SLOW READ: The Stand (Chapter 45 - Mother Abagail)

SLOW READ: The Stand reading scheduleWelcome to Welcome to Slow Read The Stand. We are your hosts Sarah Stewart Holland and Laura TremaineThis is the seventh episode of Slow Read The Stand.If you prefer to read instead of listen, below is a cleaned up transcript of the episodes as well as links to all the books and Substacks we mentioned in this episode…and several fun bonus links and videos!Mentioned in this episode:The Shack by William P. YoungTwo Old Women: An Alaska Legend of Betrayal, Courage and Survival by Velma Wallis The Correspondent by Virginia EvansSarah: I might cry recording this chapter.Laura: Why?Sarah: Because I loved it so much. I cried reading it. I just loved it.Laura: Well, this is why we dedicated a whole episode to just this chapter. Sarah: That was very wise of us. And by us, I mean you. Seminal Moments and 500 Pages of Lead-upSarah: We separated this chapter out because it is such a seminal moment in The Stand. Oh, my gosh. I love her. Do you?Laura: Yes. She is like a literary icon.Sarah: I am obsessed. I loved every word of this chapter—okay, that’s not true, there were a couple words I didn’t love—but she feels so real. I struggle to say “character” because I just want to say “woman.”Laura: This is the first time in the book where we finally get to know more about her. She’s kind of only showed up in dreams so far. Finally, we’re seeing that the pandemic isn’t the villain, really. Campion isn’t the villain. We’re starting to get what people mean when they say The Stand is a story about the battle of good and evil.Sarah: Let’s start where the chapter starts: Mother Abagail at her house in Nebraska, playing her guitar on the porch. We’re starting to find out her theology. On the first page, she says, “God brought down a harsh judgment on the human race.” What’s so striking is that she has such acceptance and calm about what has happened.Laura: And you found it peaceful as opposed to detached?Sarah: English doesn’t even have the right words for this, because “detachment” has a negative connotation. But it is an acceptance of what you can control and what you cannot. I thought that was just emanating from her.108 Years of PerspectiveLaura: In this round of reading, I did notice a complete lack of grief. She realizes everybody is dead—her grandkids were checking on her, but she hadn’t seen them since February.Sarah: Listen, in my mid-40s, sometimes I don’t have energy for big emotions. When I’m 108? My grandmother is about to turn 90, and I grew up with a bevy of great-grandparents. I have spent time with 100-year-olds, and this rang completely accurate to me. When you get to the point where death would be a relief, it changes everything.Laura: I did think there was a lot of attention paid to her bodily functions. We really talk about her going to the bathroom, her prunes...Sarah: Because you’re so grounded in your body! Think about how visceral labor is, or when you have a cold. It occupies so much of your capacity. By the time you’re 108, are you kidding me? It takes so much of your time just to move your body and manage it.Laura: It makes her very human, whereas Randall Flagg is jumping around in time. We’re not out here talking about Randall Flagg having to go to the bathroom. It makes them unequal.The “Magical Negro” and the Nebraska GrangeLaura: Did you have thoughts about her portrayal of being an old Black woman? There’s the “magical Negro” idea that comes up in any deep dive into King’s work.Sarah: It felt like she’s magical because of her faith and her age, and not her race. Her race was a part of her, but not the “magical component” of her identity to me. Her dad was a pioneer—the first farmer allowed into the Nebraska Grange, which I had to look up.Laura: I looked it up too! It was like a social union that worked to get legislation in favor of farmers.Sarah: Right. So she came from hardy, pioneering leadership roots.