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by Brooks Jensen
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience. Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).
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Here's a Thought… #2748 with Brooks Jensen Photography and Beauty Writing itself is not a visually aesthetic activity until we decide to make the letters beautiful with calligraphy. Can we say that photography is not an aesthetic activity until we make the image beautiful with — with what? Composition? Tones and colors? Beautiful subjects? What is it that turns a replicative medium like photography into an artistic and aesthetic pursuit? Do we create beauty or merely capture it? Do we recognize beauty or manufacture it? Are we conduits for beauty or wizards who conjure it into existence? Is beauty even the goal? Or, is it truth, expression, moment, connection? Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.
Here's a Thought… #2747 with Brooks Jensen The Complexity of the Medium Photography is a technology that includes many media. I grew up in the age of gelatin silver. Today I use inkjet printers. Is my earlier work "better" or more valuable because the medium was so much more demanding and recalcitrant? I've known photographers who engaged "alternative processes" because they thought it would make their work special, more valuable, more collectible. Yet another example of equating difficulty and worthiness. Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.
Here's a Thought… #2746 with Brooks Jensen Right On, Write On, Right On One of the great gifts we can receive from an artist is PERMISSION. We all owe a debt of gratitude to the late Duane Michals. By his example, he gave us all permission to write on our photographs. He understood — boy, did he understand!— that Art is about Ideas not just visuals. By marrying the photograph to the hand-written word he opened wide a door for all of us. The question remains, however, do we have the courage to follow his example? Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.
Here's a Thought… #2745 with Brooks Jensen Denied Access I'm convinced that the most valuable aspect in the creation of a good photograph is access. If we are denied access, we can't get to where we need to be to click the shutter. Since that's an undeniable reality, wouldn't it make sense that we need to develop the skill of securing permission? I learned this lesson in the 1980s when I was working on the Made of Steel project. I used one simple principle to gain access to the garages and machine shops where I photographed. My technique only failed me once. Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.
If you want to insult a photographer, accuse them of "spray and pray." It's a not so subtle way of saying they are relying on luck rather than talent. There are, however, two instances where I think spray and pray not only makes sense but is a pretty intelligent strategy: capturing a fleeting expression in a portrait, and using a long exposure time in a handheld composition. Besides, when your photograph succeeds, will anyone care how you arrived at that success?
Here's a Thought… #2744 with Brooks Jensen Long-Forgotten Books Perhaps it's understandable that as a publisher I have a fond relationship with books. I weep over the fate of books (and the photographers who made them) when I see a great book subside into the obscurity of history. Newly minted books emerge from the bindery with such hopes and momentum. Then decades pass and that once-great book, like us I suppose, recedes into the dark corners of our book shelves or the dusty confines of the used bookstore. Or the local landfill or recycling center. I like to think that books are a first step toward immortality. In practice, I know better. Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.
Here's a Thought… #2743 with Brooks Jensen The Assumption of Effort When we see any accomplished artistic expression — regardless of the medium — we naturally assume that such excellence is the result of substantial effort and talent. Just think of the effort required to compose a symphony, write a novel, or carve a statue. With photography however, we are advised "f/8 and be there." Press a button and make a masterpiece. Art is hard; photography is a snap. We photographers know this isn't true. Worse, that perception is even more prevalent now than ever. Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.
Here's a Thought… #2742 with Brooks Jensen Dappled Light One of my favorite things to photograph is the dappled light that sneaks through the trees to create those soft shadows that dance so seductively. I've photographed those shadows my whole life. I've recently learned there is a Japanese aesthetic that celebrates that light and shadow. It's called Komorebi. Ko meaning tree or more specifically leaves of trees, more meaning leaking or leaking through, and bi meaning sun or light. More importantly, the term is associated with a state of mind, a mood, a moment of being, a transience that implies this moment. Become a member of LensWork Online and have access to all 2700+ Here's a Thought… commentaries.
Random Observations on Art, Photography, and the Creative Process. These talks focus on the creative process in fine art photography. LensWork editor Brooks Jensen side-steps techno-talk and artspeak to offer a stimulating mix of ideas, experience, and observations from his 50 years as a fine art photographer, writer, and publisher. Topics include a wide range of subjects from finding subject matter to presenting your work, and building an audience. Included in this RSS Feed are the LensWork Podcasts — posted weekly, typically 10-20 minutes exploring a topic a bit more deeply — and our almost daily Here's a thought… audios (extracted from the videos.) Here's a thought… are snippets, fragments, morsels, and tidbits from Brooks' fertile (and sometimes swiss-cheesy) brain. Usually just a minute or two. Always about photography and the art life. Brooks Jensen is the publisher of LensWork, one of the world's most respected and award-winning photography publications, known for its museum-book quality printing and luxurious design. LensWork has subscribers in over 73 countries. He is the author of 13 books on photography and the creative life -- the latest books are The Best of the LensWork Interviews (2016), Photography, Art, and Media (2016), and the four annual volumes of Seeing in SIXES (2016-2019).
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