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by Outlier Creative
The Composer Connection pairs two composers working in film, television and video games for a filmed conversation about the craft. No interviewer, no agenda, just peers talking honestly about the world of music to picture.
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Composers Emilie Levienaise-Farrouch (All of Us Strangers, Living, H is for Hawk, Censor, Rocks) and Roger Goula (Sense and Sensibility, Everybody Digs Bill Evans, All That Breathes, The Hard Stop) sit down together to talk about how their scores actually get made. Emilie explains why she tests her first notes by asking whether the character would hear them in their own head, how three cellists, each detuned differently, pulled off the heavy scordatura on H is for Hawk, and why a run of films...
Composers Chris Roe (Bad Apples, The Salt Path, Trigger Point, After Love) and Paul Saunderson (Earth, Human, Evolution, Trying, Fightland) sit down together to talk about how their scores actually get made. Chris explains how Bad Apples arrived as a log line with a Bartók reference attached, why he built the score around recorders, baritone sax and a tubax only two people in London can play, and how an iPhone recording made by a flautist at home survived into the final mix. Paul explains ho...
The Composer Connection pairs two composers working in film, television and video games for a filmed conversation about the craft. No interviewer, no agenda, just peers talking honestly about the world of music to picture.
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The Composer Connection covers topics including Film, TV & Film, Comedy Interviews. Our AI identifies the specific themes in each episode and highlights what matters most to you.
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