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by Tristan Ettleman
The 5 Best Films of Every Year Ever features experts and enthusiasts and, well, their favorite films of every year ever. Host Tristan Ettleman sits down with a new guest every week to dive into the history and beauty of some of the best movies to ever come out of the cinematic medium.
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1913 is considered by many to be a milestone year in the development of film grammar and industry. And it perhaps is, as is set up by this context-setting introduction and the conversations with guests to come for this season!Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1913!Films mentioned:The Adventures of Kathlyn (1913) - Francis J. GrandonWhat Happened to Mary (1912) - Ashley Miller and Charles BrabinFantômas (1913) - Louis FeuilladeTraffic in Souls (1913) - George Loane TuckerThe Artist’s Dream (1913) - John Randolph BrayThe Evidence of the Film (1913) - Lawrence Marston and Edwin ThanhouserSuspense (1913) - Lois Weber and Phillips Smalley
Although the 1912 season introduction asserted that “Hollywood was incoming,” the top picks for the year (fueled by a record number of submissions from guests!) is mostly made up of old power players, even if that power would recede in short order. Indeed, both that dynamic and the fact that all of the most popular selections are shorts may change in the near future!Visit the5bestfilmsofeveryyearever.com/list to see the list of every film submitted for 1912!Films mentioned:The Cameraman’s Revenge (1912) - Wladyslaw StarewiczThe Land Beyond the Sunset (1912) - Harold M. ShawHow a Mosquito Operates (1912) - Winsor McCayThe Musketeers of Pig Alley (1912) - D.W. GriffithThe Conquest of the Pole (1912) - Georges MélièsCleopatra (1912) - Charles L. GaskillFrom the Manger to the Cross (1912) - Sidney OlcottDr. Jekyll and Mr. Hyde (1912) - Lucius Henderson
Film historian and cultural critic Paul (PT) Klein’s work focuses on American filmgoing cultures. So even when discussing his sole foreign pick, the conversation dives into audience reception to his selections, then and now, in addition to the various aesthetic strengths of each of his movies.PT’s writing has appeared in Film Atlas, Film Matters, Foglifter, Metro Weekly, and more. His work can be found at ptklein.com.Visit the5bestfilmsofeveryyearever.com/list to submit your top five for 1912!Films and resources mentioned:The Girl and Her Trust (1912) - D.W. GriffithThe Grit of the Girl Telegrapher (1912) - J.P. McGowanAlgie the Miner (1912) - Alice Guy-BlachéThe Invaders (1912) - Francis Ford and Thomas InceIn Night and Ice (1912) - Mime MisuSunrise: A Song of Two Humans (1927) - F.W. MurnauThe Lonedale Operator (1911) - D.W. GriffithThe Hazards of Helen (1914) - J.P McGowan and J. Gunnis DavisBrokeback Mountain (2005) - Ang LeeWild and Woolly (1917) - John EmersonThe Wild Bunch (1969) - Sam PeckinpahThe Searchers (1956) - John FordStagecoach (1939) - John FordRichard III (1912) - André Calmettes and James KeaneCleopatra (1912) - Charles L. GaskillQueen Elizabeth (1912) - Louis Mercanton and Henri DesfontainesSaved from the Titanic (1912) - Étienne ArnaudTitanic (1997) - James CameronHollywood Remaking: How Film Remakes, Sequels, and Franchises Shape Industry and Culture - Kathleen LoockGirls Will Boys: Cross-Dressed Women, Lesbians, and American Cinema, 1908-1934 - Laura Horak
