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by Chris Curran | Podcast Engineering School
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In this episode I detail my production workflow for my new show, Fractal Bitcoin. I publish daily episodes both as video and audio-only. Fractal Bitcoin covers Bitcoin news and other Bitcoin topics. Overview my current audio equipment setup: RE20 microphone — https://products.electrovoice.com/na/en/re20/ sE Electronics DM1 Dynamite Active Inline Preamp — https://seelectronics.com/products/dm1/ Neve Portico II Channel Strip — https://www.soundonsound.com/reviews/rupert-neve-designs-portico-ii-channel Sound Devices MixPre-6 Gen.1 — https://www.sounddevices.com/product/mixpre-6/ Overview my production workflow: Gather posts and news stories from Nostr, X and a few other industry websites. (Takes me around 2 hours) Order all the posts and stories for the shownotes. Create a title for the episode. Create a 16x9 thumbnail for the episode using ChatGPT which uses DALL-E 3 to generate images. — https://chatgpt.com/ Restart my computer. Arrange all the browser tabs. Open OBS Studio and do a short test recording. (My audio levels, video camera and lighting stay the same everyday) I record my episode as if it's LIVE to a .mov file at 1920x1080, 60 frames per second, video bitrate at 16,000 kbps, and audio bitrate at 2304 kbps. (My average video is about 15 min. long, which ends up being around a 2Gb .mov file) First I produce the video: Process the audio in iZotope RX: Make it a mono file, usually Silence any lipsmacks and noises (can't delete anything because the audio has to line up with the video) Level it to -16.5 LUFS mono or -13.5 LUFS stereo (for video) Save it as a 32-bit .wav file Bring the raw video and processed audio into Screenflow. Usually I don't need to make any edits but sometimes I do. — https://www.telestream.net/screenflow/overview.htm Render the video as a .mp4 file at 1920x1080, 60 frames per second, video bitrate at 16,000 kbps, and audio bitrate at 256 kbps and audio sample rate at 48kHz. (The resulting file size ends up being the same as the raw video recording — about 2Gb for a 15 min. long file) Upload and publish the video to YouTube, Rumble, Bitchute, TikTok, and Flare.pub (a Nostr platform to which I upload a smaller 960x540 version) I promote my YouTube video on Nostr, X, Instagram, LinkedIn, and a few other platforms. I also post the Youtube link to my Locals community that I'm growing. I also use Opus Clip to create 5 shorts from each of my daily videos. I post all 5 to YouTube Shorts, Instagram Reels, TikTok and LinkedIn. — https://www.opus.pro/ Then
I overview 8 podcast production tips and techniques from recent blog posts (see list below). My blog posts discussed in this episode: Upward Compression --*** FabFilter video on Upward Compression Is It Necessary to Tweak the Sound of Royalty-free/Stock Music Tracks? Want To Approach Potential Clients but You Have a Fear of Rejection --*** Rejection Proof book Unplugged Kingsize Megaphones in the Pähni Nature Centre by students of the Estonian Academy of Arts Can Some Particular Microphones Exacerbate Sibilance? Podcast Editing: A Chore or Labor of Love? Are Your Podcast Episodes Loud Enough? Independent Podcast Editors and Producers: Are You Profiting Enough? Other Notes: If you ever have questions please reach out! The start date for the next PES semester is February 20, 2024! (fyi, the course is delivered once per quarter) Check out the PES YouTube channel If you'd like to share this show with any of your podcaster friends, feel free to send them a message saying, "Btw, here's a show about podcast audio production you may find useful" with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want higher-paying clients: Getting New Clients at Higher Rates Let me know if you have any questions o
Listen to my conversation with Tom Pink - Head of Mix, Mastering and Sound Design at Noiser. We discuss sound design in podcast production including lots of helpful tips - basics, advanced, nuances, and lots more. You're welcome to check out some of the shows Tom and his team are producing at Noiser.com. Other Notes: If you ever have questions please reach out! The start date for the next PES semester is June 27, 2023! (fyi, the course is delivered once per quarter) If you'd like to share this show with any of your podcaster friends, feel free to send them a message saying, "Btw, here's a show about podcast audio production you may find helpful" with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want more good clients: Getting New Clients at Higher Rates Let me know if you have any questions or need any help with anything, ~Chris
