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Re: Dracula takes the famous horror tale, breaks it up chronologically (every entry of this epistolary novel has a date), and sends the story directly to your podcatcher as it happens. Every time something happens to the characters, Re: Dracula will publish an episode, in as close to real time as it happens. Some entries will be brief, and others will be long and intense.
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Sidequesting is a fantasy podcast about avoiding the main plot. It follows an adventurer who’s willing to help anyone out, as long as they’re not being asked to deal with the scary wizard that everyone keeps talking about. If you like indie audio fiction, new takes on fantasy tropes, lighthearted stories, queer joy, or avoiding the main plots of life, you'll love Sidequesting! You can find out more about the show and support us on kickstarter by going to sidequestingpod.com. Funding this production supports indie art and queer creatives in a world where that support is increasingly hard to find. If you've been looking for lighthearted family-friendly fantasy stories with modern representation, you've found it. Find Sidequesting on your favorite podcast app, and don't forget to check out our crowdfunding campaign at sidequestingpod.com! This is episode 3.8, Silent Treatment. Transcript. Eryx: Stephen Indrisano (he/they) Cella: Bonnie Calderwood-Aspinwall (they/them) Sequoyah: Tal Minear (they/them) Dialogue editing by: Brad Colbroock (they/them/he)
Did you know we have a Patreon? Did you know we're doing some pretty cool things over there? Right now we're releasing LOVE, LAURA, a microfiction modern-day adaptation of Carmilla. You can also tune in to our previous patron-exclusive show, Readle the Beetle, where Tal gets psychic damage from reading a book that initially sold more copies than Dracula. We've also got ad free episodes, bonus short stories, bloopers, and more! Check it all out at patreon.com/redracula Love, Laura E1: Stupid Audio Diary Love, Laura is written by Jamieson Ridenhour and Wil Williams, and produced by Tal Minear. In this episode, you heard Tal Minear as Laura. TRANSCRIPT:Laura: Okay, here I am, doing this stupid audio diary because my stupid therapist thinks I’m having a stupid episode. I’m supposed to “vocalize” my feelings and “let it out in the open.” As if. Feelings are inside for a reason, and I don’t see how dragging them out into the light will do anything other than make me wallow in them. But whatever. I can’t go anywhere, because of this stupid pandemic, which is just a whole lot of nothing. It’s not like this lockdown is gonna last more than a couple of weeks. People freak out over nothing. But until then, I’m here, trapped in this house with my boring father and this slow-ass wi-fi. Normally I’d just talk to Bertha, because she’s the only person who really gets me, and she would send a meme or something and I’d feel like I wasn’t alone. That’s what Dr. Hesselius doesn’t get. I’m not depressed. I’m LONELY. Why doesn’t anybody get that? But I can’t talk to Bertha. And now I don’t get to finally meet her like we’d planned. She was coming to stay the weekend, our first irl hang-out, and now that’s not happening either. Because Bertha is dead. And maybe it’s silly to be so upset over it, because we only knew each other online, blah blah blah, but talking to Bertha on Insta was the only connection I had to the real world, instead of this lame-ass suburban hell-hole. She was funny and pretty and she liked me. But now BigBertha2009 will not have a little green online dot by her name ever again. And they won’t even tell me what happened! “Passed away suddenly,” like that’s a thing. Sixteen-year-olds don’t “pass away suddenly.” Total, total bullshit. And I’m supposed to, what, just have pizza for dinner and watch TV? God. My life is a joke. And if I’m being honest—and why wouldn’t I, it’s not like anybody’s gonna hear this stupid voice note—it’s really messing me up. It’s making me think about mom, even though it’s been years since she “passed away suddenly.” It’s not like I knew her, either. And they’re worried I’m going to start having nightmares again. It was only ever the one nightmare anyway. The one when I was six. It was so real. I went into my bedroom and there was a woman in my bed. A really pretty woman, who held out her arms and smiled like she knew me. She had gorgeous dark hair and seemed so happy to see me. I crawled into bed with her, and she held me and I snuggled up to her. She held me and talked to me, and I felt so happy. I felt safe. Dr. Hesselius says this is some kind of mother-dream, and she kinda looked like what I remember of mom, or maybe she didn’t and I just remember the dream-lady better. Anyway, after a minute of snuggling, she leaned over and bit me! In my chest. Like, what the actual hell, right? It hurt so bad, like needles in my heart. I screamed, and the lady, like, scuttled over the edge of the bed and went under it, like a snake or something. And then dad was there, and I was crying and awake and everybody was freaking out. Poor little Laura, losing her mom, having weird nightmares and generally being a little dork. But that was a long time ago. Ancient history. My problems are bigger than kid stuff like that. Dreams are just dreams. Moms die. And so does Bertha, apparently. Ugh! Fuck my life.
