
Free Daily Podcast Summary
by Thom Holmes
Thom Holmes is your curator and guide to vintage electronic music recordings and audio experimentation. Drawing from his collection of vintage electronic music recordings spanning the years 1915-1985, each episode explores a topic or theme of historical interest. Holmes is the author of the book, Electronic and Experimental Music, sixth edition, 2020.
The most recent episodes — sign up to get AI-powered summaries of each one.
Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears this Fall, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I’ve composed for this purpose. In this episode, we will hear Jazz Drums Electric—Early 1970s. This was a live drumming session played by my friend John Scarpulla back around 1971. We recorded this in his room in Philadelphia. I then added some shortwave and Moog modular sounds as overdubs. John is a truly stellar jazz drummer and he is still active in multiple bands. A big thank you to John for agreeing to let me post this podcast. Thanks for listening and see you next time.
Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I’ve composed for this purpose. In this episode, we will hear Shortwave Crickets 2.0. I will let the music speak for itself. Thanks for listening and see you next time.
Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I’ve composed for this purpose. In this episode, we will hear April Shortwave. I will let the music speak for itself. Thanks for listening and see you next time.
Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I’ve composed for this purpose. In this episode, we will hear The Seam 9.0. I will let the music speak for itself. Thanks for listening and see you next time.
Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I have been releasing a few select experiments of my own in electronic sound. This episode is loosely connected to the book. I put together a series of sound experiments using AudioMulch and source material from the famous Stockhausen lectures in the early 1970s. This is one of the experiments. This piece is called EcoStockhausen. Thanks for listening and see you next time.
Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I’ve composed for this purpose. In this episode, we will hear Cybelle. I will let the music speak for itself. Thanks for listening and see you next time.
Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I’ve composed for this purpose. In this episode, we will hear Clouds. I will let the music speak for itself. Thanks for listening and see you next time.
Welcome to the podcast and thanks for listening. As I prepare a large batch of episodes to drop when the revision of my book Electronic and Experimental Music appears in August, I thought why not release a few additional episodes that have nothing to do with the book. I have a fairly large vault of original electronic works and figured that this might be a good time to share a smidgen of it. Each of these works comes from a place of experimentation. Most include vintage recordings as part of their overall texture. Many include original electronic sounds that I’ve composed for this purpose. In this episode, we will hear Frizzle. I will let the music speak for itself. Thanks for listening and see you next time.
Thom Holmes is your curator and guide to vintage electronic music recordings and audio experimentation. Drawing from his collection of vintage electronic music recordings spanning the years 1915-1985, each episode explores a topic or theme of historical interest. Holmes is the author of the book, Electronic and Experimental Music, sixth edition, 2020.
AI-powered recaps with compact key takeaways, quotes, and insights.
Get key takeaways from The Holmes Archive of Electronic Music in a 5-minute read.
Stay current on your favorite podcasts without falling behind.
It's a free AI-powered email that summarizes new episodes of The Holmes Archive of Electronic Music as soon as they're published. You get the key takeaways, notable quotes, and links & mentions — all in a quick read.
When a new episode drops, our AI transcribes and analyzes it, then generates a personalized summary tailored to your interests and profession. It's delivered to your inbox every morning.
No. Podzilla is an independent service that summarizes publicly available podcast content. We're not affiliated with or endorsed by Thom Holmes.
Absolutely! The free plan covers up to 3 podcasts. Upgrade to Pro for 15, or Premium for 50. Browse our full catalog at /podcasts.
The Holmes Archive of Electronic Music publishes weekly. Our AI generates a summary within hours of each new episode.
The Holmes Archive of Electronic Music covers topics including Music. Our AI identifies the specific themes in each episode and highlights what matters most to you.
Free forever for up to 3 podcasts. No credit card required.
Free forever for up to 3 podcasts. No credit card required.