S9E27 Kigo, Kireji and what else makes a haiku a haiku?

What makes a haiku a haiku? Is there really a difference between traditional and contemporary haiku, or have we complicated something that was once quite simple?In this episode of the Poetry Peacast, Patricia explores the essential elements of the Japanese haiku tradition, discussing the must haves of haiku.Drawing on the work of Haruo Shirane, William J. Higginson, Michael Dylan Welch and Robert D. Wilson, she examines why seasonality matters, how the cut creates resonance, and why these techniques continue to give haiku their unique emotional power.Along the way, Patricia analyses poems by Buson, Bashō, Den Sutejo, Katayama Yumiko, Don Baird, Neena Singh, Meera Rehm, Bruce H. Feingold and Bisshie, sharing practical insights that will help you read and write stronger haiku.Whether you're new to haiku or a long-time practitioner, this thoughtful discussion invites you to reconsider what truly defines the genre.In this episode:What kigo really contributes to a haikuThe purpose of the kireji, or cutWhy sensory imagery mattersClose readings of classic and modern haikuPractical inspiration for your own writingSubscribe to the Poetry Peacast for weekly episodes exploring haiku, senryū, tanka, haibun and the craft of Japanese short-form poetry.Support the podcast show notes