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by The Self Portrait Gospel :: Podcast
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Logtime Providence-based rockers Deer Tick have been releasing aggressively atmospheric, sonically seductive music for over two decades now. Since forming in the winter of '04 as a duo dynamic for McCauley's melodies, the group has spiritually secured a poetic place in the creative cosmos, alongside their peers and critical contemporaries. We had the chance to sit down with McCauley to talk about the band's brand new album, "Coin-O-Matic", which is set for release on ATO Records in early June, and the thriving traditions, historical harmonies, and memories of the mafia that once thrived in New England at that time. With everything that's going on in this country, the madness and the cruelty, Deer Tick hace risen from the artistic ashes since the release of the their 2023 album "Emotional Contracts" to serve the people a delightful dose of splendid songwriting and self-produced purity, but above all, superb storytelling.
Hailing from Claremont, California, a suburban city in eastern Los Angeles County, Henry Branes (Ranger Barnes, Enid Snarb) first began connecting with the meditative melodies of music through his incredibly talented parents. With a mother who played guitar and a father who was a member of the local collective The Real Jazz Band, Barnes' exciting enviroment eventually led him down the endless path of folklore, melodic mythology, and traditional tunes. Having participated in several groups in grade school and high school, the young industrious musician began to hone his craft during the cultural crossover from rock and roll to punk in the late 1970s, and decided to combine the two in one liberating location, and hasn't looked back since. In this first episode of "When I Didn't Have A Home," An Amps For Christ Podcast, Barnes takes us all the way back to the biblical beginning when he was born in La Verne before relocating to Mexico with his family and siblings, for a few years before returning to California, where he would eventually begin to connect with the spiritual sounds, and tonal textures that would later go on to define the visceral vibrations, and enviromentally epic messeages of LA-based "power violence" trailblazers Man Is The Bastard, and later Amps For Christ. Join us as we unpack the unique universe of all things AFC on this season's first episode, "The End Is The Beginning and The Beginning Is The End", where we initiate the first peel of the Glass Onion before discovering what lurks within its cosmic center.
Born and raised in Princeton, New Jersery, Wilkes relocated to the West Coast with his family, where he would go on to earn a BA at UC Santa Cruz, before eventually deciding to study screenwriting at the American Film Institute (AFI). Having worked as a screnwriter on such cult classics as 1994's "Airheads" (Adam Sandler, Brendan Fraser, Steve Buscemi, Chris Farley, and Michael Richards) and "The Stoned Age" (Michael Kopelow, Bradford Tatum, and Clifton Collins Jr.), which was released this past Monday as an exclusive cult collectible Blu-Ray in celebration of 420, Wilkes officially made his semi-autobiographical coming of age tale "Glory Daze", starring a pre-Kevin Smith Ben Affleck, Sam Rockwell, and French Stewart, and has since paved way as a legend in an intense industry that is changing quicker than you, and I could ever fathom. While combining the existential elements of youth, relationships, career, and the brave balance of life, Wilkes may be your new favorite obsession when it comes to cult comedies, and subliminal stoner stories. On this episode of The Self Portrait Gospel Podcast, we sit down with the veteran screenwriter/director to discuss the old glory daze of long-lasting youth in the 1990s, films legends such as Spielberg, Fincher, and Soderbergh, the never-ending narrative of nostalgia, the impact of AI, and much more.
Remaining a romantically revolutionary voice among his peers and contemporaries for nearly two decades, Durham, North Carolina-based singer, songwriter, and producer MC Taylor (Hiss Golden Messenger) returns to the sonic surface with his latest effort, "I'm People", which he says is "An intensely human record." Written and recorded throughout Bolinas, the North Carolina Piedmont, and a Santa Fe motel room, with the harmonious help from some of his longtime friends and creative collaborators, Sam Beam, Bruce Hornsby, Marcus King, Sara Watkins, Eric D. Johnson, Amy Helm, and members of Dawes, Taylor effortlessly exposes a liberating light to help guid listeners to a much safer soundscape where endless wars, polluted politics, and chaos cease to exist if only for a moment. For this episode of The Self Portrait Gospel Podcast, we had the wonderful oppurtunity to sit down the veteran songwriter and producer to talk about the album, the Grateful Dead (of course), skateboarding, Jack Johnson, and the intimate influence of music and its harmonious healing properties. "I'm People" is a brilliant collection of songs that push against the body like a whispering wind in an open field during a spirtual storm somewhere near the Occoneechee Mountain State Natural Area in Hillsborough. This will be an album people call on during the inevitable hardships of life to recieve peace and ultimate understanding.
