We’re doing something a bit different today! Some conversations have popped up in various comment sections about why Uncle Jerry prefers specific types of poetry, and which lenses we use to dissect those poems, whether we’re talking about Charles Dickens, Emily Dickenson, or Taylor Swift. So Uncle Jerry put together a lecture explaining how and why he views certain poetic styles the way he does, and explains the different criticism styles and theories we use to understand a poem’s meaning and impact.Hope you enjoy! Please leave any questions in the comments that he can answer either here or in a later episode. Works Cited:Marxist Literary CriticismPost-Colonial CriticismReader-response theoryKey Theories of Wolfgang IserIs There a Text in This Class? – Stanley Fish – Aff LinkPsychological CriticismFeminist TheoryNew CriticismFelicia Dorothea HemansOn the Intentional FallacyHyperion – John KeatsAffective FallacyQueer TheoryDeconstructionSemioticsCritical Race TheoryNew HistoricismStephen Greenblatt and New HistoricismSketches by Boz – Charles Dickens – Aff LinkSonnetsShakespeare's Sonnets & Poems – William Shakespeare – Aff LinkLimerickHaikuBallad Meter (or Common Measure)VillanelleConcrete PoetryLife Studies – Robert Lowell – Aff Link The Collected Poems – Sylvia Plath – Aff LinkMy Papa’s Waltz – Theodore RoethkeThe Real Slim Shady – EminemCan Poetry Matter?: Essays on Poetry and American Culture Paperback – Dana Gioia – Aff LinkA Bit Much – Lyndsay Rush – Aff LinkLyndsay Rush – InstagramAmanda GormanThe Swiftie and The Scholar Grading MatrixFollow Us:PatreonYouTubeTikTok
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