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by Jonny Amos
The Music Business Buddy is a podcast about the future of music careers. Each episode explores how artists and creators are navigating today’s evolving music industry — from AI and streaming to publishing, sync licensing, branding and fan growth. Featuring conversations with music executives, creatives, entrepreneurs and innovators, the show offers practical insights into how the modern music business really works. The Music Business Buddy is hosted by award winning UK based music professional Jonny Amos. Author of The Music Business For Music Creators (Routledge, 2024), Jonny is a music industry consultant, artist manager, producer and educator.
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This episode delves deeply into the evolving role of music supervision, exploring its historical context, current challenges, and future trends. Jonny Amos discusses the dual nature of music supervisors as both creative and business-oriented professionals, the impact of social media and AI on music discovery, and the increasing importance of independent artists in the sync landscape. The discussion also highlights the rise of production music and the need for music supervisors to act as cultural tastemakers in a rapidly changing media environment.Keywordsmusic supervision, future of music, music licensing, AI in music, social media impact, independent artists, sync placements, production music, cultural tastemakers, music industryKey TopicsHistory and role of music supervisorsImpact of social media on music discoveryAI's role in music licensing and searchChanges in sync licensing economicsIndependent artists and media opportunitiesFuture trends in media and immersive experiencesSound Bites"Music supervisors can break an artist's career""Music is crucial for storytelling in media""Independent artists can influence media discovery"Chapters00:00 Introduction to music supervision and its importance01:47 Historical evolution of music supervision in film and TV03:53 Key partnerships: Directors and music supervisors05:59 Economic factors influencing sync licensing fees07:59 Social media's role in music discovery and culture10:00 AI's impact on search, clearance, and creative prompting12:04 The shift towards independent artists in media use13:57 Proactive relationships between artists, managers, and supervisors15:59 Production music and new media experiences18:08 The future of music supervision in immersive and interactive media19:58 The human element and integrity in music supervision21:54 Understanding the evolving role of music supervisors22:49 Conclusion: The future of music supervision and collaboration
I speak with hit producer Jamie Sellers about how music creation has changed now that artists can get a demo most of the way there on their own, but still need experienced ears to finish a record. Jamie explains why his role has shifted from building songs from scratch to acting more like a finisher and exec producer, and why that experience gap is still the difference between a good demo and a release-ready record. We also get into Jamie’s new label, Caledonia, including why he started it, what kind of artists he signs, and how he is thinking about ownership, licensing, publishing, and building a catalogue of assets for the long term.Key topicsJamie argues that technology and tutorials can get artists about 60 to 70 percent of the way to a solid record, but the final 30 percent still comes from experience, instinct, and nuance.He describes his production role as becoming more like a finisher or exec producer, helping artists bring projects to release-ready standard.The conversation covers the shift in artist economics, where a more efficient model is to let artists build a strong demo first and then bring in experienced help to complete it.He says a senior label contact encouraged him to stop waiting for a label job and instead build his own imprint, using his producer background and network.Caledonia is designed to feel artist-first and music-first, with the values of older label eras but a 21st century approach.He shares that he has signed two artists so far and both came through existing creative relationships.Jamie and Jonny talk through deal structures, including licensing versus assignment, and the long-term goal of building a catalogue of assets through both Caledonia Sound and Caledonia Songs.They finish on the importance of trust, artist motivation, and making sure the label relationship works both creatively and commercially.Timestamps Demo-to-record mindset Why experience still matters after the first 70 percent The final 30 percent only comes from time in the studio Why Jamie is moving toward a more selective, finishing role Why starting a label made sense Interviews, A and