
Free Daily Podcast Summary
by Gaston Lacombe
From its roots in the 1800s to its thriving present, Provincetown has always been a magnet for artists. The Art Colony podcast, hosted by Gaston Lacombe, uncovers the people, places, and stories that make this seaside village one of the world’s most enduring creative communities.
The most recent episodes — sign up to get AI-powered summaries of each one.
Multidisciplinary artist Jimmy Lee Curtis (aka Mama Lee) joins us this week, kicking off by highlighting Momma Lee’s Fashion Show. Curtis explains his name’s origins at the Birch House, his path from Michigan to Atlanta to 1980s London fashion/textile study, and how the alternative London scene (including Vivienne Westwood and Leigh Bowery) influenced his aesthetic. He recalls British Vogue selecting one of his scarves for a Morocco shoot featuring Christy Turlington. After moving from West Hollywood to Provincetown, he describes the Birch House as a community hub and his role in the long-running Wednesday-night FΔg BΔsh, including themes and the Miss FΔg BΔsh pageant. He outlines his current work (painting, Polaroids, hand-painted silk scarves, upcycled fashion and hats) and how a Provincetown Commons residency led to starting the fashion show with Dave LaFrance in 2021, now expanded to include other designers; this year’s theme is “London Calling,” with the fundraiser show on Saturday, August 22 at 7:00 and tickets at provincetowncommons.com.
This week, we interviewed fashion and textile artist Daniel Hammond, a cashmere sweater designer with 25 years’ experience who studied at Parsons and worked for major 7th Avenue names including Emanuel Ungaro, Nautica, Oscar de la Renta, and Perry Ellis. He describes early sewing influences from his mother and grandmother, his technical approach to construction and knitwear, and mentorship that led him to specialize in men’s cashmere. He recounts first visiting Provincetown in 2011, buying a home in 2020 during the COVID shutdown, and opening his shop on 364 Commercial Street in fall 2021 (formerly Plush), later rebranding under his name as production shifted to primarily in-house, small-batch, hand-touched work. The conversation highlights limited runs, direct-to-consumer value, and major artist collaborations, including Gaston’s “Eclipse” sweater and projects with Trevor Makula, plus upcoming shows with Lindsay Porter (starting July 3) and Jared Heslip (late August).
Elizabeth Smith, founding executive director of the Helen Frankenthaler Foundation, joins us this week to talk about painter Helen Frankenthaler and her connection to Provincetown. She explains the foundation’s origins, assets, and mission to promote understanding of visual arts. She recounts Frankenthaler’s New York upbringing, early art education (including Rufino Tamayo and Bennington College with Paul Feeley), brief 1950 Provincetown study with Hans Hofmann, and her sustained summers in Provincetown from 1960–1969 after marrying Robert Motherwell. They discuss her studio routine, locations (Days Lumber Yard, the Seed Barn, and a later “tree house” studio), evolving 1960s painting toward simplified geometry, and her soak-stain technique on raw canvas and later acrylics. She describes visitors, the 2018 PAAM “Abstract Climates” exhibition, how to view her paintings, upcoming exhibitions (including Basel and a 2028 National Gallery retrospective), her printmaking, the foundation’s research access, and its Climate Initiative Grants funding 401 U.S. arts organizations.
In episode 50 of The Art Colony podcast, former journalist Joe Woolley interviews our host, Gaston Lacombe. Gaston, a Canadian-born artist and American citizen, recounts earning history degrees in Ottawa, living 16 years in Latvia in roles from teacher and newscaster to embassy cultural work, becoming the first head of Latvia’s national LGBT organization, and leaving amid threats. In Washington, DC he earned a photography degree, worked as a photojournalist, and created the globally published Captive Project documenting animal welfare in zoos. After first visiting Provincetown in 2016, he left his marriage, moved there, and opened a Whaler’s Wharf studio in 2018. He describes evolving from mixed-media photography to hard-edge painting, his tape-and-color-code construction process, and how the podcast deepened his community ties, spotlit a thriving, largely queer-driven art colony, and led to plans for a July 21 live anniversary event.
