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by Ann Shafer, fine art prints evangelist, curator, and art historian
Why do fine art prints (etchings, woodcuts, lithographs, screenprints, etc.) and printmaking draw such fervent practitioners, collectors, and fans? Find out how prints were the first internet disseminating images since the mid-15th century. Find out why it takes a village to make, sell, study, and collect these affordable beauties. Who are all these people in the print ecosystem, anyway? Series one looks at prints and printmaking and how they fit in in the context of museums, the market, critiques, and the print ecosystem. Series two offers a history of prints and printmaking in the West. Series three offers interviews with the people who perform various roles in the print ecosystem. Platemark offers a bit of art history, artistic creativity, and introduces listeners to artists, printers, dealers, print publishers, gallerists, art historians, curators, and scholars. Host Ann Shafer is a curator specializing in prints and printmaking. Formerly she was a curator at the Baltimore Museum of Art and the National Gallery of Art. She's a podcaster, blogger, and organizer of the Baltimore Fine Art Print Fair.
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In this episode of Platemark, Ann Shafer sits down with master framer Thoren Vadala of Make-A-Frame Atlantic to explore the meticulous, often overlooked world of picture framing. From the technical realities of custom woodworking versus manufactured MDF to conservation standards like cotton rag mats and UV-filtering glass, Thoren breaks down what it truly takes to protect and elevate a work of art on paper. Tune in for an engaging discussion on framing philosophy, avoiding the trap of standard black-and-white presentation, and why early collaboration between artists and framers makes all the difference. Show me the images !! Frameatlantic.com IG @makeitframe Other suppliers Gaylord: gaylord.com Spink and Gabor: no website Small Corporation: smallcorp.com Bark Frames: barkframeworks.com University Products: universityproducts.com
Host Ann Shafer talks with Laura Raicovich about creativity, resistance, and alternative cultural spaces. They talk about Laura's pioneering museum leadership, her upcoming fine jewelry line Istria Napoli, and her fearless advocacy for artistic freedom outside traditional institutional boundaries. From exploring the legacy of the Queens Museum to reimagining sustainable cultural infrastructures like the Francis Kite Club, Laura shares an inspiring roadmap for anyone looking to build a versatile, impact-driven creative life.
Celebrate a milestone with Platemark as we record our first-ever live episode at the 30th anniversary of the McNay Print Fair. Host Ann Shafer is joined by master printer James Stroud (Center Street Studio) to explore the fascinating, high-stakes world of the print shop. From Jim's formative years with Stanley William Hayter at Atelier 17 to modern-day collaborations with artists like Markus Linnenbrink, this episode goes deep into the technical "magic" and the unique creative chemistry that occurs when an artist's vision meets a printer's expertise. Discover why printmaking is more than just a process—it's a community. Show me the images !! www.centerstreetstudio.com IG: @centerstreetstudio
What happens when a visionary publisher collaborates with minimalist and conceptual giants like Chuck Close, Agnes Martin, and Dorothea Rockburne? In this episode, host Ann Shafer sits down with Rachel Vogel, Assistant Curator at the Addison Gallery of American Art, to explore the monumental legacy of Parasol Press. Rachel shares the behind-the-scenes stories of curating the exhibition Parasol Press: Breaking New Ground, diving into the innovative vision of founder Bob Feldman, the intricate technical synergy between artists and printers, and how this iconic press fundamentally revitalized the contemporary printmaking ecosystem. Show me the images !!
In this episode of Platemark, host Ann Shafer sits down with Marie Tennyson, Executive Director of the Lower East Side Printshop who shares her inspiring journey from starting at Universal Limited Art Editions (ULAE) at age 22 to championing one of New York City's most vital artistic hubs. Discover the rich history of the Lower East Side Printshop—born during a 1968 teachers' strike—and learn how it continues to provide affordable studio space, foster emerging talent, and invite artists of all backgrounds to experience the collaborative magic of printmaking. Tune in for an engaging conversation about community, artistic innovation, and keeping the printmaking tradition alive and accessible. Show me the images !! https://printshop.org/ IG @printshoporg
In this episode of Platemark, we sit down with exceptional artist, printmaker, animator, and educator Jenny Schmid for a thought-provoking discussion on the intersections of history, art, and activism. We explore how historical figures like Käthe Kollwitz and José Posada influence Jenny's contemporary practice, delve into her fascinating project "Disembodied Reembodied," and celebrate the vital role of the Minnesota printmaking community in resisting oppressive systems. Jenny also shares a glimpse into her upcoming work examining midwifery, witch accusations, and women's labor history. Show me the images !! https://jennyschmid.com/ https://storymaps.arcgis.com/collections/cf19f0b0a7414dceb28f1fcd0dbd1ac7 https://vimeo.com/1087246787?fl=pl&fe=sh Please note: This episode contains sensitive discussions regarding the history of violence and racism in America, the murder of George Floyd, ICE, and the current socio-political landscape; listener discretion is advised.
Ever wonder about the incredible artistry hiding in your wallet? In this episode, Ann sits down with Tom Hipschen, a former master engraver at the Bureau of Engraving and Printing who spent nearly four decades crafting the very banknotes and postage stamps we handle every day. Tom takes us behind the scenes of his extraordinary career—from his grueling decade-long apprenticeship and serving as the lead picture engraver for the $20 bill, to engraving over 130 US postage stamps. We delve into the fascinating intersection of centuries-old hand engraving, cutting-edge anti-counterfeiting technology, and a poignant look at his legacy as he navigates life with essential tremor. Tune in for a conversation that will completely change how you look at the everyday prints right in your pocket. Show me the images !!
In this episode, host Ann Shafer sits down with Venezuelan-born artist and educator Reinaldo Gil Zambrano. Based in Spokane, Washington, Reinaldo is a relief printmaking specialist whose work explores themes of home, heritage, and the universal human experience. As an Assistant Professor at Gonzaga University and co-founder of the Spokane Print and Publishing Center, Reinaldo discusses his commitment to "democratic" art-making and his role as a bilingual bridge-builder in the global print community. From his early education at United World College to his recent solo museum debut, Reinaldo shares how storytelling and collaboration remain at the heart of everything he carves. Show me the images !! 🔗 Relevant Links Reinaldo's Artist Website: rgzprints.com Spokane Print and Publishing Center: spokaneprint.org "Pulling Roots" Exhibit at the Northwest Museum: Northwest Museum - Reinaldo Gil Zambrano Spokane Print Fest: spokaneprintfest.org United World Colleges (Costa Rica): uwccostarica.org
Why do fine art prints (etchings, woodcuts, lithographs, screenprints, etc.) and printmaking draw such fervent practitioners, collectors, and fans? Find out how prints were the first internet disseminating images since the mid-15th century. Find out why it takes a village to make, sell, study, and collect these affordable beauties. Who are all these people in the print ecosystem, anyway? Series one looks at prints and printmaking and how they fit in in the context of museums, the market, critiques, and the print ecosystem. Series two offers a history of prints and printmaking in the West. Series three offers interviews with the people who perform various roles in the print ecosystem. Platemark offers a bit of art history, artistic creativity, and introduces listeners to artists, printers, dealers, print publishers, gallerists, art historians, curators, and scholars. Host Ann Shafer is a curator specializing in prints and printmaking. Formerly she was a curator at the Baltimore Museum of Art and the National Gallery of Art. She's a podcaster, blogger, and organizer of the Baltimore Fine Art Print Fair.
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