
iServalan Homotech 23: How My Hands Became a Machine, and the Machine Became a SelfI did not set out to invent a movement. I set out to keep working.In 2023 I began calling myself a Homotech. The word arrived the way a diagnosis sometimes does: not as a costume, but as a name for something already happening. My human creativity was fusing with a digital self that felt larger than the hand that made it. The brain itself seemed to be digitising, not metaphorically, not as a slogan, but as a felt change in how thought moved. Ideas no longer arrived only as images or sentences. They arrived as layers, channels, filters, versions. A line on a screen could be undone. A voice could be split into characters. A dream could be held still long enough to be drawn, scored, and published as a world.That is the beginning of iServalan, a recognition that something in my creative centre was shifting and I really wanted to ride the wave.The De La Maré Music ContinuumWritten and presented by iServalan™ (the stage name of Sarnia de la Maré FRSA)Music, listening, and the Continuum Approach: Exploring sound across genres, eras, and performance cultures — from Baroque to punk, hip-hop to minimalism — without hierarchy or haste.iservalan.com🎧 Podcast & essays: 🎻 Music School#iServalan #ContinuumApproach #MusicPodcast #RadicalListening #MusicAcrossGenres#PerformanceCulture #SarniaDeLaMaré
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How Musicians and Digitisation Fuse by Sarnia de la Maré FRSA for Continuum

Welcome to the De La Maré Music Continuum. Thirds as musical tools for composers and musicians

Welcome to the De La Maré Music Continuum. This is an essay celebrating the beautiful third.

West Dean College’s Musical Instruments programme: A De La Maré Music Continuum InfoPod
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