Ingrid D. Rowland on Art History, Raphael, and Disegno

In this episode of Private Life, the art historian Ingrid D. Rowland joins Jarrett Earnest for an in-depth discussion about art history and disegno, an Italian word for “design” that was also a Renaissance-era concept describing some artists’ ability simultaneously to draw and to conceive of a grander scheme in their work. Rowland also talks about the lives and work of some of the Italian Renaissance’s most significant figures: Raphael; Caravaggio; Giorgi Vasari, a sixteenth-century artist and writer from Florence; and Agostini Chigi, a banker and art patron.   Rowland is Professor Emerita of History at the University of Notre Dame. Her most recent book is The Lies of the Artists: Essays on Italian Art, 1450–1750 (2024). In 2017, she cowrote the biography The Collector of Lives: Giorgio Vasari. She has been a contributor to The New York Review of Books since 1994, writing extensively on art, art history, architecture, and theater. Her debut in our pages was “Character Witnesses,” an essay about Renaissance portrait medals. Other articles have included “Caravaggio Lost and Found,” about two rediscovered Caravaggio paintings, “Roman Rivalries,” about Michelangelo and Sebastiano, and “The Virtuoso,” a rapturous review of a 2020 Raphael exhibition in Rome.  Read the essays discussed in this episode and many others with a subscription to The New York Review of Books, which, in addition to twenty issues a year, gives you access to our full archive since 1963, searchable on our website.