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by Talkhouse
Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations.
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On this week’s Talkhouse Podcast, we’ve got a great chat between two rockers whose bands tuck classic-sounding songs into punk-inspired packages: It’s Brian Fallon of the Gaslight Anthem and Greg Barnett of the Menzingers. The Menzingers are one of those bands that are sort of easy to take for granted: They’ve released a steady string of punk anthems for 20 years, and their songs are as reliable as the sunrise. But when you step back and take a look at their catalog, it’s pretty massively impressive. The Scranton, Pennsylvania band just released their eighth album, Everything I Ever Saw, and it’s as big and catchy as you’d hope. They’ll head out on a US tour this fall with one of their big inspirations, Hot Water Music, in the opening slot. Check out "Chance Encounters” from Everything I Ever Saw right here. The other half of today’s conversation, Brian Fallon, fronts a band of a similar age and sound as The Menzingers, though as you’ll hear in this conversation, his band took a chunky hiatus a while back. The Gaslight Anthem broke through back in 2008 with the instant classic album The ‘59 Sound, which won them acclaim from fans, music writers, other bands, and even their fellow New Jersey-ite Bruce Springsteen. The Gaslight Anthem seemed to split in 2015 but have since reformed; during that time, Fallon also amassed a catalog of solo records, and he’s got another great one on the horizon. Not Bad for New Jersey will be out in September, accompanied by a big tour. The album features his usual anthemic songs plus fun guest appearances from Brandon Flowers of the Killers, among others. Check out the song “Pearls” from Not Bad For New Jersey right here, and again, it’s out in September and available to pre-order now. In this chat, Fallon and Barnett talk about their lengthy shared history, about stretching out sonically, about their mutual friend Wicca Phase Springs Eternal—including a story about a high school battle of the bands—and much more. Enjoy. 0:00 Introduction 2:47 Start of conversation, touring, and releasing new albums 4:10 On dogs, new babies, and raising kids 6:41 On tour openers, Tiger’s Jaw, and learning from Adam McIlwee 11:28 On learning guitar and songwriting by watching friends, and interesting chords 12:50 On the songwriting process and making iPhone demos 15:42 On the connection between vocals and drums 16:32 On having a recognizable sound, and dealing with reviews and public opinions about your work 20:02 On feeling like you’re creating “real” songs, and how the music industry affects your perceptions 21:43 On the Menzingers’ newest album, and the inspiration for the title track 23:49 On feeling inspired by other bands’ live gigs 25:51 On their bands turning 20, celebrating together, and early recordings 29:16 On their experiences with different record labels, and which ones support artists’ growth 34:58 On how solo work is different from working with their bands, and loving what they do Thanks for listening to the Talkhouse Podcast, and thanks to Greg Barnett and Brian Fallon for chatting. If you like what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
On the latest episode of Nobody’s Ever Asked Me That, Nick Dawson sits down with the Peter Dreimanis and Leah Fay Goldstein, who are both the lead singers of the band July Talk and now the stars of the unconventional new romantic comedy Middle Life, which is in theaters from this Friday. In a thoughtful and very connected conversation, the two open up about generational trauma, loss, learning to trust one’s innate wisdom, their emotional visit to the Mauthausen concentration camp, Goldstein dreaming new Angel Olsen songs, Dreimanis’ rec hockey league for sensitive art guys, and much more. Nobody’s Ever Asked Me That now has a Substack, so head there to check out all of our past episodes, plus subscribe to get access to exclusive audio and video content!
