
In this episode of Working Class Audio, Matt welcomes back producer, mixer, and engineer Will Kennedy. Will shares an update on his journey since his last appearance, focusing on his partnership with Matt Wallace and their deep dive into immersive and Dolby Atmos mixing from their Los Angeles studio. They discuss the strategic decision to sell off their traditional recording gear, the evolution of the immersive audio market, and the amusing discovery of a hidden Starbucks inside a Jaguar dealership. The conversation also explores the unique, ongoing challenges of adapting rock and roll production techniques for the Atmos format.In This Episode, We Discuss:Biking With Brad WoodHuman Powered VehiclesPartnership With Matt WallaceDolby Atmos Mixing FocusLos Angeles Studio LocationHorseless Carriage DinerJaguar Dealership StarbucksSelling Traditional Recording GearKeeping Essential Overdub SetupOffloading Full Band TrackingEarly Adopter Atmos StrategyBecoming Premium Immersive MixersDolby Atmos Market CorrectionNavigating Cheap Atmos MixesAtmos In Modern CarsMixing Rock In SurroundStereo Versus Immersive TechniquesDeveloping New Tracking MethodsMatt's RANT!: Think BiggerLinks and Show Notes:WCA #388 with Will KennedyMatt Wallace on WCABrad Wood on WCACredits:Guest: Will KennedyHost/Engineer/Producer: Matt BoudreauWCA Theme Music: Cliff TruesdellThe Voice: Chuck SmithVideo Interview
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WCA #600 with Andrew Scheps – Atmos, Imposter Syndrome, Coding Plugins with AI, Climbing Walls, and 600 Episodes

WCA #599 with Alex Newport – Three Decades of Production, a Studio in the Desert, Engineering at Tiny Telephone, and Why Unique Always Beats Good

WCA #598 with Dante Fumo – Harmonic Content, Independent Film Sound, DIY Publishing, and Making a Living on Your Own Terms

WCA #597 with Tchad Blake, Dr. Will Sedley, Jack Rubinacci & Hazel Goedhart – Tinnitus Quest: Breaking the Silence on the Music Industry's Most Common Occupational Condition
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