
We are joined by Paul and Phillip Collins for a deep dive into Steven Spielberg's psy-op flop Disclosure Day. The Collins brothers have documented and analyzed the long-running 'UFO disclosure' psy-op in more detail than any other cultural engineering researchers and they describe exactly how Disclosure Day fits into that trajectory. We focus on how the film functions as an attempt at religious engineering, having been explicitly promoted as a challenge to traditional religious belief. Its globalist politics coincide with the spiritual message of boundary dissolution and its trauma-based mind control symbolism is disturbingly blatant for a film this big and this mainstream. We also spend some time on why Spielberg's boomer approach to psy-ops has lost much of its cultural powerhttps://twitter.com/PhillipDCollin1https://decoding-culture.com/collins-deception-1/(Part one of their Deception Through Disclosure series)https://decoding-culture.com/disclosure-7/(Part seven, the most recent installment of Deception Through Disclosure)Invoking the Beyond: The Kantian Rift, Mythologized Menaces, and the Quest for the New Man - https://www.amazon.com/dp/1663213518https://decoding-culture.com/articles/If you enjoy Psyop Cinema, check out the research anthology series that we edit, Cultural Engineering Studies. Volume #3 is out now and features the Collins' essay "Automated Autotheism: Transhumanism and the Technological Transposition of Divinity, Part 2" (a follow-up to their contribution to Volume #2). Use code psyopcinema for a 25% discount on any order of CES - https://decoding-culture.com/print-copies/https://twitter.com/CinemaPsyophttps://www.patreon.com/c/PsyopCinemahttps://psyopcinema.com/thomas-psyopcinema@protonmail.combrett-psyopcinema@protonmail.com
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The Doors, with Dr. Hans Utter (Oliver Stone 7)

The Firm, with Steven DeLay (Surveillance Cinema 3)

Eddington, Bugonia, and Beau is Afraid, with Travis Mateer

Born on the Fourth of July (Oliver Stone 6)
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