On this week’s Talkhouse Podcast we’ve got a couple of dynamic frontmen who’ve brought a ton of personality to rock and roll over the years: It’s Pelle Almqvist and James Smith. Pelle Almqvist, aka Howlin’ Pelle Almqvist, is the singer for the Swedish band the Hives, who make garage rock, punk rock, or simply rock and roll, depending on who you’re talking to—that question comes up in this conversation. The Hives broke through back in the early 2000s with the monumental album Veni Vidi Vicious and the song “Hate to Say I Told You So,” and they’ve since amassed an incredible catalog alongside an earned reputation as one of the most exciting live bands you’re ever going to see. The Hives went quiet for a while but came roaring back in 2023, and last year they released their seventh record called The Hives Forever Forever The Hives, a brilliant title if I’ve ever seen one. Check out the title track from that album right here. The other half of today’s conversation, James Smith, is the singer/talker/kinda rapper at the helm of the British band Yard Act, whose first album—2022’s The Overload—immediately announced them as a serious musical force. Smith’s voice is the slick, confident center of their songs, and his unique way of sing-speaking feels like a gamble that paid off ridiculously well. The band has since released two more records, including the excellent new You’re Gonna Need A Little Music, which deals at times with the idea of getting everything you want but not knowing what to do with it. It was produced by Justin Meldal-Johnson—he’s the Justin mentioned in this chat—who seemed to help tame the beast in all the right ways. Check out “Empty Pledges” right here. This lively chat took place via Zoom, and I have to note right off the bat that Almqvist was dialing in from his sauna while wearing a Hives-branded robe—totally on brand in the best way. They talk about religion, typical days on tour, and quite a bit about how they’ve both gotten into painting—and how they’re trying not to make it into work. Enjoy. 0:00 Intro 02:42 Start of conversation 02:43 On sharing an interest in painting and art 04:37 On recording new records in home studios, and how touring impacts recording 08:07 On if the “lightning in a bottle” approach to making music is real, trying new sounds, and why Ace of Base is similar to Bob Marley 10:41 On the music scenes in Sweden and Leeds 13:20 On folding bikes and land skis 15:08 On architecture, history, and visiting cathedrals and other landmarks on tour 16:09 On organized religion, capitalism, and if spirituality encourages unity 18:26 On growing up near Russia during the Cold War, nuclear war fears, punk music, and class awareness 20:21 On modern interpretations of punk music 23:04 On traveling on tour, seeing more cathedrals, why AI is like an Easter Island statue, and staying optimistic about the future 26:29 On upcoming tour dates, and future plans and priorities 29:35 On James’ experiences showing his paintings, the pros and cons of selling passion projects, and learning new art skills 32:43 On Pelle’s painting projects, and how painting is like songwriting 35:12 On being creative vs. slowing down during time off 36:53 On if slowing down musically is the same as getting complacent 38:19 On Pelle’s sauna and swimming in the Baltic Sea 39:20 On input vs. output for creativity and culture Thanks for listening to the Talkhouse Podcast, and thanks to Pelle Almqvist and James Smith for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit Talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
On the latest episode of Nobody’s Ever Asked Me That, Nick Dawson sits down with the legendary writer-director Abel Ferrara, the filmmaker behind such iconic movies as Driller Killer, King of New York and Bad Lieutenant. In a conversation that’s candid and often profound, Ferrara opens up about bad acid trips, his fascination with writing code, his addiction to social media (including following people like the late Charlie Kirk …), why he’s not a night person anymore, being traumatized as a young boy by a bloody, life-sized crucifix, and much more. Nobody’s Ever Asked Me That now has a Substack, so head there to check out all of our past episodes, plus subscribe to get access to exclusive audio and video content!
This episode originally aired on June 26, 2026. Subscribe to Summer Album / Winter Album. Tonight on Summer Album / Winter Album: Ritual de lo Habitual. 1990. Our special guest: Hamilton Leithauser of The Walkmen. Craig Finn is arguing Summer, Jody Avirgan is arguing Winter. Jody won the coin toss. He is presenting first. Weigh in and find lots more on instagram, and clips on our youtube page. Get in touch through our website. Find more illuminating podcasts on the Talkhouse Podcast Network. Visit talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
On the latest episode Nobody’s Ever Asked Me That, Nick Dawson talks with Magnetic Fields frontman, Stephin Merrit, who was recently (and rightly!) named by the New York Times as one of the 30 greatest living songwriters. In a sprightly, wide-ranging conversation, the two discuss such divergent topics as Brian Wilson’s warning about caffeine and creativity, falling asleep at the movies, the hilarious reason why Ang Lee has beef with his Westchester neighbors, Stephin’s hatred of biopics, his genius plan for a series of soporific audiobooks, dreaming Divine’s death years before it actually happened, and much more. Nobody’s Ever Asked Me That now has a Substack, so head there to check out all of our past episodes, plus subscribe to get access to exclusive audio and video content!