Silent film accompanist and composer Stephen Horne has already composed for or accompanied a couple of his five multinational picks for 1912. But besides discussing the general aesthetic pleasures of his selections, he also ruminates on how he could approach playing for both these grounded features and short trick films (they were still hanging in there!).Stephen is a house musician at London’s BFI Southbank. He released Silent Sirens, an album of solo piano pieces based on his silent film compositions, and has scored Stella Dallas, The Manxman, and many more films.Films mentioned:The Gardener (1912) - Victor SjöströmHow a Mosquito Operates (1912) - Winsor McCayThe Musketeers of Pig Alley (1912) - D.W. GriffithThe Cameraman’s Revenge (1912) - Wladyslaw StarewiczThe Conquest of the Pole (1912) - Georges MélièsThe Golem: How He Came into the World (1920) - Paul Wegener and Carl BoeseThe Passion of Joan of Arc (1928) - Carl Theodor DreyerL’Inferno (1911) - Francesco Bertolini, Giuseppe de Liguoro, and Adolfo PadovanOliver Twist (1912) - Thomas BentleyThe Cabinet of Dr. Caligari (1920) - Robert WieneA Ruined Life (1912) - Victor SjöströmThe Abyss (1910) - Urban GadThe Phantom Carriage (1921) - Victor SjöströmThe Golden Voyage of Sinbad (1973) - Gordon HesslerThe Mascot (1933) - Wladyslaw StarewiczA Trip to the Moon (1902) - Georges MélièsIt's a Mad, Mad, Mad, Mad World (1963) - Stanley KramerBarbie (2023) - Greta GerwigMetropolis (1927) - Fritz Lang
Marsha Gordon, Professor of Film Studies at North Carolina State University, mostly highlights two directors credited with advancing film narrative with four picks. But she also sings the praises of a certain work of stop-motion animation, one taking this season by storm for both guests’ and listeners’ submissions.Marsha is the author of Becoming the Ex-Wife: The Unconventional Life & Forgotten Writings of Ursula Parrott, Film, Form & Culture (with Robert Kolker), and Film is Like a Battleground: Sam Fuller’s War Films. She is currently writing a biography of the pioneering Hollywood director Dorothy Arzner.Films mentioned:Falling Leaves (1912) - Alice Guy-BlachéMaking an American Citizen (1912) - Alice Guy-BlachéThe Girl and Her Trust (1912) - D.W. GriffithThe Musketeers of Pig Alley (1912) - D.W. GriffithThe Cameraman’s Revenge (1912) - Wladyslaw StarewiczThe Divorcee (1930) - Robert Z. LeonardNext Time We Love (1936) - Edward H. GriffithThe Immigrant (1917) - Charlie ChaplinThe Brutalist (2024) - Brady CorbetThe Consequences of Feminism (1906) - Alice Guy-BlachéThe Lonedale Operator (1911) - D.W. GriffithThe Birth of a Nation (1915) - D.W. GriffithI Am a Fugitive from a Chain Gang (1932) - Mervyn LeRoyThe Great Train Robbery (1903) - Edwin S. PorterGangs of New York (2002) - Martin ScorseseRegeneration (1915) - Raoul WalshPrincess Nicotine; or, The Smoke Fairy (1909) - J. Stuart Blackton
As Founding Director of HippFest, Scotland’s first and only silent film festival, Alison Strauss is especially knowledgeable about the history of Scottish filmmaking and -going, as represented by three of her picks. But the conversation, which concludes with outlandish animation, also addresses the preponderance of short films in an era of increasingly long ones.Alison works as Falkirk Council’s Arts Development Officer (Film and Media), programming the Hippodrome year-round. Alison is the ‘face of the Festival’ and leads on the artistic programme, commissioning, funding, research and development, and touring.Visit the5bestfilmsofeveryyearever.com/list to submit your own top five for 1912!Films and resources mentioned:Bo’ness Fair 1912 (1912) - Louis DicksonMairi: The Romance of a Highland Maiden (1912) - Andrew PatersonHerring Harvest at Yarmouth (1912) - unknownHow a Mosquito Operates (1912) - Winsor McCayThe Cameraman’s Revenge (1912) - Wladyslaw StarewiczAnnual Baby Parade, 1904, Asbury Park, N.J. (1904) - Alfred C. AbadieThe Herring Harvest (1925) - unknownDrifters (1929) - John GriersonPatriotic Porkers (1918) - unknownLittle Nemo (1911) - Winsor McCay and J. Stuart BlacktonGertie the Dinosaur (1914) - Winsor McCayWho Framed Roger Rabbit (1988) - Robert ZemeckisTo Demonstrate How Spiders Fly (1909) - F. Percy SmithThe Tragic Error (1913) - Louis FeuilladeThe Mascot (1933) - Wladyslaw StarewiczThe Cinema and Cinema-Going in Scotland, 1896-1950 - Trevor GriffithsHippodrome Presentations
