Skydancing, Liminal Spaces and Entering the Blue Gate: On Serendipity in Kenya with Poet Kathryn MacDonald

In this episode, I’m joined by Poet Kathryn MacDonald to discuss her hybrid poetry collection The Blue Gate, a book-length lyric poem that moves from love into loss and grief, with its central section of a serendipitous month-long trip to Kenya shortly after her husband’s death. Kathryn explores recurring motifs of rain and water as bountifulness amid drought, and red-tailed hawks as a metaphor for trust and lifelong love through “skydancing.” She reflects on culture shock, how grief is approached and dealt with in different contexts alongside her experience of living “two realities” at the same time. We also talk about the role of poetry and how it enriches our lives and gives voice to complex emotions that cannot be subsumed in words. Moreover, Kathryn mentions her different inspirations, and how writers and artists, such as Solnit, Blixen, Rilke as well as surrealist painters influence her craft. The episode closes with Kathryn reading two of her poems: “Skydancing” and the closing poem of the book, “Albinoni’s Adagio,” underscoring endurance with “And still. I live.”