
Today’s guest began his career writing novels informed by his experiences growing up in the troubles of 1970s Northern Ireland such as The Second Prison which was shortlisted for the 1991 Irish Times prize. Soon after, he began writing for television and film, again bringing signature realism to his work in later projects including Michael Mann’s gangster pic Public Enemies, Gunpowder starring Kit Harrington and most notably his creation of cultural phenomenon, Top Boy, for which he was also ...
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#50 - Lorien McKenna: How the The Pixar Story Department Actually Works, Creating Career Agency, Writing For Visuals, Challenging Shame and The Power of Vulnerability

#49 - Simon Blackwell: Writing Veep & The Thick of It, Julia Louis-Dreyfus’ Scary Phrase, Emergency Plane Writing, The Genius of Armando Iannucci, Sweary Grannies, & Why Parenting Makes You A Better Creative

#48 - John Zaozirny, Literary Manager on The ‘Magic’ That Makes a Hollywood Script, Screenwriting Lessons from Tony Gilroy, How He Finds Clients, Network Building, and Why Not to Write for the Market

#47 - Rhys Thomas: Directing SNL, Secret Marvel Security Meetings, The Handiness of a British Accent, & Making Documentary Now with Bill Hader and Fred Armisen
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