Maybe you've seen his vidoes while doom scrolling on your phone at two a.m. in search of elementary enlightenment or a break from the gravitational gloom of the world and its lunatic leaders. The universal use of his entire body through the meditational medium of the acoustic guitar, jaw harp, harmonica, nose flute, and vocals radically radiates the revolutionary reaction of the avant-garde in all its esoteric essence. Darcy Spidle, commonly known as Chik White, is a melodic moniker adopted by the Nova Scotia-based musician and performer for his work in films such as, (Lowlife, Tin Can, The Sinner) and music over the last twenty years. He is a force of great poetic power, improvisational intimacy, and elemental energy. Having first come onto the punk scene in Halifax, White toured and performed with several bands and projects, which critically connected him with his love for improve and the sometimes romantic reality of not only challenging his audience and listeners but himself within the experimental ecosystem he's created around his art. With the release of his latest effort, "Face Across the Door" on the Italian-based label Music a la Coque, as well as a spring tour to follow, White brings his melodic messages to the mortal masses in hopes of connecting, inspiring, entertaining, and distracting various audiences, even if just for a moment, from the chaos of the world, with lyrical laughter and humble harmonies.
Frank Hurricane is much more that just a songwriter or spiritual soothsayer; he's a psychedelic pirate manning the ancient waters under the splintered sun's biblical breast. Like some cosmic character from J.M. Barrier's 1904 masterpiece "Peter Pan", Hurricane's artistic approach to life and his work are rare these days, as everything has been melted down into this galactic goop for social media, and the poisonous pull that is has on our senses and judgement of people, places, and things. While we're making sure our posts are boosted and targeting our direct audience, you can find Hurricane riding shotgun on some of the most epic roller coasters across America as we take a much-needed spiritual journey with the musician and the colorfully capticating universe of atmospheric adrenaline he has created for an audience that he calls "Shrymps". His latest effort, "Southern Shrymp (In the Big City), which is set for release later this month on the Half Moon Bay, CA-based label Nudie Records, tells a tale of a young man on a quest in search of holy harmonies, exquisite experiences, and the songbook for spiritual survival in a world filled with chaos, and endless existentialism.
Both prolific, and poetic, Seattle, Washington-based singer-songwriter, multi-instrumentalist, and all-around spiritual splendor Chris Ballew has been writing and rapidly recording music for over thirty years like no one's business. As the frontman and bassist for the alternative rock band The Presidents Of The United States Of America, Ballew started his career busking in the busy streets of Boston in the late 1980s alongside Phil Franklin as the duo Egg, before relocating to LA, where he met and befriended a young Beck. Eventually moving back to the Emerald City, Ballew quickly formed the Presidents with Dave Dederer and Jason Finn, and by the time their iconic-self titled album was released in 1995, the group had become multi-platinum artists, and the rest is history! His disography is impeccable, intimate, full of laughter, and just what we need during these radically dark times. These days, you can find Ballew writing and recording music nonstop under his own name and the children's music project, Caspar Babypants, which has brought a great deal of peace and comfort into homes around the world for young parents and their bubbly babies. We need people like Ballew, and so do you!
Rutili's Califone has been around for nearly 30 years, if you can believe that. Rutili can't, and we talk about that for a mortal moment. Still, there were bigger topics on our minds, like ICE, the Trump administration, the pulverizing politics running rampant in our country, the confusing violence that seems to continue painting the numbing narrative of the "American Dream", and of course, the Grateful Dead. Rutili's music is both magical and intimately intense, as we find several concepts for coping, expressing, and exploring how music truly heals all wounds. As 2026 continues to roll out, Rutili prepares with Califone and Ugly Casanova for the Ice Cream Floats boat tour from Miami to Puerto Plata and the Dominican Republic this weekend, a short spring tour in April, and much more!
THE SELF PORTRAIT GOSPEL IS A PODCAST AS WELL AS AN ONLINE PUBLICATION THAT FOCUSES ON THE VARIOUS CREATIVE APPROACHES AND ATTITUDES OF THE MUSIC WE FIND ENLIGHTENING AND MOST MOVING. THE ARTIST'S UNIQUE AND VAST APPROACH TO LIFE AND THEIR CRAFT IS BOUNDLESS AND WE'RE ON A MISSION TO SHARE THOSE STORIES THE BEST WE CAN.
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