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by Brad Shreve & Tony Maietta
Will you side with the expert or the enthusiast? Film historian Tony Maietta and movie lover Brad Shreve dive into the best of cinema and TV, from Hollywood’s Golden Age to today’s biggest hits. They share insights, debate favorites, and occasionally clash—but always keep it entertaining. They’ll take you behind the scenes and in front of the camera, bringing back your favorite memories along the way.
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The news hit like a gut punch: Dolly is gone, and somehow the whole world is mourning at once. We needed to talk it out, but since laughter through tears is our favorite emotion, not with a stats-heavy deep dive, but with the stories, songs, laughs, and screen moments that made her feel bigger than celebrity and closer than a neighbor. We look back at the Dolly we met through film and television, from "9 to 5" (1980) to "Steel Magnolias" (1989) to the pure guilty-pleasure fun of "The B...
The line hits like a slap- literally: “Let me tell you the truth for once in my life...I was the slut of all time!” From that notorious confession, we jump into one of the most infamous Hollywood melodramas of all time, MGM’s "Butterfield 8". Today on "Going Hollywood" we're unpacking this notorious guilty pleasure from 1960, and why this film is widely called trash while still being weirdly hard to look away from. We dig into the behind-the-scenes story that makes "Butterfield 8" esse...
It's our first crossover episode! Taking a page from 1990s "Must See TV", today we have a special treat. Join us for a "Going Hollywood/Front Row Classics" crossover event as Tony welcomes FRC's Brandon Davis and guest Ben Burke to the show to discuss the (questionable) guilty classic, MGM's musical remake of "The Women", 1956's "The Opposite Sex" . We talk about the remake’s biggest swings: adding eye-popping Metro-color, wedging in yawn-inducing production numbers, and most criminal of all:...
A gangster’s superstition turns into a citywide con, and somehow it becomes one of the most humane stories of the 1930s. We’re talking about Frank Capra’s "Lady For A Day" (1933), where Apple Annie sells apples in Times Square and Dave the Dude buys one before every deal like it’s a talisman. When Annie’s daughter returns from Spain expecting a wealthy society mother, Dave and his crew scramble to build a high-society illusion overnight, complete with manners, clothes, and a borrowed life. W...
One performer. No guest stars. No dancing chorus to hide behind. Just one unbelievably talented and chutzpah-filled 22-year-old staring down the biggest network in America—and winning all the marbles. It’s Barbra Streisand in the 1960s. Today, we revisit her first two iconic CBS television specials, My Name Is Barbra (1965) and Color Me Barbra (1966), and explore how a girl barely out of her teens could make an hour of pure singing feel like must-see television. These weren’t convention...
We take a listener recommendation and give Brad one more chance to become a George Stevens fan. Will he? Won't he? You'll have to listen to find out, as we tackle what is, arguably, Steven's masterwork and certainly one of the greatest films of the 1950s: "A Place in the Sun". One bad decision is a plot. A thousand tiny compromises is a life, and "A Place in the Sun" (1951) stares straight at that truth until it becomes unbearable. We follow Montgomery Clift’s George Eastman as he reaches for...
“She croaked the blues right out of the horn.” So went a famous movie review by-line, and it kills us to admit it, but it’s true. It’s also true that by it is by popular demand that we’re tackling it all…the good, the bad, and the filters, because, it’s today ladies and gentlemen! From Warner Bros. in 1974, we’re talking about “Mame”. But we’re going to try to look past the punch lines, and dive into the notorious bomb with a little tenderness and understanding, because the story ...
"So gentlemen prefer blondes do they?" This famous opening line is delivered with more than a little irony by our leading lady, the lethally funny Lil Andrews, in today’s film: MGM’s 1932 pre-Code classic “Red Headed Woman”. After all, the woman saying it is cinema’s most celebrated platinum blonde—Jean Harlow—who trades peroxide for provocation and proceeds to set the screen ablaze as a redhead whose morals are negotiable but whose style is impeccable. Marriages go smash, reputat...
Will you side with the expert or the enthusiast? Film historian Tony Maietta and movie lover Brad Shreve dive into the best of cinema and TV, from Hollywood’s Golden Age to today’s biggest hits. They share insights, debate favorites, and occasionally clash—but always keep it entertaining. They’ll take you behind the scenes and in front of the camera, bringing back your favorite memories along the way.
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