
Michael Sarnoski (Pig, A Quiet Place: Day One) breaks down how he and DP Pat Scola made The Death of Robin Hood for A24. Shot on 35mm Kodak film in Northern Ireland through brutal weather, a fully practical burning hut built to survive 15-minute takes, and a deliberate aspect ratio shift that marks the story's turn. We get into the brutal/beautiful balance at the heart of the film, how rigid the shot list actually is on set, and why "natural light" is more precise and deliberate than it looks.
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THE ODYSSEY with Matt Damon, Anne Hathaway, Himesh Patel, and John Leguizamo

Apple TV's CAPE FEAR with cinematographer Eben Bolter

The making of BACKROOMS with Kane Parsons

Everyone said this movie would fail ft. Sophy Romvari director of BLUE HERON
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