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Hannah Smart, the noted David Foster Wallace scholar, returns to the show to discuss her debut novel, Meat Puppets. Smart writes metafictions anchored in the anxieties of the human heart. Meat Puppets is an ambitious first novel that, like the work of the late David Foster Wallace, is alternately uproarious, absurdist, and sad. In this discussion, we talk through some key themes of her novel, including the porousness of personal identity, the alienation of celebrity, and the relationship betw...
In honor of the 30th anniversary of David Foster Wallace's Infinite Jest, novelist Hannah Smart once again joins us for a discussion of the ethical limits and critical revaluation of this maximally ambitious and chronically misunderstood novel. A polygenetic and polyphonic novel, Infinite Jest's interlocking themes and characters circle back to the urgent need and paradoxical impossibility of self-forgetting and transcendence within the American psyche ravaged by the grotesqueries of la...
On September 7, 1945, only a few months after the Allies accepted the Nazis’ unconditional surrender, the Deutches Theater in Berlin reopened its doors with a very deliberate choice of performance. Like many theaters across the country reopening in the wake of the Second World War, Deutches Theater began its new run with a production of Gotthold Ephraim Lessing’s comic drama about religious tolerance and reconciliation, Nathan der Weise, or Nathan the Wise, which had been banned under the Naz...
David Foster Wallace, the loquacious novelist behind Infinite Jest, seemingly predicted much of our culture moment from AI avatars to the hypnotic and addictive temptation of the infinite scroll. In his fiction and essays, he agonized over the ways in which advertisers and mass media have coopted techniques of subversion and rebellion like irony to make products that are more entertaining, more flattering to our egos, and more difficult to ply ourselves away from. As a writer of dizzingly eru...
Eleanor Russell joins us to discuss the mystical writings of French philosopher, Simone Weil. Published posthumously and edited by Gustave Thibon, Gravity and Grace is a collection of fragments from Weil's notebooks that sketch the core themes of her Christian mysticism in crisp, compact aphorisms. Weil did not set out to find God; instead, she was overwhelmed by a mystical experience of Christ's presence, after which her interests shifted from political philosophy to theology. Weil’s Christi...
Susan Sontag for almost forty years was the most recognisable public intellectual in America. She inspired an entire generation of critics to read more widely, think and feel more deeply, and stay attuned to the transformative power of art. In her numerous critical essays on art, politics, and our technologically mediated ways of seeing, Sontag built up her own distinctive aesthetic and moral sensibility, one that merged the moral seriousness of high art and the joyful eroticism of so-called ...
“Content of the Form” is a new interview series excavating the moral and political meshwork implicit in the use of certain artistic forms and genres. If every form or genre-exercise entails a repertoire of expected tropes with their own often unconscious social history and political function, conversely we can read within the framework of a form a network of concerns and anxieties voiced by the choice of the form. Our first guest in this series, Grace Byron, guides us through the autobiograph...
“Moral of the Story” is a new interview series in which we talk to contemporary novelists and poets about the ethical content of their work, the role of the imaginative writer in making sense of competing moral discourses, and what, if anything, aesthetics has to do with morality and politics in our moment of full-blown neo-fascism. To kick us off, we sit down with the writer Sebastian Castillo to talk about and around his new novel, Fresh, Green Life. Fresh, Green Life is a deeply comic book...
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Moral Minority is a podcast on moral philosophy and the problem of moral foundations. Why does morality matter? What grounds the moral principles to which we appeal when making judgments about right and wrong, justice and injustice? Do we have good grounds for making the judgments we do make–in our everyday lives, our relationships, our work, or in politics? And if not, where does that leave us?
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