Hit Parade | Music History and Music Trivia: Daily Summaries Delivered

More Than a Feeling Edition

If you were watching cable TV around midday at the turn of the millennium, there’s a good chance you saw a commercial for a compilation CD called Monster Ballads. It promised you more than two hours of musical cheese—some of the most over-the-top, cornball, leather-clad romantic jams ever to grace the charts, from “Heaven” to “High Enough,” “Carrie” to “Amanda.”There’s another, more common term for these rockin’ romancers: power ballads. And while this TV ad suggested the power ballad was perfected in the ’80s—preferably sung by a dude in spandex, with long, flowing locks—its roots go back decades earlier. Acts as seemingly mild as Roy Orbison, Harry Nilsson and even the Carpenters were pivotal to the way these mega-devotionals evolved. R&B divas would turn power vocals into an athletic sport, alongside hair-metal howlers. Eventually, power ballads colonized the charts in the ’80s, the ’90s and beyond.Maybe they’re cheesy, cringeworthy and melodramatic—but power ballads have proven remarkably enduring, with even 21st-century Zoomer stars like Olivia Rodrigo offering their own variations. So, join Chris Molanphy as he brings on the heartbreak, finds thorns on every rose, explores feelings we can’t fight anymore and celebrates pop fans’ greatest love of all: the power ballad.Podcast production by Kevin BendisNeed to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

Near-Miss Hits—’70s Edition

In 1979, Sister Sledge changed the sound of wedding receptions forever with “We Are Family.” Believe it or not, the Chic-penned banger never made it to No. 1.In 1977, Steely Dan helped invent Yacht Rock with the jazzy bop “Peg.” They would have loved it better if it had cracked the Top 10.In 1972, Elton John told a timeless tale of a blue-jean baby, a “Tiny Dancer.” Casey Kasem never counted it down.Today on Hit Parade: Chris Molanphy celebrates “near misses”—now-ubiquitous hits that missed the mark on the pop charts, stalling out at No. 2, No. 11 or No. 41. In this episode, Chris zooms in on near-misses from the 1970s, including songs from Paul McCartney, the Spinners, Jackson Browne, Cat Stevens, even Diana Ross and Michael Jackson. Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen.Need to set up your Slate Plus feed? If you subscribed through Slate.com, check out our FAQ at slate.com/podcastfaqs for easy instructions. Members subscribed via Apple Podcasts get automatic access—no setup required. Hosted on Acast. See acast.com/privacy for more information.

Hit Parade: Dancing With Himself Edition

The opening riff of “White Wedding” is instantly recognizable—a skittering, syncopated guitar line quickly swallowed by pummeling drums. But the song itself is a bit of an enigma. Is it rock? Pop? New wave? Rockabilly punk? Like much of Billy Idol’s career, the song exists somewhere in between. Idol was a shape-shifter, blurring genre lines in pursuit of bigger hooks, bigger audiences and, eventually, pop stardom.Raised near London and running with the Sex Pistols’ inner circle, Idol arrived with genuine punk bona fides. But with the rise of MTV and the explosion of new wave, he refashioned himself as the bleach-blond, leather-clad rock crooner who sneered his way to the top of the charts.Join Chris Molanphy as he traces the rise, reinvention and Rock Hall canonization of an original MTV icon.Get more Hit Parade with Slate Plus! Join for bonus episodes of "The Bridge" and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Introducing History Daily: "The Launch of MTV"

Hit Parade is on a brief break, but if you need a daily dose of fascinating stories, check out History Daily. Host Lindsay Graham (the history guy! not the senator!) explores what happened "on this day in history," with a broad mix of politics, sports, technology, medicine, and much more. Chris recommends this episode about the genesis of MTV—including the forgotten role played by a former member of the Monkees. Find History Daily's huge archive of quick-hit history at: https://www.historydaily.com/ Hosted on Acast. See acast.com/privacy for more information.

The Queen of Disco Edition Part 2 (Encore)

Donna Summer was a hit-maker for two decades and a dance floor deity for more than three. Her collaborations with Giorgio Moroder and Pete Bellotte were formative in dance, electronic, and rock music, influencing everyone from David Bowie and Blondie to Madonna and Moby. But the rock establishment was stinting in its appreciation—whether at Comiskey Park in Chicago in 1979 or the Rock and Roll Hall of Fame in the 2000s. In Part 2 of this encore episode from 2017, Chris Molanphy examines how Summer became the queen of disco … and then transcended that role altogether.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

The Queen of Disco Edition Part 1 (Encore)

Donna Summer was a hit-maker for two decades and a dance floor deity for more than three. Her collaborations with Giorgio Moroder and Pete Bellotte were formative in dance, electronic, and rock music, influencing everyone from David Bowie and Blondie to Madonna and Moby. But the rock establishment was stinting in its appreciation—whether at Comiskey Park in Chicago in 1979 or the Rock and Roll Hall of Fame in the 2000s. In this encore episode from 2017, Chris Molanphy examines how Summer became the queen of disco … and then transcended that role altogether.Get more Hit Parade with Slate Plus! Join for monthly early-access episodes, bonus episodes of "The Bridge," and ad-free listening across all your favorite Slate podcasts. Subscribe directly from the Hit Parade show page on Apple Podcasts or Spotify. Or, visit slate.com/hitparadeplus to get access wherever you listen. Hosted on Acast. See acast.com/privacy for more information.

Feet on the Ground, Reaching for the Stars Edition Part 2

Feet on the Ground, Reaching for the Stars Edition Part 1