
For episode 615, Matt concludes his two-part conversation with Michael Frondelli, picking up in Los Angeles where Keith Forsey and Richie Zito brought him west. Michael landed at Giorgio Moroder’s Oasis Studios, where he worked on the Breakfast Club soundtrack, Beverly Hills Cop, and the world premiere digital playback of Moroder’s restored Metropolis. He went on to eleven years as Vice President of Capitol Records Studios, where his first artist was Frank Sinatra and he quietly produced Big Bad Voodoo Daddy on a $100,000 investment that grossed $7 million. They also talk about AI and copyright, the importance of pre-production, apprenticeships in audio, network as the real currency of a career, and what Phil Ramone told him about what recording engineers actually do.In This Episode, We Discuss:Moving to Los Angeles via Keith Forsey and Richie ZitoGiorgio Moroder’s Oasis Studios: Breakfast Club, Beverly Hills Cop, and Three Films at OnceThe World Premiere Digital Playback of Moroder’s Restored MetropolisEast Coast vs West Coast Recording CultureKeeping an Apartment in Brooklyn and One in LAVP of Capitol Records Studios: How He Got the JobLearning to Run a $5 Million BusinessThe First Business Plan Ever Written for Capitol StudiosFrank Sinatra as the First Artist: Phil Ramone, Al Schmitt, and Building a Custom Vocal BoothUnion Negotiations, Health Benefits, and Taking Care of the StaffBeing Told He Was Too Old to Start a Label at 44Big Bad Voodoo Daddy: $100,000 In, $7 Million Gross, 500,000 Records by MayCrowded House, Gary Stamper, and Don’t Dream It’s OverAI, Copyright, and Why You Must Register Before You Use the PlatformApprenticeships, the Music Producers Guild, and Passing It OnNetwork as the Real Currency of a CareerStill Working: James Gadson, Autism Speaks, and Making RecordsMatt’s RANT!: Matt’s DadLinks and Show Notes:Michael FrondelliWCA #614 with Michael Frondelli, Part 1Vincent Boudreau — ObituaryCredits:Guest: Michael FrondelliHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck Smith
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WCA #614 with Michael Frondelli, Part 1 – Astoria, R&B Days, Salsa Nights, and Electric Lady

WCA #613 with Ben Mellott – Northern Virginia, Church Sound, Farm Festivals, and Profit First

WCA #612 with Brian Starley – Utah, Cartage, Building a Studio in LA, and Relationships Before Gear

WCA #611 with Scott McDowell – Berklee, California vs New York, Getting Fired, Becoming a Studio Partner, and Getting Hit by a Car
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