I overview 10 podcast production tips and techniques from recent Daily Goody posts Feb. 14 thru Mar. 9, 2022 (see list below). You can sign up to receive Daily Goody's in your email every day or a weekly roundup. Sign up here. Daily Goody posts that I discussed in this episode: The Debate Over Editing Out Breaths vs. Leaving Breaths In How To Handle Clients That Won't Heed Your Advice To Improve Their Audio Quality Using Pixels to Track Podcast Ad Stats? Here's the article I mentioned Reasons I Sometimes Use Volume Boost in My Podcast Player App RØDE Broadcaster (Microphone) What Equipment Do You Recommend for New Podcasters? Here's the post I mentioned: An Inexpensive Podcasting Equipment Setup to Sound Great Fabfilter Pro-DS, an Exceptional De-esser When a Remote Guests' Internet Fails and They Disconnect Want Me to Dial-in Custom Settings for Your Voice? (EQ, Compression, Etc.) Editing the Timing Between a Question and the Answer Other Notes: If you ever have questions please reach out! The start date for the next PES semester is April 4, 2023! (fyi, the course is delivered once per quarter) If you'd like to share this show with any of your podcaster friends, feel free to send them a message saying, "Btw, here's a show about podcast audio production you may find helpful" with this link: https://podcastengineeringschool.com/subscribe/ My smal
I overview 9 podcast production tips and techniques from recent Daily Goody posts Jan. 19 thru Feb. 11, 2022 (see list below). You can sign up to receive Daily Goody's in your email every day or a weekly roundup. Sign up here. Daily Goody posts that I discussed in this episode: Expecting a Plugin Preset to Do What the Name Says My Experience Opening and Operating a Brick and Mortar Podcast Studio for 3 Years – PES 230 When Editing Out Silence To Increase Pacing, Be Sure To… Loudness Range of Final Episodes – What's Good and What's Bad? The "White Glove" Service: Engineering Client Recording Sessions Remotely Using Cable Labels to Reduce "Spaghetti" Confusion in Your Studio Best Sounding Microphone Emulation *For My Voice* Using My Sphere L22 Microphone Gain Rider Plugin: DynaRide2 Should You Ask Remote Guests to Record Their Own Audio Locally? Best Recording Tip for Someone Who Speaks at a Soft, Low Volume [VIDEO] MaxxVolume Plugin for Podcast Production (Handy as Heck!) As I mentioned, here's episode 225 where I used the Sphere L22 with the U47 emulation. Other Notes: If you ever have questions please reach out! The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you'd like to share this show with any of your podcaster friends, feel free to send them a message saying, "Btw, here's a show about podcast audio production you may find helpful" with this link: <a href= "https://podcastengine
I overview 9 podcast production tips and techniques from recent Daily Goody posts Dec.13, 2021 thru Jan.17, 2022 (see list below). You can sign up to receive Daily Goody's in your email every day or a weekly roundup. Sign up here. Daily Goody posts that I discussed in this episode: Putting the Finishing Touch on Your Podcast Audio Before Publishing How Much Would You Like To Earn Producing Podcasts, $25k/year? $50k? $100k? Corey Marie Green, Author of The Podcaster's Audio Handbook – PES 228 Get Fuller Sound by Manipulating Harmonics Do This Before New Years Day Urgent Advice for Any Podcaster Using a Blue Yeti Chris's Goody Bag – PES 229 Do You Breakdown and Put Away Your Equipment After Recording, Or…? Brainworx bx_console AMEK 9099 Please Don't Ever Use Your Computers Built-in Microphone for Recording Podcasts Riverside's Noise Suppression Feature VIDEO: CLA-2A Compressor/Limiter Plugin (Waves) for Podcast Production Other Notes: If you ever have questions please reach out! The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you'd like to share this show with any of your podcaster friends, feel free to send them a message saying, "Btw, here's a show about podcast audio production you may find helpful" with this link: https://podcastengineeringschool.com/subscribe/ My smaller course for editors/producers who want more good clients: Getting New Clients at Higher Rates Let me know if you have any questions or need any help with anything, ~Chris
