60 Minutes and the Collapse of the Empire

Charles Manson famously said, “You can’t kill me. I’m already dead.” I thought about that quote as the 60 Minutes scandal erupted, with a conversation between reporter Scott Pelley and newly hired producer Nick Bilton. From the NYT:“She is murdering ‘60 Minutes,’” [Scott Pelley] said. “She does not love this place. She was brought in to kill it, and she’s been doing exactly that.”Mr. Pelley added: “She has no qualifications for her job; you have slender qualifications for this job. The changes that she’s made at the ‘Evening News’ have been catastrophic, so why should we expect that any of this is going to be any better?”Mr. Bilton responded: “Well, I will show you. That’s what I have to say. That is my plan over the next two weeks. I’ll be meeting with everyone. I’m very excited to meet with everyone, yourself included.”Needless to say, it didn’t exactly go as planned. Several sanctimonious “don’t you know who I am” statements later, Pelley was out. 60 Minutes isn’t quite dead, but it is a relic of the past. In the 1990s, it was pulling in 20-30 million viewers. That dropped to 14-16 million in the 2000s. By the 2010s, it was down to 10-12 million. Now, just 9 million people tune in every week in a country of 340 million. Much of that is due to the changes in technology, but still. There is no doubt that 60 Minutes, like all of legacy media, is trapped inside the same bubble that thinks Jimmy Kimmel’s nightly monologue is still relevant, believes the Oscars still represent the majority of moviegoers, and that the New York Times has its finger on the pulse of everyday America. Like so much of what we might call “resistance era culture,” there doesn’t seem to be a place for 60 Minutes in our culture now, beyond being a propaganda tool for the Democrats, which explains why so many of them feel a profound sense of loss now that Bari Weiss was brought in to give them a refresh. Pelley’s statement to call out the new management at 60 Minutes was the hissy fit heard round the world. The irony is that his statement is itself bad journalism. He throws around serious allegations without offering any concrete examples:Pelley has since talked to the New York Times to explain what he means by some of this, but even still, these are all examples of his own bias, one he can’t see and refuses to admit even exists. Instead, he insists that 60 Minutes is now showing bias simply by representing the other point of view.In the interview, he explains how Bari Weiss wanted him to portray the other side of the story in the killing of Alex Pretti and Renee Good. He says he did not think she drove her car into the officer or that Pretti was in any way violent. While that doesn’t mean they should have lost their lives, there is no question that they were at war with federal officers in a way we’ve never seen since the last Civil War. His bias was front and center at a speech in 2025, where his mass delusions about what this country has become were laid bare. This guy was willing to give Bari Weiss a chance, come on.Already a legend in his own mind, Pelley is writing his own legacy now as a self-made hero who stood up to the fascist regime.Here is Michael Moynihan: A Woketopia, if You Can Keep ItSome say 60 Minutes never recovered from its biggest scandal, when CBS Corporate forced the show to censor an interview with Big Tobacco whistleblower Jeffrey Wigand, as depicted in Michael Mann’s brilliant film The Insider. The Hollywood of today would never make a movie like that unless it somehow blamed Trump and the Republicans. Not only wouldn’t they make it, but they couldn’t make it, no one inside the empire would allow it because, contrary to their own mass delusions, the fascism was always coming from inside the house — all sticks of wood bound together as one, where no dissent is allowed.I look around now, and I see relics of the old empire. They’re frantic and wild-eyed. They’re terrified that it all came crashing down. They don’t know why America turned away. But I do. We never set out to build an empire. For us, it was riding the wave of new technology, new social media, a new computer in our pockets, and a brand new president to bring us into the promised land.It was not Donald Trump's fault that our empire collapsed. It was the old cliche about how power corrupts. We acquired too much of it. Every company, institution, celebrity, movie studio, publishing house, and ordinary person has a social media platform. If you controlled social media, you could control them. Our public humiliation factory kept everyone in line, lest they be “it” on social media.That was true even before Trump won, but the tweak to the algorithm in 2017,