On the latest episode of Nobody’s Ever Asked Me That, Nick Dawson sits down with writer, director, actor and memoirist Desiree Akhavan, the Sundance Grand Jury Prize-winning filmmaker behind such films as The Miseducation of Cameron Post and Appropriate Behavior. Over the course of a very connected and open conversation, Akhavan talks about her evocative first memory of learning to swim, writing her show Friday Night Live at age 9, her urge to return to Japan … or just learn how to take a vacation period, finding joy beyond validation, reckoning with her path forward during a current time of transition, and much more. Nobody’s Ever Asked Me That now has a Substack, so head there to check out all of our past episodes, plus subscribe to get access to exclusive audio and video content!
On this week’s Talkhouse Podcast we’ve got a deep, enlightening conversation between two talented wordsmiths who also happen to be admirers of each other’s work: Mick Jenkins and Aja Monet. Mick Jenkins first found some notice a little over a decade ago with a mixtape called The Waters, a sophisticated, politically minded group of songs that sounded wiser than his years and got him tons of attention from his homebase of Chicago and beyond. Early collaborators include Chance the Rapper and and Vic Mensa, which should tell you a little bit about what to expect from Jenkins’ sound, but not the whole story: He’s since released a bunch of records that take plenty of left turns, including last year’s jazzy A Murder of Crows, made with producer EMIL. Check out “Worker’s Comp” from that album right here. Speaking of jazzy, the other half of today’s conversation is Aja Monet, who’s taken her poetry from the page and straight readings to a place bursting with music and rhythm on a pair of albums, including a brand new one called The Color of Rain. Jenkins and their mutual friend Vic Mensa join on one song, “Melting Clocks” but it’s most Monet’s show throughout, with her poetry set over zigzagging instruments and tempos. It never feels forced, but rather a natural extension of what she’s all about—complex, lyrical, and sometimes intense. Check out “Melting Clocks” right here. This conversation starts a little slowly—Jenkins is just waking up and has been having a rough few months. But these two draw inspiration and life from chatting with each other: They cover Jenkins’ early years, when he wasn’t sure if his religion would allow him to pursue secular music; and they get deep into how to deal with the crazy world we’re living in at the moment—specifically how to manage anger. It’s a deep conversation with a lot of wisdom coming from both directions. Enjoy. 0:00 Intro 3:04 Start of Conversation 3:29 On new projects and working through grief with family 4:53 On things women weren’t told about, and learning about ourselves 6:27 On the broken healthcare system, and prioritizing wellness with age 9:23 On self-care, supporting friends, and community 11:25 On expanding your worldview while traveling, and healthcare abroad 18:21 On reacting to US politics and “righteous rage” 22:29 On power dynamics and understanding experiences with anger 26:40 On how Aja’s art expresses anger and love 27:24 On Mick’s career, and what he wanted to express with his early work 29:19 On seeing love in nature, and unique expressions of anger in art 29:56 On reaching people with deeply personal and honest art, and how Mick’s background influences his music 37:10 On feeling afraid of speaking up, and grappling with spirituality 39:45 On empathy, giving others grace, and Aja’s religious upbringing 42:37 On living your truth, growing as a person, and recognizing ignorance 45:07 On finding balance, being humbled by nature, and “warrior spirits” 47:32 On being peers, and learning from each other Thanks for listening to the Talkhouse Podcast and thanks to Aja Monet and Mick Jenkins for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme was composed and performed by the Range. See you next time! Find more illuminating podcasts on the Talkhouse Podcast Network. Visit Talkhouse.com to read essays, reviews, and more. Follow @talkhouse on Instagram, Bluesky, Twitter (X), Threads, and Facebook.
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Your favorite musicians, filmmakers, and other creative minds one-on-one. No moderator, no script, no typical questions. The Talkhouse Podcast offers unique insights into creative work from all genres and generations.
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