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by Roseanna | The Memoir House Productions
Every designer who changed the world left a story most people never heard. The Fashion Memoir gives full biographical portraits to the style icons who shaped culture and rarely got credit. Each episode follows one designer or icon through their life and the mark they left on how the world dresses. Made for anyone who loves fashion and history.New episodes every Monday and Thursday.
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The pompadour hairstyle is named after Madame de Pompadour, and her own portraits show she never wore it. The pink called rose Pompadour was never given that name by the Sevres factory that made it. She did not invent the rococo either. What Jeanne-Antoinette Poisson actually did was turn herself, the daughter of an army provisioner, into the official arbiter of French taste at Versailles, hold the position for nineteen years, and then take the blame for a war the king was running.This episode covers her unusual education, the Yew Tree Ball of 1745, what she actually wore (the robe a la francaise, the grand habit, the lace in her posthumous inventory), the twelve portraits she commissioned from Boucher, the Sevres pink, the Encyclopedie, the Seven Years War, and how the Goncourt brothers and the American Gilded Age turned her name into a brand.
Rudi Gernreich arrived in Los Angeles in 1938, a sixteen-year-old Austrian Jewish refugee whose first steady job was washing bodies in a hospital morgue. In 1964 he designed the monokini, a topless swimsuit that the Vatican's newspaper and the Soviet press condemned in the same summer, and which he had never meant to sell. He also designed the No Bra, the modern thong, and a 1970 unisex collection he described as a statement about the equality of men and women.This episode covers his Vienna childhood in his aunt's dress salon, the summer he and Harry Hay canvassed the gay beaches of Malibu with a peace petition, his founding role in the Mattachine Society under the single initial "R," the 1964 monokini and the arrests that followed it, and the soft unstructured bra that turned out to be his most consequential design.
For about two hundred and fifty years, women had the bigger pockets. An eighteenth-century tie-on pocket was the size of a modern tablet, tied round the waist under the skirts, and it held your keys, your money, your sewing kit and your love letters. Then the silhouette changed in the 1790s, and the pocket did not fit underneath it.This episode traces the pocket from a pouch stitched to a Copper Age belt, through the century when men's clothes swallowed their pockets, to the Victorian fashion press arguing about where a woman's pocket should go, the suffragists who demanded pockets alongside the vote, and the 2018 study that measured eighty pairs of jeans and found women's front pockets forty-eight per cent shorter than men's.
Lee Miller was on the cover of American Vogue in March 1927, as a drawing by the illustrator Georges Lepape. Eighteen years later she was photographing the liberation of Dachau for the same magazine, and cabling her editor in capital letters to beg her to believe it. In between she ran British Vogue's studio through the Blitz, shooting fashion under clothes rationing, and talked her way into a siege in Brittany she was not accredited to cover.This episode covers the Conde Nast discovery story that the Tate's own curators say has no documents behind it, the 1928 Kotex advertisement, the solarisation years with Man Ray, her work in Egypt, the wartime fashion photography she made for her editor Audrey Withers, the Paris Liberation assignment that sent her straight to the couture houses, and the sixty thousand negatives her family found in the attic after she died.Content note: this episode mentions child S.A., photographs her father took of her that biographers find uncomfortable, depression and heavy drinking, and the concentration camps at Buchenwald and Dachau. The camp photographs are not described in detail.
Annette Kellerman was an Australian champion swimmer who swam the Thames for a newspaper, tried to swim the English Channel at least three times, performed underwater ballet in a glass tank on three continents, and sold one-piece bathing suits under her own name for the better part of twenty-five years. By the 1910s, "an Annette Kellerman" was a name for that style of swimsuit.She is remembered instead for being arrested on a Boston beach in 1907 for wearing one. That story is repeated by encyclopaedias, museums and halls of fame, and nobody has found a contemporary record of it. The earliest versions I have found are newspaper pieces from the early 1950s, and the main one is her own recollection.This episode covers what women actually wore into the water before her, how stockings came to be sewn into a racing suit for a royal audience, the Harvard doctor whose careful remark that she was near the ideal figure became a headline about the perfect woman, the lost million-dollar film she may or may not have appeared nude in, and the two surviving swimsuits in Australian museum collections that tell the real story.
"I'm afraid that I'm a woman without a country." Anna May Wong, 1938, on taking her American clothes to China and finding she was foreign there too.Part Two of two, covering 1931 to 1961: the Travis Banton dragon gown now in the Metropolitan Museum and where its dragon really comes from, the two parts she was refused for being too Chinese to play Chinese, the nine months in China, the auction of her own wardrobe, and the television series she pitched herself and which no longer exists.Part One, The Certificate of Identity, covers 1905 to 1931.
Anna May Wong was born in Los Angeles in 1905 and spent her life carrying a card that certified she had been admitted to her own country as a native, on a doctor's word.Part 1 of 2: from a laundry on Figueroa Street to a Broadway stage in 1931, by way of Berlin. The modelling job at ten, the Chinese Exclusion Act file, the Technicolor lead at seventeen, the production company she founded at nineteen, and the reasons she gave for leaving America.Part Two, The Dragon Dress, covers 1931 to 1961.
Patrick Kelly was born in Vicksburg, Mississippi on 24 September 1954 and died in Paris on New Year's Day 1990, aged 35. In between he sold hand-sewn dresses on the street and out of flea markets, got six pages in French Elle before he had a house of his own, and in June 1988 became the first American and the first Black designer ever voted into the Chambre Syndicale du Prêt-à-Porter, the body that governs Paris ready-to-wear.This episode covers the grandmother whose mismatched buttons became his signature, the one-way ticket the model Pat Cleveland left at his door, the golliwog logo he put on his own label and the argument it started, Bette Davis wearing his clothes on American late-night television, the five-million-dollar Warnaco deal, the Mona Lisa collection he called Lisa Loves the Louvre, and the eight hundred and sixty pieces of his work that survive at the Philadelphia Museum of Art.
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Every designer who changed the world left a story most people never heard. The Fashion Memoir gives full biographical portraits to the style icons who shaped culture and rarely got credit. Each episode follows one designer or icon through their life and the mark they left on how the world dresses. Made for anyone who loves fashion and history.New episodes every Monday and Thursday.
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