
Free Daily Podcast Summary
by Frame Set
"Reframed" is a show that helps growing filmmakers learn from the creators behind inspiring new work, offering real insights, practical tools, and a stronger sense of connection within the film community.
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▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4sNWlHs▶ About This Episode:Cinematographer Kamiel Doens joins Dylan Hahn to break down a high budget car commercial for Omoda called "What Ever Comes". Shot on a giant soundstage in Sofia, Bulgaria, they walk through a top light built from 26 Vortex8s for soft light at high frame rates, lighting cues prebuilt with a board operator, a two ton water wave that smashed a windshield in testing, snow, rain and mud transitions panned by hand, a locked B camera dolly for the match cut sequence, and a fully custom prop dolly track. They also get into why test days decide everything on a big stage, how the directors added AI landscapes in post, and where Kamiel stands on AI in filmmaking.
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4BGGhLR▶ About This Episode:Cody Ingham joins Dylan Hahn to break down what a "Key Grip" actually is. Through his recent work for Nike with director Tucker Phillips, they walk through what a key grip is actually in charge of, what falls outside the grip department, and why camera support, shaping light, and keeping the set safe make the role so essential to every shoot. They also get into the prep that happens long before call time, knowing when to say no, and what it really takes to become a key grip.
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4jSud3C▶ About This Episode:DP Philipp Hafner joins Dylan Hahn to break down "Bésala Mucho" for Tamara Flores and Tourist, directed by Rupert Höller. They walk through in-camera LED strobes, an eight-light face rig played live by the gaffer on a keyboard, a lake platform near Vienna standing in for open sea, Vaseline painted onto filters over Mamiya lenses on a RED Komodo, a milk and saltwater cloud tank, flashlights hidden in sleeves, and reshooting the entire edit through an aquarium over a MacBook. They also get into why the idea matters more than the budget, building trust with a repeat director, and the value of experimenting on set.
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4scV24H▶ About This Episode:South African director Royd Ringdahl joins Dylan Hahn to break down "City of Gold," his Adidas film for Orlando Pirates celebrating Johannesburg ahead of the club's 90th anniversary. They walk through refracting shooting footage through a tray of water over an iPad, a teleprompter mirror rig for on-set ripples, painting the frame with a single handheld LED light and masking each subject together in post, bouncing sunlight with mirrors, a Panasonic P2 riding alongside the RED Raptor, and wire work down a spiral staircase into an old bank's gold vaults. They also get into writing the script as a love letter to the city, Royd's mining family roots, locking the music before the edit, and turning a 90 second deliverable into a director's cut.
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/3U8BDoY▶ About This Episode:Director Christian Vergara joins Dylan Hahn to break down his self funded Theragun spec commercial. They walk through shooting three athletes against a cyc wall with two ARRI Alexa 35s on a Fisher dolly, a rolling Xbox Kinect rig blended with Polycam scans, in camera filtration, and sourcing hospital grade monitors from a suburban Chicago medical warehouse. They also get into using a treatment and Milanote briefs to define the creative sandbox, leaving an agency job to direct full time, and why spec work is a reminder to play.
▶Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4xYM4Kp▶About This Episode:Director Niklas Hugo joins Dylan Hahn to break down his Y2K-inspired commercial for Offhand, "Diamond Drive Country Club." They walk through building one long dolly track that they reshuffled for multiple setups, faking rain with the fire department to soak the whole cast, and shooting on film. They also get into cutting to a drummer's internal rhythm, choosing tone and heightened reality over chasing perfect images, and protecting the creative fire that got him into filmmaking in the first place.
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4ir24A9▶ About This Episode:Director Loris Russier joins Dylan Hahn to break down his Tissot commercial, a three sport tribute to dedication built around NBA star Damian Lillard, Tour de France cycling, and MotoGP. Loris walks through the all practical approach behind the film, including a hand built infinity mirror box, a sunrise basketball shoot staged on a repurposed boat platform, macro watch inserts shot on a Phantom camera, and an interesting use of reflective spray. They also get into the department matrix that ran pre production, balancing warm and cool color across three shooting days in Georgia plus a separate studio day with Damian Lillard in Portland, and why Loris considers this his most personal work yet.
▶ Find Inspiration and develop your ideas with Frame Set:https://go.frameset.app/4ybXaeI▶ About This Episode:Director Ádám Halmos joins Dylan Hahn to the podcast to break down his music video for Brumiko's "Sör, Unicum," which features Hungarian film legend Reviczky Gábor, Ádám's own childhood cinema hero. Ádám explains shooting his first ever project on 16mm film with only 40 minutes of stock, wrangling horses and motorcycles inside an active quarry, rebuilding a prop heart in VFX after the real one looked fake on camera, and trusting DP Fabó Tóth's eye on a black and white monitor that was hard to see. He also gets into directing without the safety net of digital playback, casting for real chemistry between his actors, and what it meant to work alongside one of Hungary's most legendary performers.
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"Reframed" is a show that helps growing filmmakers learn from the creators behind inspiring new work, offering real insights, practical tools, and a stronger sense of connection within the film community.
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