Tanya Goldman, Assistant Professor of Film at Missouri State University, has a strong interest in what could variably be called “nontheatrical movies,” “minor cinema,” “useful films,” and other such phrases, reflected by her two concluding picks dealing with sponsored films, whether by social progress groups or farm equipment manufacturers. But much of the conversation concerns morbid humor, whether in live action or animation, and all of the shorts demonstrate the offbeat character of 1912.https://www.tanyagoldmanphd.com/ focuses on media access, considering how the distribution of documentary + nonfiction film is a political and cultural taste-making practice. She is currently completing a monograph on the career of labor activist-turned-film distributor Thomas J. Brandon.Films and resources mentioned:- https://www.youtube.com/watch?v=AMK_3-16FMs- https://www.youtube.com/watch?v=U424m8utJnA- https://youtu.be/QmwuL-98nYk?si=L9NTTfjUqEy2VVUm- https://www.youtube.com/watch?v=Y2rafjx1zoQ- https://www.youtube.com/watch?v=Bow99bzHfiM- https://www.youtube.com/watch?v=bd-IZvAUosc- https://www.youtube.com/watch?v=pKbUgu8rItQ- https://www.youtube.com/watch?v=Udr6wKr5tHk- https://letterboxd.com/film/we-carry-on/- https://youtu.be/-KtGFyd9WVQ?si=BbzziQ1h3DFx_4th- https://www.youtube.com/watch?v=Y1FvpEeUBQo- https://youtu.be/8tLXkKsYFgc?si=SK-rrL8AFQtEnyM3- https://youtu.be/gOHQOJaHTXo?si=mAXbMtUr5WSl4vCZ- https://en.wikipedia.org/wiki/La_F%C3%A9e_aux_Choux- https://youtu.be/X8K7I0Jczi0?si=hLEtnllyFpAGEB4i- https://youtu.be/ZPp_t8fcL4o?si=kTY-g57IKd-DEJT7- https://www.youtube.com/watch?v=Igh5ohb2_oU- https://youtu.be/6hs_FAKJTSc?si=ndphj4s69UdlmgAX- https://benaturalthemovie.com/- https://www.youtube.com/watch?v=5Tgam3nXUPU- https://hmharchive.com/vnsny-visiting-nurse-service-of-new-york/- https://vimeo.com/16838597- https://www.kanopy.com/en/product/golden-gate-girls?frontend=kui- https://www.youtube.com/watch?v=9SqvD1-0odY- https://www.youtube.com/watch?v=yIyCMicwvU4- https://www.youtube.com/watch?v=Pjhb7KtZZj4- https://www.youtube.com/watch?v=8gCeu3BRvuk- https://www.youtube.com/watch?v=jYlYTrni4-Q- https://www.youtube.com/watch?v=XSntDDpk0-k- https://www.youtube.com/watch?v=FpTWbuXhqfs- https://youtu.be/wq7hMuiz1mI?si=_K4Saxl7o_azhusk- https://youtu.be/32pzHWUTcPc?si=cj9kzS_63r0ywT-V-
1912 seems to offer more threads of industrial, technological, and social changes in the global film industry than the previous few years, but maybe just because a few still recognizable names can essentially “headline” this season. The threads introduced in this intro, and many more, will be picked up by five guests to explore just how exciting the period is becoming.Films mentioned:Queen Elizabeth (1912) - Louis Mercanton and Henri DesfontainesOliver Twist (1912) - unknownOliver Twist (1912) - Thomas BentleyRichard III (1912) - André Calmettes and James KeaneCleopatra (1912) - Charles L. GaskillLorna Doone (1912) - Wilfred NoyWhat Happened to Mary (1912) - Ashley Miller and Charles BrabinShree Pundalik (1912) - Dadasaheb TorneSaved from the Titanic (1912) - Étienne ArnaudAn Unseen Enemy (1912) - D.W. GriffithWith Our King and Queen Through India (1912) - unknown
The 5 Best Films of Every Year Ever features experts and enthusiasts and, well, their favorite films of every year ever. Host Tristan Ettleman sits down with a new guest every week to dive into the history and beauty of some of the best movies to ever come out of the cinematic medium.
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