Faris McReynolds is a painter and musician whose practice engages directly with the structures of the contemporary art world. In this conversation, he reflects on his early entry into the gallery system, the financial realities of sustaining a painting practice, and the conditions that led him to step away from commercial representation. The discussion addresses how wealth, collectors, and market forces shape artistic visibility and value, alongside a critique of galleries, art fairs, and institutional power. McReynolds also considers the distinction between underground and unsuccessful practices, the influence of social media on artistic production, and the possibility of maintaining an independent, long-term commitment to making work outside dominant systems.
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296 Josh Schaedel — Artist-Run Spaces, Photography Economics & Community in Los Angeles
295 Donel Williams — Abstraction, Black Figuration, Performance Art & Institutional Critique
293 Jahn Muller: Painting, Generational Memory & the Experience of Art
292 Katie Hector — Portrait Painting, Beauty Standards, and Contemporary Image Culture
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