HORROR BUSINESS Episode 162: FROM THE OLD EARTH and BORN OF FIRE

Greetings, and welcome back to Horror Business. We’ve got one heck of an episode in store for you guys, as we’re talking about 1981’s From The Old Earth and 1987’s Born Of Fire.              First off, thank you to the fine folks over at Lehigh Valley Apparel Creations, the premiere screen-printing company of the Lehigh Valley. Chris Reject and his merry band of miscreants are ready to work with you to bring to life your vision of a t-shirt for your business, band, project, or whatever else it is you need represented by a shirt, sweater, pin, or koozie. Head on over to www.xlvacx.com to check them out. Thank you also to Essex Coffee Roasters, our newest sponsor. Head to www.essexcoffeeroasters.com to check out their fine assortment of coffee and enter CINEPUNX in the promo code for ten percent off your order! And as always thank you to our Patreon subscribers. Your support means the world to us and we are eternally thankful. If you would like to become a Patron, head to patreon.com/cinepunx. Thanks in advance!             We briefly talk what we’ve doing involving horror recently. Liam talks about seeing the remastered version of Re-Animator, Lord Of Illusions, Black Eyed Susan, and House of Dynamite. Justin talks about some of the films he saw for Brooklyn Horror Film Festival and Screamfest, as well as the films Alma and the Wolf, Somnium, The Astronaut, and Traumatika, and the HBO series Welcome To Derry.              Up first is From The Old Earth. Justin talks about how this feels very much like the archetypical folk horror film. We talk about the history of the attempts to keep the Welsh language alive. We briefly talk about the history of Wales and how British colonialism had long attempted to crush the Welsh culture. Justin talks about the role of the Welsh in Lovecraftian fiction, particularly Colin Wilson’s short story, “The Return Of The Lloigor.” We discuss how despite taking place in Wales, the film still has a very British feel to it. The fact that only women can see the villain (a shadowy god) is touched upon and how that plays into the misogynistic views of post-WWII UK. <img data-recalc-dims="1" loading="lazy" decoding="async" class="aligncenter size-large wp-image-29859" src="https://i0.wp.com/cinepunx.com/wp-content/uploads/2025/12/oldearth2.jpeg?resize=750%2C600&#038;ssl=1" alt="" width="750" height="600" srcset="https://i0.wp.com/cinepunx.com/wp-content/uploads/2025/12/oldearth2-scaled.jpeg?resize=750%2C600&amp;ssl=1 750w, https://i0.wp.com/cinepunx.com/wp-content/uploads/2025/12/oldearth2-scaled.jpeg?resize=300%2C240&amp;ssl=1 300w, https://i0.wp.com/cinepunx.com/wp-content/uploads/2025/12/oldearth2-scaled.jpeg?resize=768%2C614&amp;ssl=1 768w, https://i0.wp.com/cinepunx.com/wp-content/uploads/2025/12/oldearth2-scaled.jpeg?resize=1536%2C1229&amp;ssl=1 1536w, https://i0.wp.com/cinepunx.com/wp-content/uploads/2025/12/oldearth2-scaled.jpeg?resize=2048%2C1638&amp;ssl=1 2048w, https://i0.wp.com/cinepunx.com/wp-content/uploads/2025/12/oldearth2-scaled.jpeg?resize=370%2C296&amp;ssl=1 370w, https://i0.wp.com/cinepunx.