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Beatles vs. Stones. Biggie vs. Tupac. Kanye vs. Taylor. Who do you choose? And what does that say about you? Actually, what do these endlessly argued-about pop music rivalries say about us? Music opinions bring out passionate debate in people, and music journalists/critics Steven Hyden and Jordan Runtagh know this firsthand. They’re both obsessed with the biggest (as well as the most obscure) rivalries in music history. Each week, they’ll break down the details of a different colorful feud, and attempt to figure out why many of our favorite pop and rock stars can’t seem to get along.
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The series premiere of 'Off the Record' explores the life — or, rather, lives — of David Bowie by examining each of his iconic personas. Major Tom. Ziggy Stardust. Aladdin Sane. The Thin White Duke. Taken collectively, these faces form a portrait of a one-of-a-kind rock legend. Follow his transformation from lonely London boy struggling to find his way in the Swinging Sixties to cultural innovator, whose relentless drive and daring nearly destroyed him. You know the songs, now meet the man. The 11-part season begins Monday, January 18th! Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
Elvis Presley was the man to beat when Jerry Lee Lewis made the drive from small-town Louisiana to Memphis in 1956. The piano punisher had come for the King of Rock’s crown and was determined to show him up at every turn. Jerry Lee scored a deal on Elvis’ onetime label, employed the same management, and even some of the same songwriters. The pair duked it out in the charts in the late ‘50s, but the image conscious Elvis remained a much bigger crossover star than Jerry Lee, who relished his role as an uncompromising bad boy. When Elvis received his draft notice, Jerry Lee seemed poised to take over as rock’s leading voice. Then it all came crashing down as his troubling private life became public. Exiled from the rock ’n’ roll spotlight, Jerry Lee spent much of the ‘60s playing honky tonk dives and slowly rebuilding his musical career. Meanwhile, Elvis effectively abdicated his throne, trading electrifying singles for well-paying yet vapid films. Both men emerged from the wilderness by the end of the decade, spurring each other’s musical efforts. There was a begrudging respect between them, but Jerry Lee’s aggression sometimes got the best of him — like the time he showed up at Presley’s Graceland estate late one night with a gun. They didn’t call him “The Killer” for nothing. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
Our series on The Eagles concludes with a look at the business dealings and lawsuits that took place behind the scenes and the man who helped to shape their early career, David Geffen. A Brooklyn kid whose mother called him King David, Geffen moved to L.A. in the sixties and swiftly became a mover and shaker. By the time he met The Eagles, he was a kingmaker in the local rock scene. But as The Eagles themselves became kings, their relationship with Geffen soured, setting the stage for Geffen's protege, Irving Azoff, to swoop in and become their new manager. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
Our special series on The Eagles continues with their post-"Hotel California" years, in which the band was more popular than ever, selling one million albums per month while also falling apart. There was tension between the band's twin leaders, Don Henley and Glenn Frey, who fought for control of The Eagles. But most of the ire was focused around Don Felder, the talented guitarist who wrote the music for the song "Hotel California." This carried over to the band's reunion years in the 1990s, when they were making more money than ever. Felder resented Henley and Frey for not giving him equal say in the band, creating tension that resulted in his firing in 2001. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
Welcome to our epic three-part series on all of the beefs, feuds, and simmering resentments that occurred inside one of the most successful bands in history, The Eagles. In part one, we cover the band's early years, which included multiple battles inside the band and out. First, there was the feud with Glyn Johns, the super producer known for working with the best British bands of the era who resisted Glenn Frey's urge to rock. Then there was Bernie Leadon, the genius instrumentalist who couldn't help but pour a beer on Glenn's head. And then there's sweet Randy Meisner, who was driven out of The Eagles because he wasn't "alpha." As an added bonus, we also cover The Eagles vs. Rolling Stone softball game. Yeah, that actually happened! Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
Back in the late 1980s, Dr. Dre and Eazy-E were members of N.W.A., one of the most important and iconic hip-hop groups ever. But in the wake of their historic 1988 album Straight Outta Compton, the two fell out over business disagreements. Once Dre went solo, he proceeded to rip Eazy apart on diss tracks prominently featured on his blockbuster LP The Chronic, forever fixing Eazy in the eyes of millions of pop fans as the clownish "Sleazy-E." A few years after that, however, Eazy tragically died at a young age, and Dre proceeded to recontextualize his relationship with Eazy, making it seem as though they never beefed bitterly at all. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
This is an especially personal one for Steve — back when he was a Britpop-loving teen in the nineties, this was one of the first rock rivalries that he cared about. Which is odd, because in America, nobody really cared about Oasis vs. Blur the way people did in England, where they were the two biggest bands in the land. Blur were the knowing chroniclers of posh British society, and Oasis was the scrappy pub-rock band of the working class. While Blur was actually supportive of Oasis early on, Oasis looked at Blur as an impediment on their road to world domination, and proceeded to mercilessly bully them in public. In time, Oasis would come to massively overshadow Blur in terms of commercial success, though Blur's frontman Damon Albarn ultimately had a more lasting career outside of the band. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
Before there was Megadeth, Dave Mustaine was the guitarist in a promising San Francisco thrash metal band called Metallica. And then he was fired for being an obnoxious drunk, a slight compounded by the fact that all the other members of Metallica were also obnoxious drunks. From then on, Mustaine was obsessed with getting his revenge, and he formed Megadeth with the purpose of dethroning Metallica from the top of the thrash metal heap. Alas, it proved difficult to compete with the most successful metal band in history. No matter what Mustaine did, he was destined for second place. Learn more about your ad-choices at https://www.iheartpodcastnetwork.comSee omnystudio.com/listener for privacy information.
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Beatles vs. Stones. Biggie vs. Tupac. Kanye vs. Taylor. Who do you choose? And what does that say about you? Actually, what do these endlessly argued-about pop music rivalries say about us? Music opinions bring out passionate debate in people, and music journalists/critics Steven Hyden and Jordan Runtagh know this firsthand. They’re both obsessed with the biggest (as well as the most obscure) rivalries in music history. Each week, they’ll break down the details of a different colorful feud, and attempt to figure out why many of our favorite pop and rock stars can’t seem to get along.
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