Today I'm going to discuss some mistakes I've made producing podcasts. Microphone: In this episode I'm using my Electro-Voice RE320 microphone plugged into my Neve Portico II channel strip (using compression, EQ and a bit of saturation). The same microphone you see in my daily short videos here. I mention a recent hiking experience I had where a guy who saw my shirt (which says Ask Me About My Podcast) and asked, "What's your podcast?" And then immediately added, "JUST KIDDING!" We all laughed and he didn't ask again so I didn't mention my podcast at all. HA Mistakes I've Made Producing Podcasts: I published one of my client's episodes with 30 seconds of silence at the beginning. The client alerted me and I fixed it immediately. During an online recording session, after a participant dropped off and then returned, I forgot to press record again in Squadcast, but of course I was recording a local backup which I ended up using (though it was a bit of a pain because all participants were mixed together in the backup recording). NOTE: Squadcast fixed this issue a long time ago. On an in-person recording session I forgot to hit record and realized it after about 5 minutes so we had to start the episode over again and sort of feign authentic enthusiasm when redoing the intro. I've mixed audio on my monitor speakers while mistakenly using the calibration profile for my headphones. Untold inaccuracies using processors too aggressively, or not aggressively enough — Compression, de-noise, de-plosive, EQ, etc. Other Notes: If you ever have questions please reach out! You can sign up to receive Daily Goody's in your email a few times per week or a weekly roundup. Sign up here. The start date for the next PES semester is January 10, 2023! (fyi, the course is delivered once per quarter) If you'd like to share this show with any of your podcaster friends, feel free to send them a message saying, "Btw, here's a show about podcast audio production you may find helpful" with this link: https://podcastengineeringschool.com/subscribe/) Let me know if you have any questions or need any help with anything, ~Chris
I overview 9 podcast production tips and techniques from recent Daily Goody posts Oct. 25 - Dec. 10, 2021 (see list below). You can sign up to receive Daily Goody's in your email every day or a weekly roundup. Sign up here. Daily Goody posts that I discussed in this episode: What is Mastering in Podcast Production? Musicians Can Fund Their Music Careers by Earning $50-150 Per Hour Producing Podcasts From Home Name One Song That Sounds Amazing/Perfect to You AKG K 240 MK II Stereo Studio Headphones Background Noise Is Exacerbated by Compression SplitEQ from Eventide 3 Different Categories of "Noise" to Avoid When Recording Podcasts One Participant Using a Condenser Mic, the Other Using a Dynamic Mic Do You Feel Hurried or Chill When You Edit Your Podcast? Other Notes: Podcast Services Mastermind Workshop ($199) - A one day immersive and collaborative in-person event designed to build & grow your service based business! Full explanation of the program HERE. If you ever have questions please reach out! The start date for the next PES semester is Sep. 13, 2022! (fyi, the course is delivered once per quarter) If you'd like to share this show with any of your podcaster friends, feel free to send them a message saying, "Btw, here's a show about podcast audio production you may find helpful" with this link: https://podcastengineeringschool.com/subscribe/) My smaller course that I mentioned: Getting New Clients at Higher Rates Let me know if you have any questions or need any help with anything, ~Chris
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This show focuses on the technical production of audio podcasts. Chris Curran chats with podcasters about their audio equipment, software and workflow to help you learn how to produce better sounding podcasts. You'll also learn solutions to common audio issues as well as plenty of tips and tricks.By listening to this show you will gain a TON of knowledge and skills that will make a HUGE difference in your sound quality _and_ save you time!Subscribe/Follow today and start listening!Your host Chris Curran has a background in podcast production (Forbes, Dun & Bradstreet, J&J, etc) as well as music production (Sarah McLachlan, Jeff Buckley, Foreigner, etc). When he entered podcasting in 2012, he noticed that most podcasters (and producers) do not have a good understanding of fundamental audio engineering concepts, which sabotages the quality of their sound from the very beginning. This show, as well as Podcast Engineering School, helps podcasters and producers reach professional levels
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