
After many requests Thomas is joined by Travis Mateer to cover Eddington, Ari Aster's 2025 neo-Western political satire and early-Covid period piece. We break down the film's portrayal of technology, social media, conspiracy theories, Covid, Wokeness, and data collection, situating its messaging within the context of the cultural transitions and inter-elite warfare of the last half decade. While many have called the film meta-political or omni-political, comments from Aster and a careful reading of Eddington reveal the clear ideological agenda of this very sophisticated psyop. To further understand Aster's worldview, we also explore Beau Is Afraid, his incredibly unpleasant 2023 epic surrealistic horror tragicomedy, which gives fascinating insights into some of the ethnic and religious roots of Hollywood's fixation on the archetype of the devouring mother. Finally, we discuss Bugonia, Yorgos Lanthimos' 2025 dark comedy thriller, which similarly to Eddington, is a film that pretends to take conspiratorial concerns seriously while bolstering the same old elite ideologies. Travis's blog - https://zoomchron.com/If you enjoy Psyop Cinema, check out the research anthology series Cultural Engineering Studies. Volume #3 (on Hollywood Neo-Gnosticism) is out now! Use code psyopcinema for a discount - https://decoding-culture.com/print-copies/ https://twitter.com/CinemaPsyophttps://psyopcinema.com/https://linktr.ee/psyopcinemathomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com
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The Firm, with Steven DeLay (Surveillance Cinema 3)

Born on the Fourth of July (Oliver Stone 6)

Suddenly (Research Report 8, Preview)

True Detective: Night Country, with Jamie Hanshaw Dyer
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