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by Sophie Gee and Jonty Claypole
Every book has two stories: the one it tells, and the one it hides.The Secret Life of Books is a fascinating, addictive, often shocking, occasionally hilarious weekly podcast starring Sophie Gee, an English professor at Princeton University, and Jonty Claypole, formerly director of arts at the BBC. Every week these virtuoso critics and close friends take an iconic book and reveal the hidden story behind the story: who made it, their clandestine motives, the undeclared stakes, the scandalous backstory and above all the secret, mysterious meanings of books we thought we knew.-- To join the Secret Life of Books Club visit: www.secretlifeofbooks.org-- Please support us on Patreon to keep the lights on in the SLoB studio: https://patreon.com/SecretLifeofBooks528?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkinsta: https://www.instagram.com/secretlifeofbookspodcast/youtube: https://www.youtube.com/@secretlifeofbookspodcast/shorts Hosted on Acast. See acast.com/privacy for more information.
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- 2 days ago30 min
Secret Life of the Pre-Raphaelite Brotherhood
SLOB goes off-script! While in London a couple of weeks ago, Sophie and Jonty got so excited in the Pre-Raphaelite room of Tate Britain that they whipped out their recording equipment and dashed off an impromptu episode.The Pre-Raphaelite Brotherhood was the artistic movement of mid-Victorian Britain, a small group of bohemian young men who were convinced that the last decent painting was done back in the fifteenth century, before Raphael came along and spoiled things with his proto-modern realism.So they started painting for the people, about the people, but with quite a lot of ethereal pale women looking uncomfortable. Their pictures have bright, slightly garish colors and a distinctly gothic vibe, but this medieval fantasia is overlaid with close attention to everyday detail - that blew the doublets and hose off London art world.SLOB's eagle eye was arrested by the overlap between the PRB paintings and classic books. Almost all the Pre-Raphaelites hanging at the Tate are riffing on literary history, from Chaucer to Shakespeare, to the Romantic poets, and the Victorian novelists. Find out how literary classics provide the stories, characters and big emotional ideas for what's maybe the most impactful artistic movement in Britain’s history. Hosted on Acast. See acast.com/privacy for more information.
- 5 days ago1h 0m
Secret Life of the British Museum
Viriginia Woolf hated it and Karl Marx loved it. Woolf starts her iconic A Room of One’s Own by skewering it as a monument to British patriarchy and toxic masculinity.The inevitable sequel to lunching and dining at Oxbridge seemed, unfortunately, to be a visit to the British Museum, she wrote.Friend of the show George Eliot, author of Middlemarch, wholeheartedly agreed, and usually sent her husband to do her research for her, in order to avoid the British Museum's oppressive vibes. These women were describing their allergic reaction to the Reading Room, which is now the British Library building near Kings Cross. But the vast collection of global antiquities, including the Rosetta Stone, the Elgin Marbles and the Sutton Hoo treasure, have always been, like the Reading Room itself, matters of divided opinion, polarizing controversy and simmering international tensions.Is the British Museum a treasure hoard stolen almost entirely from other nations’ riches (Lord Byron thought so)? Or in bringing these objects together, in a self-conscious display of the power and fallibility of human empires, does the British Museum show something truly profound and sobering about the nature of human endeavor (it’s founder, Hans Sloane, took this view). Almost every London writer had opinions on the matter, and in this episode Sophie and Jonty retrace their steps and visit a handful of the most controversial treasures in the collection. Love it hate it, the British Museum has catalyzed some of English Literature’s greatest moments.With thanks to the Ponder & See Foundation for their support.Become a subscriber by signing up at Apple: http://apple.co/slobOr join our Patreon community here: https://www.patreon.com/c/secretlifeofbookspodcastHosted on Acast. See acast.com/privacy for more information Hosted on Acast. See acast.com/privacy for more information.
