Bishop Maximus & Evgeny Skurat | Resurrecting the Ancient Byzantine Liturgy

Matthew Wilkinson sits down with Bishop Maximus of Pelagonia and musicologist Evgeny Skurat to discuss one of the most extraordinary sacred music projects in recent memory: a full reconstruction and live recording of the medieval Byzantine Divine Liturgy, filmed at the Hermitage of St. Ignatius in Santa Cruz Naranjo, Guatemala. Drawing on years of manuscript research and decipherment of Middle Byzantine notation, Evgeny has worked to bring to life a musical tradition that has not been heard in its full liturgical context for over 700 years.Evgeny explains the difference between the cathedral and the monastic rite, why the cathedral rite is so much harder to reconstruct, and offers a provocative musicological critique of the caliphonic period associated with John Koukouzelis. Bishop Maximus reflects on the theological vision behind the project — not archaeology, not invention, but the living tradition of the Orthodox Church recovered with rigor and reverence. He also makes a compelling case for how the church should approach congregational participation: not by inventing new practices, but by looking at what the manuscripts themselves show was actually done.Evgeny Skurat is a musicologist, chanter, and director of the Chronos Ensemble, specializing in Znamenny chant, Strochnoy chant, and medieval Byzantine music. His youtube channel: https://www.youtube.com/@EvgenySkuratChronosChronos Ensemble's Bandcamp: https://chronosart.bandcamp.com/Bishop Maximus of Pelagonia is a bishop in the Church of the Genuine Orthodox Christians of Greece, a teacher at St. Photios Orthodox Theological Seminary in Etna, California, and is known for his dialogues with philosopher John Vervaeke on the Philosophical Silk Road project.Saint Photios Seminary's Youtube: https://www.youtube.com/@UCgEVlUNCkLecfOwOTDYE6jg The Pursuit of Beauty is a long-form interview podcast exploring sacred music, sacred architecture, iconography, and the theology of beauty across Christian traditions. Hosted by Matthew Wilkinson, Doctor of Music and Director of Music and Organist at St. Michael's Church, Charleston, SC — one of the oldest Anglican churches in America, founded 1751.🎵 Listen on Spotify, Apple Podcasts, and all major platforms📩 Subscribe to the Pursuit of Beauty Substack: https://substack.com/@UCPo3842Pl_Z3Xqo9GYACUzw 🔔 Subscribe and hit the bell so you don't miss new episodesmy website: https://matthewwilkinson.net/my Patreon: https://www.patreon.com/c/MatthewWilkinsonMusicVideos referenced during the interview: https://youtu.be/D8rZNz47zoc?si=_dF7roIfSHj40wHShttps://youtu.be/LQWr7TrCaHw?si=EXvgBg-nYBS1-K0Uhttps://youtu.be/xtsAsMiFLvI?si=WLsSHNx9sbsG2nNp https://youtu.be/Qxue4_dDnq4?si=4X4pOUEP6DLX0qgYhttps://youtu.be/PDItXFs3RMY?si=as0ndQfSQGatRbUehttps://youtu.be/6Myosbtq4ek?si=7xy3NHDZcfc69H3M0:00 The Problem with a 6th-Century Liturgy2:21 Introductions4:28 how a Monastery Ended Up in Guatemala7:22 Falling in Love with Medieval Chant — and Finding Evgeny10:50 Evgeny's Background: From Kronos Ensemble to Middle Byzantine Notation15:41 Has Any of This Music Been Recorded Before?18:43 Cathedral Rite vs. Monastic Rite: What's the Difference?22:42 Ornamentation: Why Chanting Without It Would Be Historically Wrong30:25 The Three Goals Behind the Project33:12 Evgeny's Transcription System: Medieval and Western Notation Side by Side43:24 What Is the Caliphonic Period — and Why Is Evgeny Skeptical of Koukouzelis?52:27 Why They Were Forced Into the 13th Century59:36 Glossolalia in Byzantine Chant (Not What You Think)1:01:29 Reading the Sources vs. Reconstructing: An Important Distinction1:04:06 Rubrical Differences: 13th Century vs. Modern Liturgy1:17:15 Congregational, Choral, and Soloist Participation Through History1:22:03 Tradition vs. Invention: Bishop Maximus on Liturgical Reform1:26:53 Where to Find the Recording and Sheet Music