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Sara Wylie got her filmmaking start in her late twenties, dipping her toe into documentary through her work as a political organizer after making anti-Stephen Harper comedy videos. Soon, her passion for storytelling developed into a heightened curiosity about how she processes her own life and experiences as someone experiencing complex chronic illness. In this personal inquisition, Wylie fell upon the concept of Crip Time, contemplating how able-bodied versus disabled bodies relate to time....
Solara Thanh Bình Đặng's ripe follows lead character Lệ, on the cusp of a life-altering decision. At this crossroads, she must consider an arranged marriage that is sure to support her family, but yields a profound uncertainty. Representative of a crossroads many women face, ripe represents the experience of facing a dilemma, symbolized by a durian fruit. In this work, Đặng emphasizes not the decision itself, but the spiritual and psychological journey in moving through it, a nod to her love ...
Nicole Bazuin first encountered Andrea Werhun on the set of a music video she was directing, in search of Go Go Dancers who'd be willing to participate. At first meet, the two developed what Bazuin calls "a creative crush," compelled to work together on several projects since. What resulted from this affinity for each other's art was a self-published book titled "Modern Whore" based on Werhun's experiences as a sex worker in Toronto. But their collaboration didn't end there. With more stor...
The urge to escape the mundanities of everyday life is hard to ignore. And yet, so many of us remain tethered to our routines, our homes, our comforts. In 1957, Robert Bateman and Bristol Foster resisted that pull. Instead, they packed their belongings into a Land Rover and set off on a 30,000-kilometre journey across Africa, India, Southeast Asia, and Australia—an adventure that would shape the course of their lives. Driven by a shared reverence for the natural world, Bateman—one of Canada...
In a city plagued by social isolation, Brian Daniel Johnson and Dide Su Bilgin found a story to tell. In their film, A Welcome Distraction, lead character, Ernest, looks for answers amidst grief and heartbreak in this unapologetic portrayal of how disconnected Vancouver can be. Soon, he becomes entangled with a wellness enclave led by a charismatic leader (Adriana Marchand). A true ensemble film, A Welcome Distraction showcases the pursuit of community, as told by a friend group itself. Long...
Kent Donguines' journey creating Treasure of the Rice Terraces began in 2019. From idea to development, Donguines' slow and steady process was grounded with one intention: to be in community with his subjects. Treasure of the Rice Terraces follows Donguines' travels back to the Philippines to reconnect with his roots. Discovering the world of Indigenous Kalinga tattoos in Buscalan, he falls upon 108-year-old tattoo artist Apo Whang-Od, marking the beginning of this story. A community that is...
From travel bans to the risk of criminalization for her film's subjects, Elöise King had to persevere through many hurdles to get her documentary, The Shadow Scholars, to screen. In The Shadow Scholars, cameras follow Patricia Kingori, the youngest Black woman professor in Oxford’s 925-year history, on her compelling global investigation into Kenya’s hidden essay mills — an industry where an estimated 40,000 highly educated yet underemployed Kenyans make ends meet by writing academic papers ...
In the 20th Century, painter E.J. Hughes quietly helped reshape the artistic landscape of British Columbia. Each canvas was a place of worship for the artist who was famously too shy to attend his own art exhibitions. Hughes' legacy has left us with many opportunities to bask in the beauty of this province through each brush stroke. Jenn Strom's The Painted Life of E.J. Hughes explores Hughes’s life not only as an artist but as a devoted, humble human being. In this episode of the VIFF Podca...
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Bringing you exclusive in-depth conversations with industry-leading filmmakers, creators and cultural luminaries, recorded live at the Vancouver International Film Festival and year round at VIFF Centre.~ About VIFF ~ Beyond film exhibitions, VIFF strives to engage and empower communities, encourage dialogue and champion local artists. With decades of experience and an unwavering commitment to creating exceptional programs, VIFF has transformed into a highly esteemed annual festival and a premier arthouse cinema. Founded in 1982, the Greater Vancouver International Film Festival Society is a not-for-profit cultural society and federally registered charitable organization that operates the internationally acclaimed Vancouver International Film Festival (VIFF) and the year-round programming at VIFF Centre. All year, VIFF produces screenings, talks, conferences and events that act as a catalyst for the community to discover the creativity and craft
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