- 1 weeks ago54 min
Secret Life of Reading (with Maggie O'Farrell and Ben Alderson-Day)
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- 2 weeks ago59 min
Secret Life of Edinburgh
SLOB is in Edinburgh for the International Book Festival. Join us on a walking tour of literary Edinburgh. From Mary Queen of Scots and James VI of Scotland, obsessed with witch hunts and an early anti-tobacco campaigner, to Muriel Spark and slum tourism in The Prime of Miss Jean Brodie. We walk from the gentrified streets of Marchmont and Bruntsfield, across the Meadows, and into the rough and tumble of the Old Town, a maze of cobbled streets and old buildings crowded on the hillside below the Edinburgh Castle. Cameos from Ian Rankin and Kate Atkinson, William Shakespeare, Samuel Johnson and James Boswell, and of course, Sir Walter Scott. Come through Edinburgh with SLOB and relish its very pungent history in a world before modern sanitation.Mr. Johnson and I walked arm-in-arm up the High-street, to my house in James’s court: it was a dusky night: I could not prevent his being assailed by the evening effluvia of Edinburgh. … As we marched slowly along, he grumbled in my ear, ‘I smell you in the dark!’ But he acknowledged that the breadth of the street, and the loftiness of the buildings on each side, made a noble appearance.With thanks to the Ponder & See Foundation for their support.Become a subscriber by signing up at Apple: http://apple.co/slobOr join our Patreon community here: https://www.patreon.com/c/secretlifeofbookspodcastHosted on Acast. See acast.com/privacy for more information Hosted on Acast. See acast.com/privacy for more information.
- 2 weeks ago37 min
Secret Life of Trains 2 (Choo choo!)
This week SLOB went full steam ahead from London to Edinburgh, to appear live at the Edinburgh International Book Festival. We love classic books, and we love trains, so what better way to while away the 6 hour slow-train to Edinburgh than to record our second episode about literary railway journeys. Join Sophie and Jonty as they choose sandwiches at Euston Station, board the 12:40 to Scotland via Wigan and Penrith, and talk about their favorite train lit. Savor the authenticity of the train-talk, while wedged in the gangway between the toilets and the trash bin, periodically interrupted by skeptical passengers en route to the snacks carriage. Choo choo!! Hosted on Acast. See acast.com/privacy for more information.
- 3 weeks ago1h 23m
Chaucer's Troilus and Criseyde
We’re aware that Chaucer’s epic poem Troilus and Criseyde written in the 1380s might be a tough sell to even the most devoted SLoB listener, but bear with us. Troilus and Criseyde is not a novel, but it bears a lot of features that we associate with novels and reading this novel-length poem takes you into the world and minds of medieval England - albeit transposed to Ancient Troy - by someone who was living there. It has action, betrayal and a racy sex scene. It gives us a new kind of access to characters' inner lives, and it reveals that inwardly people are wildly different from the way they appear. This is a love story that doesn't conform to any of our expectations about medieval love, and a war story that doesn't comply with our expectations of war. There are so many firsts here. We see the invention of the famous British sense of humour captured in real-time by Chaucer, the very guy who invented it. It features the first reconstructed male concerned with consent in literary history and the first dumping by text message - although obviously there’s no phone involved. Hosted on Acast. See acast.com/privacy for more information.
- Aug 21, 202650 min
Charlotte Higgins on Ukrainian Lessons: Art in a Time of War
Charlotte Higgins talks to Jonty about her new book, Ukrainian Lessons, which recounts her experiences the last four years reporting on the cultural life of a nation at war. Culture is never far from the front-line in time of conflict, but rarely more so than in Ukraine. Part of Putin’s attempts to legitimise the war lies in an age-old argument that Ukraine is simply an extension, or part of, Russia itself. He has personally written essays explaining his view that Ukrainian language and culture is simply part of a Greater Russia story. Not surprisingly, Ukrainians are proving him wrong with the current flourishing of poetry, writing and art that speaks to the uniqueness and separateness of their culture. Charlotte talks about how she went to Ukraine, what she found and why her belief in the power of poetry and art has never been greater. Charlotte is Chief Culture Writer for The Guardian, a classicist and host of Instant Classics podcast. Content warning: as you might expect from an episode about a contemporary war, some of the stories and experiences that Charlotte recounts are confronting. Hosted on Acast. See acast.com/privacy for more information.