Zoe Lewis, born in Rottingdean on England’s south coast, joins us this week as she describes becoming a largely self-taught multi-instrumentalist, learning through bands, travel, and absorbing world rhythms across 70+ countries. She recounts leaving planned tourism studies after joining punk-era bands, traveling with minimal resources, and eventually settling in Provincetown around 1990 after being offered extensive restaurant and late-night shows. She credits Provincetown’s community for sustaining her artistry, and explains her songwriting as joyful, story-based, nostalgic, and often inspired by everyday “magic,” including residencies in Greece and Key West. Lewis performs her song “Entre Chien Et Loup,” then shares current engagements: her long-running 1920s Speakeasy at The Red Room (July 21 and Aug 17, 2026) and “Zoe With a Z” at the Art House, plus touring, recordings, and collaborations.
Artist Joshua Wilmoth joins us this week as we talk about how he has shaped the town’s look through murals, store facades, interior decor, and massive Carnival installations. He describes his celebration-driven, maximalist, unapologetically queer mission against blank white walls, recounts growing up in South Florida with intensive arts education, studying at Tufts/Museum School, and pivoting fully to art. He explains his mural process (client consultation, digital renderings, chalk outlines, no projection), materials (latex house paint), and working fast outdoors amid weather and public attention. He discusses live painting, painting on found glass and frames, and announces gallery representation with Greg Salvatori, including a street-facing mural and a show opening June 26 (up through July 3). They cover Carnival floats, past large-scale pieces, dream projects (Town Hall, water tower), and a brief speed round.
Detours and Contours with Eric Lesh
This week, we welcomed returning guest Christine McCarthy of the Provincetown Art Association and Museum (PAAM) plus Elaine Grossman and Daniel Sagalyn to discuss the exhibition “Avital Sagalyn: Mid-Century Provincetown,” on view through August 2, 2026. McCarthy describes the exhibitions committee’s excitement at discovering Sagalyn’s “breathtaking” works and their maturity for an artist in her 20s. Daniel and Elaine explain Sagalyn’s life: born in 1925 in Palestine under the British mandate, raised in Brussels, fled WWII to the U.S. in 1941, studied art via MoMA teen classes and later Cooper Union, and worked in Provincetown in 1945–46 amid the Hofmann era. They recount her Fulbright to Paris, encounters with major artists including Picasso, and an Admiral McMillan/Monhegan Island story, while noting she rarely exhibited until late-life encouragement led to a UMass show and now PAAM. Resources include avitalsagalyn.com, @avitalsagalyn on Instagram, and PAAM.org, with related Outer Cape Chamber Orchestra concerts.
From its roots in the 1800s to its thriving present, Provincetown has always been a magnet for artists. The Art Colony podcast, hosted by Gaston Lacombe, uncovers the people, places, and stories that make this seaside village one of the world’s most enduring creative communities.
AI-powered recaps with compact key takeaways, quotes, and insights.
Get key takeaways from The Art Colony in a 5-minute read.
Stay current on your favorite podcasts without falling behind.
It's a free AI-powered email that summarizes new episodes of The Art Colony as soon as they're published. You get the key takeaways, notable quotes, and links & mentions — all in a quick read.
When a new episode drops, our AI transcribes and analyzes it, then generates a personalized summary tailored to your interests and profession. It's delivered to your inbox every morning.
No. Podzilla is an independent service that summarizes publicly available podcast content. We're not affiliated with or endorsed by Gaston Lacombe.
Absolutely! The free plan covers up to 3 podcasts. Upgrade to Pro for 15, or Premium for 50. Browse our full catalog at /podcasts.
The Art Colony publishes weekly. Our AI generates a summary within hours of each new episode.
The Art Colony covers topics including Arts, Culture, Society & Culture, Visual Arts. Our AI identifies the specific themes in each episode and highlights what matters most to you.
Free forever for up to 3 podcasts. No credit card required.
Free forever for up to 3 podcasts. No credit card required.