Highgate Wood rose to prominence in the early 1970s, propelled by the triple threat of dynamic front man Sean Underwood, wunderkind guitarist Peter Van Conklin, and keyboardist Corrine Kennedy. Dancing a line between artsy prog rock and mainstream melodics, they had a string of hit albums before suddenly disbanding in 1975 when a studio fire resulted in Corrine’s death, Peter’s descent into madness, and ultimately Sean’s suicide. Years later, Peter’s daughter Patti finds herself haunted by the ghost of Corrine Kennedy. Fearing she may be falling down the same mad rabbit hole as her father, she sets out to find the truth of the fateful night Highgate Wood self-destructed. The eight episodes of Highgate Wood are her investigation. This show is out in full! You can listen to it all right now!
The Audio Fiction Convention is happening June 14 and digital tickets are on sale now! Watch 10 panels and presentations from the comfort of your home, including Audio Fiction You Can Play With by Gabriel Urbina and How to Make Art When the World is Burning by Lauren Shippen. You'll also be able to hear Tal at The State of Audio Fiction presentation, the community in Audio Fiction panel, and the Crowdfunding Crash Course! You'll be able to watch Hannah moderate the Adapting Audio Drama panel too! You can watch everything live or save the recordings for the perfect moment later. Go to https://bit.ly/tafcondigital to join the fun, and use code PODCAST for $5 off! Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
TLDL (too long didn't listen): 1. Tal wrote a book! Find out more at talminear.com/#howtomakeaudiodrama 2. Re: Frankenstein is almost fully recorded and in audio editing now. Coming Fall 2026 (later this year)! 3. We're doing a patreon-exclusive miniseries called Love Laura. Find out more here and join us over on the Patreon at patreon.com/c/redracula ps. Dracula Season Starts May 3! Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
This episode is narrated by Josh Rubino and sound designed by Tal Minear. It's adapted from A Vintage from Atlantis by Clark Ashton Smith.Transcript here. Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Written by Edgar Allan Poe and first published 1842 in Graham’s Magazine, Vol. 20, Iss. 5. This episode narrated by David Ault with sound design by Tal Minear. Script here. Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
7 Years Later: The end. Transcript here. This episode featured: Ben Galpin as Jonathan Harker; and Alan Burgon as Van Helsing. Dialogue editing by Stephen Indrisano. Sound design by Tal Minear. Featuring music by Travis Reaves. The song "Won't Look Back" was written and performed by Newt Schottelkotte. Produced by Ella Watts and Pacific S. Obadiah, with executive producers Stephen Indrisano, Tal Minear, and Hannah Wright. A Bloody FM Production. Find us online:Patreon: https://www.patreon.com/redraculaMerch: https://store.dftba.com/collections/re-draculaWebsite: www.ReDracula.liveTumblr: https://www.tumblr.com/re-draculaBloody Disgusting Website: www.Bloody-Disgusting.com Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
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Re: Dracula takes the famous horror tale, breaks it up chronologically (every entry of this epistolary novel has a date), and sends the story directly to your podcatcher as it happens. Every time something happens to the characters, Re: Dracula will publish an episode, in as close to real time as it happens. Some entries will be brief, and others will be long and intense.
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