, and what it means to build a first monograph spanning 17 years of practice ahead of her 2027 Norton Museum survey. - Welcome to Compelling - Growing up between Architecture and Theatre - St Martin's, the Royal College and Finding Space in London - Cascade and the Birth of Constructed Photography - Why Real-Time Illusions Matter More than Photoshop - Building Anima with Maëlle Poésy and Chloé Moglia - Paleoclimatology, Water and Letting Research Click - Building a First Monograph across 17 Years - Inside the Prix Marcel Duchamp 2024 - Influences from Theatre to Marfa and Las Pozas - Hard Work over Talent and the Discipline of Finishing - Le Portique, Pola Foundation and What Comes Next Noémie Goudal: Noémie Goudal is a French conceptual artist whose photographs, films, performances and sculptures construct illusionistic interventions in the landscape, underpinned by research at the intersection of ecology, anthropology and paleoclimatology. She graduated with an MA in Photography from the Royal College of Art in 2010, after studying graphic design at Central Saint Martins. Goudal was shortlisted for the Prix Marcel Duchamp 2024 at Centre Pompidou, where she premiered the films Grand Vide and Supra Strata. Her Artangel-commissioned installation The Story of Fixity is touring to Le Portique in Le Havre for Normandie Impressionniste 2026, with further exhibitions at the Pola Foundation in Japan and a major monographic survey opening at the Norton Museum of Art, West Palm Beach, in 2027.Visit Noémie GoudalKaty Wellesley Wesley: With over 18 years of leadership across galleries, foundations, and startups, Katy has built a career shaped by curiosity and a drive to explore new ideas. She spent a decade at leading commercial galleries—first at Gagosian, then at Pace, where she was Director of Exhibitions in London. She went on to lead the Villa Lena Foundation in Italy as Director, before joining the founding team of ROKBOX, a pioneering environmentally focused art logistics startup, as Sales Director. After relocating to Paris six years ago, Katy developed a strong interest in the intersection of art and luxury. To deepen this focus, she recently completed an Executive Master’s in Luxury Management and Design Innovation, a joint program between ESSEC Business School and Parsons School of Design. She now works as a consultant to brands, artists, foundations, and collectors. Among her clients is the legendary art publisher Cahiers d’Art, where she heads Commercial Partnerships.Compelling is proudly in partnership with Cahiers d’Art.Compelling is produced in collaboration with Cahiers d’Art, the iconic Paris-based art publisher founded in 1926, home of the Catalogue Raisonné of Picasso and most recently the Frank Gehry Drawings Catalogue Raisonné. At the heart of it's publishing program is the Cahiers d'Art Revue, one of the most significant and longest-standing annual art publications of the last century. This year, Cahiers d’Art will celebrate its 100th anniversary with a series of major publications, projects and exhibitions in collaboration with leading global institutions, including the Peggy Guggenheim Collection in Venice, the MoMA in New York City and the Musée Picasso in Paris.Visit Cahiers d’ArtArt direction by Eddie Harrop StudioWebsite and Pr
- Apr 30, 20263 min
Bonus Content: The Pleasure of Art Through Smell
What would you keep perfectly preserved in a bottle if it could be anything other than perfume? In this bonus episode of Compelling, host Katy Wellesley-Wesley returns to her conversation with Marc Chaya, co-founder and CEO of Maison Francis Kurkdjian, for a more philosophical exchange on creativity, perception and the legitimacy of scent as art. Marc argues that we have been taught to appreciate art through sight and sound, yet rarely through the nose. He unpacks the long technical training behind perfumery, the difference between mastering a craft and being a true creator, and Kant's idea of the genius of creativity, where imagination and reasoning fall into spontaneous harmony.He closes with a striking answer to Katy's question, choosing to bottle the feeling of transcendence — that universal, intangible emotion great art provokes.Marc Chaya: Marc Chaya is the co-founder and CEO (President) of Maison Francis Kurkdjian, the Paris fragrance house he launched with perfumer Francis Kurkdjian in 2009. Before co-founding the Maison, Marc built a fast-tracked career at Ernst & Young in Paris, where he made partner in under ten years and later served as Global Telecoms Markets Leader, before leaving to pursue entrepreneurship and a creativity-led approach to luxury perfumery. He is known for advocating for perfumers’ authorship and for expanding fragrance into wider artistic forms, including the Palais de Tokyo retrospective celebrating 30 years of Francis Kurkdjian’s work beyond the bottle.Visit Maison Francis KurkdjianKaty Wellesley Wesley: With over 18 years of leadership across galleries, foundations, and startups, Katy has built a career shaped by curiosity and a drive to explore new ideas. She spent a decade at leading commercial galleries—first at Gagosian, then at Pace, where she was Director of Exhibitions in London. She went on to lead the Villa Lena Foundation in Italy as Director, before joining the founding team of ROKBOX, a pioneering environmentally focused art logistics startup, as Sales Director. After relocating to Paris six years ago, Katy developed a strong interest in the intersection of art and luxury. To deepen this focus, she recently completed an Executive Master’s in Luxury Management and Design Innovation, a joint program between ESSEC Business School and Parsons School of Design. She now works as a consultant to brands, artists, foundations, and collectors. Among her