
Dante, the poet, steps out of the story seven times in PURGATORIO to address his reader directly--sometimes to spur the reader on to action, sometimes to put a bridle on the reader's intentions or thoughts.If we trace these seven addresses, can we find a developmental pattern? Or uncover Dante's changing attitude toward his work? Or toward his reader? Can we see a growing frustration or even fear about what lies ahead in COMEDY?Join me, Mark Scarbrough, as we work our way through these seven call-outs to find ways to summarize the greater work and ingenuity of PURGATORIO.Here are the segments for this episode of WALKING WITH DANTE:[01:31] PURGATORIO, Canto VIII, Lines 19 - 21.[05:23] PURGATORIO, Canto IX, Lines 70 - 72.[08:00] PURGATORIO, Canto X, Lines 106 - 111.[11:55] PURGATORIO, Canto XVII, Lines 1 - 9.[15:39] PURGATORIO, Canto XXIX, Lines 97 - 105.[19:20] PURGATORIO, Canto XXXI, Lines 124 - 126.[22:22] PURGATORIO, Canto XXXIII, Lines 136 - 138.
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Final Thoughts On PURGATORIO

Dante's Theories Of Writing Across INFERNO and PURGATORIO

All The Hopeful Ambiguity Of The Second Canticle: PURGATORIO, Canto XXXIII, Lines 124 - 145
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