The Forum 18 | Reginald Sylvester II: Discipline as Devotion

Reginald Sylvester II approaches painting as a structure of discipline. What begins in daily rituals—routine, repetition, and care—extends into a larger philosophy about belief, responsibility, and endurance. Practice, for him, is not separate from life. It is shaped by it.Fatherhood, spiritual inquiry, and the demands of time become part of the architecture of the studio. Rather than protecting art from those pressures, Sylvester allows them to recalibrate how the work unfolds. The result is a practice grounded less in spectacle and more in sustained commitment.Abstraction emerges through this framework as an act of faith. To begin a painting without knowing its final form is to trust that meaning will surface through repetition and attention. At a certain moment, that commitment required stepping away from exhibition altogether, allowing the work to evolve privately before returning to public view.Rather than presenting artistic growth as clarity or mastery, Sylvester describes a practice built through persistence, where rigor, vulnerability, and belief remain inseparable.He explains:• Why daily rituals and discipline are foundational to sustaining a studio practice.• How fatherhood reshaped his relationship to time, responsibility, and ambition.• Why abstraction functions as an act of faith rather than a stylistic choice.• What it meant to withdraw from the exhibition to deepen the work in private.• How travel and research expanded the historical resonance of the work.Timestamps(0:00) Ritual and the Structure of Practice(5:00) Fatherhood and Responsibility(11:00) Abstraction and Faith(18:00) Stepping Away from Exhibition(26:00) Discipline and Repetition(34:00) Cutting into Surface: The Gates(41:00) Travel, History, and Material Memory(49:00) Persistence and Staying in the WorkWatch the conversationView the full episode on YouTube.Follow ReginaldInstagram: @reginaldsylvester2Follow Maximillian WilliamWeb: https://www.maximillianwilliam.comInstagram: @maximillian_williamReginald Sylvester II (b. Jacksonville, NC, USA, 1987; lives and works in Jersey City, NJ) creates large-scale paintings and sculptures that trace the generative threshold between the two mediums. Working predominantly in abstraction, he expands the language of his painting practice by incorporating materials such as rubber, tarp, aluminium and steel. His singular approach lends his paintings a sculptural presence and imbues his sculptures with a painter’s sensibility. While grounded in traditional painting techniques, Sylvester II ventures beyond the conventions of stretched canvas, working on surfaces that both absorb and reject paint. His layered, often multi-partite works investigate the language of his chosen mediums: stretcher bars are left exposed, becoming part of his compositions, while oxidised and patinated metal surfaces evoke the histories of gestural painting. Sylvester II also transcends the surface, creating monumental sculptures that reference forms observed through painting and from his environment. The artist is drawn to materials that relate to his personal history, spirituality, or broader societal narratives. In his approach to assemblage, Sylvester II appropriates byproducts of his making process, physically attaching studio debris to works to enrich their tactile quality and textural narrative.About The ForumThe Forum is NewCrits’ ongoing public talk series, presented in partnership with WSA/WSBS. Talks take place live every second Tuesday at WSA. Join us for our next conversation here.Explore NewCrits’ offerings, including crits, courses, and mentorship programs at www.newcrits.studio.—Full TranscriptAjay Kurian: I’m gonna start off with the big questions, things that are really important to people. You are 37 years old. What the fuck is your skincare routine man?Reginald Sylvester ll: 39.Ajay Kurian: That’s insane.Reginald Sylvester ll: Knocking on 40, bro.Ajay Kurian: Oh my God.Reginald Sylvester ll: Yeah, man. Cold water and shots out to mom Dukes.Ajay Kurian: That’s really Mom Dukes and cold water. I remember this very clearly when Pharrell was asked, he said cold water too.Reginald Sylvester ll: He’s right. Closes up your pores, but, yeah