R conversations, and the advice that changed everything Why Jamie chose to start his own thing instead of chasing a label job The need for infrastructure after the studio session ends Caledonia’s ethos - heritage label values with a modern approach Working artist-first without big advances or big marketing budgets Imposter syndrome, then confidence from experience Signed potential versus evidence of momentum in modern music What Jamie looks for in artists he signs Producers as early-stage investors in artist development Why trust and work rate matter before signing How Dia Day became a key example of the label’s direction What her independence and momentum proved Balancing artistic instinct with market reality Why Jamie still thinks like a producer first Picking battles and keeping artists excited enough to promote Artists as CEOs of their own careers The future shape of the label and possible scaling options Assignment deal versus licensing deal Why one release was licensed and one was assigned Building a catalogue and the Caledonia Sound and Caledonia Songs structure Why the name Caledonia felt right Scotland, the song Caledonia, and the label identity Legacy, ambition, and what comes next Closing praise and plans to revisit the label in future
In this episode, Jonny Amos explores the ins and outs of music publishing, focusing on what songwriters should know about choosing the right publisher, deal structures, and long-term relationships. Perfect for songwriters looking to understand how to navigate the complex world of music publishing.Keywordsmusic publishing, songwriters, publishing deals, royalties, sub-publishing, music rights, music industry, publishing contractsKey TopicsRole of music publishers in a songwriter's careerHow to identify suitable publishersDifferences between admin and control dealsImportance of understanding royalty rates and splitsGlobal collection and sub-publishing nuancesLong-term relationships and partnership strategiesNegotiating advances and deal termsMetadata and catalog management for songwritersSound bites"A music publisher is like a songwriter’s best friend.""Choose a publisher that fits your genre and goals.""Know your songs and their metadata."Chapters00:00 Introduction to Music Publishing and Its Role01:17 What Do Music Publishers Actually Do?02:15 Long-Term Relationships and Developing Songwriters04:38 Choosing the Right Publisher: Major vs. Independent06:22 Genre-Specific Publishers and Niche Markets07:48 Understanding Collection and Royalties Worldwide12:05 Admin Deals vs. Control Deals13:50 Deal Terms: Advances, Term, and Retention16:38 Royalty Rates and Income Streams17:35 Legal Aspects and Contract Clauses19:04 Co-Writing Opportunities and Relationships20:07 Managing Expectations and Communication22:01 Preparing Your Catalog for Publishing25:11 Investing in People, Not Just Songs26:36 The Language of Songs and Metadata27:30 Summary and Final ThoughtsResourcesKobalt Music Publishing - https://www.kobaltmusic.comTrue Love Music - https://truelovemusic.comRalph W Peer and Peer Music - https://peermusic.com
In this episode, Chordal CEO Grayson Sanders joins me, Jonny Amos, for a discussion on the complexities of music licensing in the digital age, the potential of AI in rights management, and the future of micro-licensing for the creator economy. We explore how technology is transforming the industry and what it means for artists, rights holders, and content creators.Keywordsmusic licensing, AI rights management, micro-licensing, digital content, creator economy, rights clearance, TikTok music, music industry innovationKey TopicsMusic licensing complexities in the internet ageAI's role in rights management and licensingMicro-licensing as a scalable revenue modelThe future of music licensing by 2035TikTok's music licensing innovationsThe role of human curation vs algorithms in music discoveryChallenges faced by independent artists in licensingThe impact of AI on music rights and discoveryTakeawaysMusic rights are owned by multiple parties, making licensing complex.AI is used for rights cleaning, matching, and discovery, not for generating music.Micro-licensing is becoming essential due to internet content volume.Traditional blockbuster licensing will coexist with micro-licensing.Platforms like TikTok are pioneering scalable licensing solutions.Human curation remains vital despite AI advancements.Independent artists often lack knowledge about licensing requirements.AI can help manage rights more efficiently and fairly.Guest NameGrayson Sanders - CEO of ChordalSound bites"Music licensing is more complex than ever.""AI helps manage rights, not just create music.""Community curation will outpace algorithms."Chapters00:00 Introduction to music licensing challenges in the digital age01:57 How music rights are