Alisa Weilerstein is more than just a virtuoso cellist; she is also a winner of the MacArthur Fellowship, the so-called “genius” award. There is a real genius in the way Alisa Weilerstein connects music in her solo concerts, combining core classical pieces and commissioning new works to expand the solo cello repertoire. Take, for example, her latest project called Fragments, which is a multimedia series that weaves 27 newly-commissioned pieces into all of the solo cello suites by J.S. Bach. She imagines anarc of listening, where one might hear Serbian-born, Quebec-based composer Ana Sokolović; American-born Joan Tower; cellist/composer Paul Wiancko; percussionist/composer Andy Akiho; American composer Jeffrey Mumford;J.S. Bach, and Argentinian Osvaldo Golijov all on the same bill and tied together. Alisa offers a sample of this exploration of sound and meaning, with a little bit of birdsong, in-studio. Set list: 1. Joan Tower - For Alisa, and J.S. Bach - Cello Suite No. 1 in G major, Prelude, BWV 1007 2. Osvaldo Golijov - The Last Moho Braccatus and J.S. Bach Cello Suite no. 5 in C minor, Courante, BWV 1011
AI Summary coming soon
Sign up to get notified when the full AI-powered summary is ready.
Free forever for up to 3 podcasts. No credit card required.
Indie-rock Songwriter Morgan Nagler Sings Her Unfiltered Songs, In-Studio
Folk-Rock Trio The Lone Bellow Plays Some Hard-Won Songs, In-Studio
Texas-Born Folk Artist Jana Horn Weaves a Gentle Atmosphere, In-Studio
English Post-Punk Outfit Art Brut Doesn’t Seem Like It’s Planned! (In-Studio)
Free AI-powered recaps of Soundcheck and your other favorite podcasts, delivered to your inbox.
Free forever for up to 3 podcasts. No credit card required.