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by Centre d'Art Contemporain Genève
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Image: The Rock Nobody Could Lft, etching by Rain Wu (2018)
Image credit: Ceramic figurine from the Moche culture of the north coast of Peru depicting a flute player.
Image credit: The prophets Elias and Khadir at the fountain of life, late 15th century. Folio from a khamsa (quintet) by Nizami (d. 1209); Timurid period. Opaque watercolor and silver on paper. Herat, Afghanistan.
Image credit: Womb Realm (garbhakosa-dhatu or taizōkai) mandala. Shingon tantric buddhist school, Heian period (794-1185), Tō-ji, Kyōto, Japan.
Image credit: 10th century Chola dynasty bronze sculpture of Shiva, the Lord of the Dance.
Image credit: Detail from the frontispiece of Hobbes’ ‘Leviathan’ by Abraham Bosse,1651
Image credit: Max Stirner in a cartoon by Friedrich Engels (1820-1895)
Image credit: Roman coin celebrating the assassination of Julius Caesar, issued in 42 BC
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The Centre d'Art Contemporain Genève presents Overmorrow’s Library, a podcast series by Federico Campagna, available on the 5th floor (digital extension): https://5e.centre.ch/en/The library for ‘the day after tomorrow’ is dedicated to books and authors whose work explores the limits of the ‘world’ as the frame of sense through which our consciousness experiences the chaos of reality. Each new episode presents a book that engages with the challenge of world-making, with the end-time of a world, or with the eternal unworldly. Spanning mysticism, politics, mythology, philosophy, video-game design and more, the shelves of Overmorrow’s Library are a space for experimenting with the apocalypse, and with the ignition of new cosmogonies.Federico Campagna is an Italian philosopher and writer living in London. His latest books are ‘Prophetic Culture: Recreation for Adolescents’ (Bloomsbury, 2021), ‘Technic and Magic: The Reconstruction of Reality’ (Bloomsbury, 2018), and ‘The Last Night: Anti
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