
Free Daily Podcast Summary
by James Michael Keats, Dawson Christopher
We drink and we watch movies. Join us weekly with your favorite pint or bottle in hand as we discuss the best (and worst) movies of all time. We are James Michael Keats and Dawson Christopher, and we hope you'll join us!
The most recent episodes — sign up to get AI-powered summaries of each one.
Inglourious Basterds.Bad accents. Great dialogue. Historically aggressive problem-solving.Disclaimer: This episode contains excessive tension, outstanding performances, and at least one discussion about how Christoph Waltz had absolutely no business being that good.Beer recommended. Bourbon quite acceptable. Revenge optional.
This week: Braveheart.Big speeches. Bigger battles. Zero indoor voices.The episode? Drinks, opinions, and highly questionable Scottish accents.Beverage recommendation: Whiskey, high-grav beer that tastes like grass, or both simultaneously.Join us for the mayhem!
Season Two begins… or does it? This week we're bringing you Memento, Christopher Nolan’s mind-bending thriller that dares you to keep up as it unravels memory, identity, and truth all in reverse. With tattoos, Polaroids, and one very unreliable perspective, this is a film that rewards attention—and maybe a second viewing or four. Pour yourself something you won’t forget and join us as we piece together one of Nolan’s most unforgettable puzzles.
Thirty films, countless drinks, and at least a few questionable life choices later… Season One of Inebriated Cinephiles is in the books. In this episode we’re taking a look back at the good, the bad, and the occasionally baffling—from the movies that blew us away to the ones that left us checking the wheel for a refund. We’ll also be revisiting the drinks that hit the spot, the ones that… didn’t, and everything in between. Pour something cheery and join us as we close out the season, reflect on the chaos, and look ahead to what’s coming next!
This week we’re getting into Weapons, a dark and cryptic mystery from director Zach Cregger. It begins with a disappearance, and from there the questions, and disappearances, only multiply. What happened? Who’s responsible? And why does every answer seem to lead somewhere even stranger? As is the formula in films like this, the town gets quieter, the music gets creepier, and absolutely no one seems willing to give a straight answer. Pour yourself something strong that goes down easy and join us as we sift through the clues, the tension, and the creeping suspicion that something very wrong is hiding just beneath the surface.
After nearly a full year of dodging it, roasting it, and cheekily predicting its cinematic destiny, the wheel finally served up a dish of fate for our Season One finale: Madame Web. From the moment it was announced, we had… questions, and for months, we’ve bantered about what we might be in for. We no longer have to imagine. Was it secretly misunderstood genius? Perhaps a bold expansion of the Spider-Verse? ...Maybe... Or might it be a masterclass in how to say lines that feel like they were translated twice and then left out in the desert sun in July? Pour something strong for yourself this week—preferably something that causes you to blackout and forget—and join us as we unravel spider-visions, baffling choices, and a pair of the most perfectly shaped redeeming qualities in the modern film age.
This week, we’re stepping into the glass-and-concrete mind palace of Ex Machina—Alex Garland’s sleek, unsettling meditation on artificial intelligence, manipulation, and what it really means to be human. With Domhnall Gleeson caught between genius and madness, Alicia Vikander delivering a quietly haunting performance, and Oscar Isaac doing… whatever Oscar Isaac is doing, this one simmers with tension from front to back. Pour something clean and precise—maybe a minimalist gin cocktail—and join us as we explore consciousness, control, and the dangers of thinking you’re the smartest person in the room.
Get your s*** because we're headed to Montenegro for the high-stakes, high-style reinvention of 007 in Casino Royale. Daniel Craig makes his debut as James Bond in this sharp, grounded reboot that brings grit, heart, and a lot of broken glass to the franchise. Tonight, we’re sipping the drink that started it all—the Vesper Martini—so join us as we unpack the poker, the parkour, and the pain behind the tux. Cheers!
We drink and we watch movies. Join us weekly with your favorite pint or bottle in hand as we discuss the best (and worst) movies of all time. We are James Michael Keats and Dawson Christopher, and we hope you'll join us!
AI-powered recaps with compact key takeaways, quotes, and insights.
Get key takeaways from Inebriated Cinephiles in a 5-minute read.
Stay current on your favorite podcasts without falling behind.
It's a free AI-powered email that summarizes new episodes of Inebriated Cinephiles as soon as they're published. You get the key takeaways, notable quotes, and links & mentions — all in a quick read.
When a new episode drops, our AI transcribes and analyzes it, then generates a personalized summary tailored to your interests and profession. It's delivered to your inbox every morning.
No. Podzilla is an independent service that summarizes publicly available podcast content. We're not affiliated with or endorsed by James Michael Keats, Dawson Christopher.
Absolutely! The free plan covers up to 3 podcasts. Upgrade to Pro for 15, or Premium for 50. Browse our full catalog at /podcasts.
Inebriated Cinephiles publishes weekly. Our AI generates a summary within hours of each new episode.
Inebriated Cinephiles covers topics including Film, TV & Film, Film Reviews. Our AI identifies the specific themes in each episode and highlights what matters most to you.
Free forever for up to 3 podcasts. No credit card required.
Free forever for up to 3 podcasts. No credit card required.