
The symbolic Doomsday Clock is ticking closer than ever to midnight, driven in part by concerns about the resurgent specter of nuclear weapons. In New York City, an exhibition invited visitors to reflect on those dangers in an unexpected way — through art. The show, titled "Nuclear Injustice," brought together photographs, installations and sound pieces that invite reflection on the human and environmental consequences of nuclear weapons. One installation by Japanese American artist Alan Nakagawa drew particular attention, using sound to connect two places inextricably linked by the atomic bombing of Hiroshima.
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