
In this episode we talked to the two men who are largely the reason why “The Lost Boys” is the wow-iest wow spectacle of the Broadway season: director Michael Arden and scenic designer Dane Laffrey. They’ve been friends since their days at Interlochen, and “The Lost Boys” — which landed a whopping 12 Tony nominations — is just the latest in a long collaboration that also includes the revivals of “Once on This Island” and “Parade," and last year’s “Maybe Happy Ending.”Oh, and they did “The Queen of Versailles” this season as well. Yes, we talked about that one, too.But most of the conversation was about “The Lost Boys,” which is based on the 1987 movie of the same title. And there was a lot to talk about because this show is a lot, from vampires flying up and down several stories’ worth of rafters to characters jumping off a bridge that suddenly appeared on stage. So sit down, press “play” and listen to Michael and Dane explain how they turned the Palace Theater into a playground for Californian vamps. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit marksvincentelli.substack.com/subscribe
Podzilla Summary coming soon
Sign up to get notified when the full AI-powered summary is ready.
Free forever for up to 3 podcasts. No credit card required.

A witty writer (David Lindsay-Abaire) and a great actor (Richard Thomas) walk into a digital studio

Hear how "Giant" scribe Mark Rosenblatt took on Roald Dahl, earning a Tony nod in the process.

Ann Harada is one of Broadway's favorite utility players for a reason

"Becky Shaw" scribe Gina Gionfriddo has gone from theater to "Law and Order" and back again.
Free AI-powered recaps of Marks & Vincentelli: A Theatre Podcast and your other favorite podcasts, delivered to your inbox.
Free forever for up to 3 podcasts. No credit card required.