owned and the complexity of licensing03:53 The impact of the internet on licensing speed and scalability06:10 Chordal's platform and its role in licensing and rights management07:57 Expanding licensing to independent artists and creators11:02 The rise of micro-licensing and its importance13:58 The influence of AI in rights management and licensing17:04 Future of licensing in 2035: human vs. platform transactions20:00 The cultural shift back to human curation and community-based discovery22:52 The role of AI in managing rights and enhancing discovery25:56 The impact of platforms like TikTok on licensing and music use33:01 The importance of fair remuneration and rights holder control36:00 Final thoughts: coexistence of traditional and new licensing modelsResourcesChordal Platform - https://chordal.comMusic Ally Article on TikTok Commercial Music Library - https://musically.com/2026/05/11/chordal-got-5bn-tiktok-views-for-commercial-music-library-tracks/
In this episode, I am joined by Hekta Music Group CEO Lucas Rizzo who also operates as a Fractional Partner Across Brands, Tech and Capital. Lucas shares insights from his unique journey through music, tech, and startups, highlighting the interconnectedness of these worlds and how they shape his approach to artist development and catalog management.Keywordsmusic industry, startups, artist development, catalog acquisition, authenticity, creator economy, music tech, AI in musicKey TopicsInterconnection of music, tech, and startupsThe importance of authenticity in musicData-driven artist development strategiesThe role of catalog acquisition in musicBalancing passion and business in musicTakeawaysCross-industry experience provides a unique edge in music.Authenticity remains crucial despite industry pressures.Data and intuition together inform artist strategies.Catalog management is a key to sustainable success.Embracing being lost is part of finding your true path.Guest NameLucas RizzoSound bites"The interconnectedness of it all.""The DSP element is part of market fit.""Getting lost is part of the process."Chapters00:00 Introduction to Lucas and His Journey03:08 Interconnectedness of Music, Tech, and Startups05:55 Realising Success vs. Fulfilment09:00 The Transition from Artist to Business11:52 Goals in Catalogue Acquisition and Artist Development16:01 Navigating the Creator Economy20:07 Wisdom from Parallel Lives22:59 Authenticity in the Age of Social Media25:59 Finding Your True Self Through the JourneyResourcesHekta Music Group - https://hektamusicgroup.comChartmetric - https://www.chartmetric.com/Ovo by Drake - https://www.octobersveryown.com/
Your music can be playing in thousands of real-world places right now: cafés, shops, gyms, pubs, restaurants, clubs and grassroots venues. The uncomfortable truth is that public performance royalties are still often calculated from surveys, proxies and best guesses, not from actual usage. That means creators can be underpaid or overpaid, and a lot of value ends up drifting into the black box instead of reaching the people who wrote and performed the work. I’m joined by Ryan Edwards, CE...
Sync is meant to be simple: a great track, a clear brief, a fair fee, everyone gets paid. In reality, it can be weeks of chasing split sheets, conflicting PRO records, missing contacts and approvals that arrive too late to matter. I’m joined by hitmaker and builder Nathan Duvall to talk about what happens when the modern pace of content collides with a licensing system that still struggles to answer one basic question: who owns what, and where? We get into what Nathan is building with SyncIt...
You can feel it happening: a quiet revolt against the feed. When music becomes something we scroll past, count, and optimise, we lose the part that actually nourishes us. So I sit down with Keith Jopling, former Spotify global head of strategy and one of the UK’s sharpest music industry thinkers, to talk about the surprisingly radical idea at the heart of his book Body Of Work. We start with the album and why it refuses to die. Keith breaks down what campaigns like Charli XCX’s Brat r...
The Music Business Buddy is a podcast about the future of music careers. Each episode explores how artists and creators are navigating today’s evolving music industry — from AI and streaming to publishing, sync licensing, branding and fan growth. Featuring conversations with music executives, creatives, entrepreneurs and innovators, the show offers practical insights into how the modern music business really works. The Music Business Buddy is hosted by award winning UK based music professional Jonny Amos. Author of The Music Business For Music Creators (Routledge, 2024), Jonny is a music industry consultant, artist manager, producer and educator.
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