clients is the legendary art publisher Cahiers d’Art, where she heads Commercial Partnerships.Compelling is proudly in partnership with Cahiers d’Art.Compelling is produced in collaboration with Cahiers d’Art, the iconic Paris-based art publisher founded in 1926, home of the Catalogue Raisonné of Picasso and most recently the Frank Gehry Drawings Catalogue Raisonné. At the heart of it's publishing program is the Cahiers d'Art Revue, one of the most significant and longest-standing annual art publications of the last century. In 2026, Cahiers d’Art will celebrate its 100th anniversary with a series of major publications, projects and exhibitions in collaboration with leading global institutions, including the Peggy Guggenheim Collection in Venice, the MoMA in New York City and the Musée Picasso in Paris.Visit Cahiers d’ArtArt direction by Eddie Harrop StudioWebsite and Production by Story Ninety-Four
- Apr 23, 20261h 15m
Marc Chaya: Baccarat Rouge 540 and the Making of a Modern Cultural Icon
What happens when a luxury industry built on marketing starts putting the creator back at the centre? In this episode of Compelling, host Katy Wellesley-Wesley speaks with Marc Chaya, co-founder and CEO of Maison Francis Kurkdjian, about building a modern fragrance house where strategy exists to protect creative freedom, not constrain it. Marc traces his journey from growing up in Beirut during the civil war to becoming Ernst & Young’s youngest ever partner, and explains why beauty, reading, and the arts became both refuge and fuel for an entrepreneurial life.The conversation goes deep on authorship: why perfumers stay invisible, why copying a scent is treated differently from copying a song, and what it would take to secure meaningful intellectual property protection for fragrance formulas. Marc also unpacks the origin story of Baccarat Rouge 540 and why it became a cultural phenomenon without traditional advertising. Along the way, we touch on sustainability, the future of gifting, and the challenge of scaling without compromising craft, as the global fragrance market continues to expand. - Welcome to Compelling - Meet Marc Chaya and the Conversation Setup - Urgency, Impact, and a Drive to Build Something That Matters - From Ernst & Young to Entrepreneurship - The Dinner Party That Sparked a 22-Year Partnership - Putting the Perfumer at the Centre of the Maison - What It Really Takes to Build a Luxury House - Perfume Beyond the Bottle: Art, Installations, and Scents as Sculpture - ICON(S) and The Alchemy of the Senses Documentary - Dupes, Aspiration, and the Case for IP Protection in Fragrance - Sustainability, Packaging, and the Future of Refills Marc Chaya: Marc Chaya is the co-founder and CEO (President) of Maison Francis Kurkdjian, the Paris fragrance house he launched with perfumer Francis Kurkdjian in 2009. Before co-founding the Maison, Marc built a fast-tracked career at Ernst & Young in Paris, where he made partner in under ten years and later served as Global Telecoms Markets Leader, before leaving to pursue entrepreneurship and a creativity-led approach to luxury perfumery. He is known for advocating for perfumers’ authorship and for expanding fragrance into wider artistic forms, including the Palais de Tokyo retrospective celebrating 30 years of Francis Kurkdjian’s work beyond the bottle.Visit Maison Francis KurkdjianKaty Wellesley Wesley: With over 18 years of leadership across galleries, foundations, and startups, Katy has built a career shaped by curiosity and a drive to explore new ideas. She spent a decade at leading commercial galleries—first at Gagosian, then at Pace, where she was Director of Exhibitions in London. She went on to lead the Villa Lena Foundation in Italy as Director, before joining the founding team of ROKBOX, a pioneering environmentally focused art logistics startup, as Sales Director. After relocating to Paris six years ago, Katy developed a strong interest in the intersection of art and luxury. To deepen this focus, she recently completed an Executive Master’s in Luxury Management and Design Innovation, a joint program between ESSEC Business School and Parsons School of Design. She now works as a consultant to brands, artists, foundations, and collectors. Among her clients is the legendary art publisher Cahiers d’Art, where she heads Commercial Partnerships.Compelling is proudly in partnership with Cahiers d’Art.Compelling is produced in collaboration with Cahiers d’Art, the iconic Paris-based art publisher founded in 1926, home of the Catalogue Raisonné of Picasso and most recently the Frank Gehry Drawings Catalogue Raisonné. At the heart of it's publishing program is the Cahiers d'Art Revue, one of the most significant and longest-standing annual art publications of the last century. In 2026, Cahiers d’Art will celebrate its 100th anniversary with a series of major publications, projects and exhibitions in collaboration with leading global institutions, including the Peggy Guggenheim Collection in Venice, the MoMA in New York City and the Musée Picasso in Paris.Visit Cahiers d’ArtArt direction by Eddie Harrop StudioWebsite and Production by Story Ninety-Four
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About Compelling with Katy Wellesley Wesley
Compelling is a new podcast exploring the dynamic worlds of art, culture, and luxury. The series features in-depth conversations with visionary artists, cultural leaders, and brand innovators, to uncover how storytelling, mastery of craft, and creative collaboration come together to build community, engage audiences, and create lasting legacies. Compelling offers listeners fresh perspectives on the ideas and aesthetics shaping luxury businesses and contemporary culture.
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