- Aug 18, 20261h 9m
James Joyce 3: Ulysses
On 20 June, 1904, the 22-year-old James Joyce got blind drunk with some friends in Dublin. He threw up outside the rehearsal rooms of WB Yeat’s Irish Literary Theatre then insulted one of the actresses. Later, he approached a young woman, apparently alone. The word used in biographies is usually ‘accosted’, although it’s not clear what that means. It turned out she wasn’t alone, but had a date - a soldier - who beat up Joyce, leaving him with a black eye, sprained wrist and ankle and various cuts. Joyce was rescued by a friend of his father called Alfred Hunter. This incident - usually presented as a hilarious jape - but evidently quite terrifying for the women involved - became the inspiration for Joyce’s masterpiece - and one of the most revered novels of the 20th Century - Ulysses. Ulysses is a vast novel - over a quarter of a million words. Yet it follows the action of less than 24 hours. To be fair, Joyce packs a lot into that 24 hours. Although our old friend Stephen Daedalus and Leopold Bloom dominate the action, there are over 200 named characters. And, as ever, the most important character is Dublin itself. The story and structure is loosely modelled on The Odyssey with the different chapters named after episodes in Homer’s poem. The first section follows Stephen Daedalus, just as The Odyssey begins with Odysseus’ son Telemachus. Then Leopold Bloom, a 38 year old Jewish advertising canvasser, takes centre stage with Odysseus’ various adventures given modern-day, satirical equivalents. At the climax, Leopold and Stephen are united and return home, where Molly Bloom - the Penelope of the story - has the final word. The word is ‘yes’, although this is one of the rare occasions where one hearkens after a curmudgeonly ‘no’. Ulysses is famous for its form. The novel begins in a similar mode to Portrait of the Artist as a Young Man, a sort of stream-of-consciousness lite. But Joyce is giving us a false sense of security. Within a couple of episodes, the stream-of-consciousness is so disconnected from the world it is hard to tell what is actually going on. One chapter mimics the layout and language of a newspaper article, another is a play, another is a call-and-answer series of questions like a catechism. As ever, the road to publication was for Joyce long, fraught and tetchy. Serialisation began in an American periodical called The Little Review in 1918, but was stopped after the Nausicaa episode in which Leopold bloom masturbates on the beach. Outraged by court intervention, Joyce filled the rest of the book with the then unprintable ‘f’ word, the ‘c’ word and descriptions of oral sex. He feared it would never be published, but Sylvia Beach, the owner of a now-famous bookstore in Paris called Shakespeare & Co. came to the rescue and published it in France in 1922. So… like Odysseus finally reaching Ithaca, we have finally reached Ulysses after referring to it, usually in disparaging terms, over the life of this podcast. And the question is, how are we going to approach it? Are we going to fall to our knees and kiss the shores? Or will we grab bow and arrow and lay waste to the palace?And if you’re concerned we’re sounding just a little too flip, it’s worth remembering that Joyce himself said that Ulysses ‘is fundamentally a humorous work’, filled with word-play, toilet humour and irreverence. Hosted on Acast. See acast.com/privacy for more information.
About Secret Life of Books
Every book has two stories: the one it tells, and the one it hides.The Secret Life of Books is a fascinating, addictive, often shocking, occasionally hilarious weekly podcast starring Sophie Gee, an English professor at Princeton University, and Jonty Claypole, formerly director of arts at the BBC. Every week these virtuoso critics and close friends take an iconic book and reveal the hidden story behind the story: who made it, their clandestine motives, the undeclared stakes, the scandalous backstory and above all the secret, mysterious meanings of books we thought we knew.-- To join the Secret Life of Books Club visit: www.secretlifeofbooks.org-- Please support us on Patreon to keep the lights on in the SLoB studio: https://patreon.com/SecretLifeofBooks528?utm_medium=unknown&utm_source=join_link&utm_campaign=creatorshare_creator&utm_content=copyLinkinsta: https://www.instagram.com/secretlifeofbookspodcast/youtube: https://www.youtube.com/@secretlifeofbookspodcast/shorts Hosted on Acast. See acast.com/privacy for more information.
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